{"id":14491,"date":"2023-10-11T11:22:26","date_gmt":"2023-10-11T03:22:26","guid":{"rendered":"https:\/\/asia.siggraph.org\/2023\/contributors\/"},"modified":"2023-11-09T13:17:44","modified_gmt":"2023-11-09T05:17:44","slug":"contributors","status":"publish","type":"page","link":"https:\/\/asia.siggraph.org\/2023\/contributors\/","title":{"rendered":"Contributors"},"content":{"rendered":"
Full <\/span>Program<\/a><\/span> \u00b7 <\/span>Contributors<\/a><\/span> \u00b7 <\/span>Organizations<\/span><\/a><\/span> \u00b7 <\/span>Search Program<\/span><\/a><\/span><\/div><\/div><\/a>
-<\/a><\/span><\/span> <\/span>A<\/a><\/span><\/span> <\/span>B<\/a><\/span><\/span> <\/span>C<\/a><\/span><\/span> <\/span>D<\/a><\/span><\/span> <\/span>E<\/a><\/span><\/span> <\/span>F<\/a><\/span><\/span> <\/span>G<\/a><\/span><\/span> <\/span>H<\/a><\/span><\/span> <\/span>I<\/a><\/span><\/span> <\/span>J<\/a><\/span><\/span> <\/span>K<\/a><\/span><\/span> <\/span>L<\/a><\/span><\/span> <\/span>M<\/a><\/span><\/span> <\/span>N<\/a><\/span><\/span> <\/span>O<\/a><\/span><\/span> <\/span>P<\/a><\/span><\/span> <\/span>Q<\/a><\/span><\/span> <\/span>R<\/a><\/span><\/span> <\/span>S<\/a><\/span><\/span> <\/span>T<\/a><\/span><\/span> <\/span>U<\/a><\/span><\/span> <\/span>V<\/a><\/span><\/span> <\/span>W<\/a><\/span><\/span> <\/span>X<\/a><\/span><\/span> <\/span>Y<\/a><\/span><\/span> <\/span>Z<\/a><\/span><\/span><\/div>
<\/a>
-<\/div><\/span>
Arikami -<\/a><\/div>
FBR ROM<\/a><\/div><\/span> Australia<\/span><\/div>
Demoscene<\/span> Demoscene aesthetics and pixels on the Gameboy<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
A<\/div><\/span>
Ahmed Abdelreheem<\/a><\/div>
King Abdullah University of Science and Technology (KAUST)<\/a><\/div><\/span> Saudi Arabia<\/span><\/div>
Technical Papers<\/span> Zero-Shot 3D Shape Correspondence<\/a><\/div><\/div><\/div>
Rinat Abdrashitov<\/a><\/div>
Epic Games<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> Robust Skin Weights Transfer via Weight Inpainting<\/a><\/div><\/div><\/div>
Hassan Abu Alhaija<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Germany<\/span><\/div>
Real-Time Live!<\/span> Interactive Texture Painting with Generative AI<\/a><\/div><\/div><\/div>
Asahi Adachi<\/a><\/div>
Sony Computer Science Laboratories - Kyoto<\/a><\/div>
Nara Institute of Science and Technology<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> AI-supported Nishijin-ori: connecting a text-to-image model to traditional Nishijin-ori textile production<\/a><\/div><\/div><\/div>
Matt Adcock<\/a><\/div>
CSIRO Data61<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Interaction Design for Immersive Human-AI Collaboration<\/a><\/div>
Birds of a Feather<\/span> XR Training Applications in the Health and Safety Domain<\/a><\/div><\/div><\/div>
Steve Agland<\/a><\/div>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Courses<\/span> Demystifying OpenUSD: End-to-end Data Pipelines and Workflows<\/a><\/div><\/div><\/div>
Dhruv Agrawal<\/a><\/div>
ETH Z\u00fcrich<\/a><\/div>
DisneyResearch|Studios<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> Pose and Skeleton-aware Neural IK for Pose and Motion Editing<\/a><\/div><\/div><\/div>
Andres Aguilar<\/a><\/div>Director<\/span>
MATTE CG<\/a><\/div><\/span> Ecuador<\/span><\/div>
Computer Animation Festival<\/span> Lucky Brave's Sunshine<\/a><\/div><\/div><\/div>
Kwame Baffour<\/a><\/div>
Graduate Center, City University of New York<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> The Effects of Avatar Voice and Facial Expression Intensity on Emotional Recognition and User Perception<\/a><\/div><\/div><\/div>
Kwame Agyemang<\/a><\/div>
Hunter College<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Mapping and Recognition of Facial Expressions on Another Person's Look-Alike Avatar<\/a><\/div><\/div><\/div>
Shane Aherne<\/a><\/div>
ModelFarm<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> David v Goliath? Starting a Small VFX Business in Australia<\/a><\/div><\/div><\/div>
Abdalla Ahmed<\/a><\/div>
KAUST<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> ART-Owen Scrambling<\/a><\/div>
Technical Papers<\/span> Analysis and Synthesis of Digital Dyadic Sequences<\/a><\/div><\/div><\/div>
Yuki Akachi<\/a><\/div>
Keio University<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> AirPolygon: Transparent, Film-based and Flexible 3D Display with Air-control<\/a><\/div><\/div><\/div>
Kaan Ak\u015fit<\/a><\/div>
University College London (UCL)<\/a><\/div><\/span> United Kingdom<\/span><\/div>
Technical Papers<\/span> Multi-color Holograms Improve Brightness in Holographic Displays<\/a><\/div><\/div><\/div>
Ya\u011f\u0131z Aksoy<\/a><\/div>
Simon Fraser University<\/a><\/div><\/span> <\/div>
Poster<\/span> Datamoshing with Optical Flow<\/a><\/div>
Technical Papers<\/span> Intrinsic Harmonization for Illumination-Aware Image Compositing<\/a><\/div><\/div><\/div>
Yuval Alaluf<\/a><\/div>
Tel Aviv University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> A Neural Space-Time Representation for Text-to-Image Personalization<\/a><\/div><\/div><\/div>
Badour AlBahar<\/a><\/div>
Kuwait University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Single-Image 3D Human Digitization with Shape-guided Diffusion<\/a><\/div><\/div><\/div>
Vincent Albert<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Midnight Hotel<\/a><\/div><\/div><\/div>
Marc Alexa<\/a><\/div>
Technische Universit\u00e4t Berlin<\/a><\/div><\/span> Germany<\/span><\/div>
Courses<\/span> Discrete Laplacians for General Polygonal and Polyhedral Meshes<\/a><\/div><\/div><\/div>
Muhammad Ali<\/a><\/div>
New York University<\/a><\/div><\/span> United Arab Emirates<\/span><\/div>
Emerging Technologies<\/span> Boundless Conversations: AI-Powered Video Interactions across Domains, Languages, and Time<\/a><\/div><\/div><\/div>
Robert S. Allison<\/a><\/div>
Dept. of Electrical Engineering and Computer Science, York University<\/a><\/div><\/span> Canada<\/span><\/div>
Poster<\/span> Quantifying display lag and its effects during Head-Mounted Display based Virtual Reality<\/a><\/div><\/div><\/div>
Stuart Anderson<\/a><\/div>
CSIRO Data61<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> XR Training Applications in the Health and Safety Domain<\/a><\/div><\/div><\/div>
Ryoichi Ando<\/a><\/div>
Keio Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Synced Drift: A Novel Sport Using a System that Harmonises Human Movement to Transcend Distance and Ability<\/a><\/div><\/div><\/div>
Carlos Andujar<\/a><\/div>
Universitat Polit\u00e8cnica de Catalunya (UPC)<\/a><\/div><\/span> Spain<\/span><\/div>
Technical Papers<\/span> SparsePoser: Real-time Full-body Motion Reconstruction from Sparse Data<\/a><\/div><\/div><\/div>
Abdul Basit Anees<\/a><\/div>
Ko\u00e7 University<\/a><\/div><\/span> Turkey<\/span><\/div>
Technical Papers<\/span> CLIP-Guided StyleGAN Inversion for Text-Driven Real Image Editing<\/a><\/div><\/div><\/div>
Miho Aoki<\/a><\/div>
University of Alaska Fairbanks<\/a><\/div>
ACM SIGGRAPH<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> CG in Asia<\/a><\/div>
Birds of a Feather<\/span> CG in Japan<\/a><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div><\/div><\/div>
Ryosuke Aoki<\/a><\/div>
NTT Corporation<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Motor-Skill-Transfer Technology for Piano Playing with Electrical Muscle Stimulation<\/a><\/div><\/div><\/div>
Shinji Aoki<\/a><\/div>
NiTRo<\/a><\/div><\/span> Japan<\/span><\/div>
Super Speed Connectivity<\/span> Interactive Volumetric Live Between Sydney and Tokyo<\/a><\/div><\/div><\/div>
Moab Arar<\/a><\/div>
Tel-Aviv University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Domain-Agnostic Tuning-Encoder for Fast Personalization of Text-To-Image Models<\/a><\/div><\/div><\/div>
Shuntaro Aratani<\/a><\/div>
Canon<\/a><\/div><\/span> Japan<\/span><\/div>
Super Speed Connectivity<\/span> Interactive Volumetric Live Between Sydney and Tokyo<\/a><\/div><\/div><\/div>
Chrystiano Ara\u00fajo<\/a><\/div>
University of British Columbia<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Slippage-Preserving Reshaping of Human-Made 3D Content<\/a><\/div><\/div><\/div>
Alexander Arganaidi<\/a><\/div>
Ready Player Me<\/a><\/div><\/span> Estonia<\/span><\/div>
Poster<\/span> Geometry Aware Texturing<\/a><\/div>
Real-Time Live!<\/span> Geometry Aware Texturing for 3D Avatars Content Creation<\/a><\/div><\/div><\/div>
Yusuke Arikawa<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Avatars for Good Drinking: An Exploratory Study of The Effects of Avatar\u2019s Body Shape on Beverage Perception<\/a><\/div><\/div><\/div>
Andreas Aristidou<\/a><\/div>
University of Cyprus<\/a><\/div>
CYENS Centre of Excellence<\/a><\/div><\/span> Cyprus<\/span><\/div>
Technical Papers<\/span> SparsePoser: Real-time Full-body Motion Reconstruction from Sparse Data<\/a><\/div><\/div><\/div>
Mark Armstrong<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> asmVR: VR-Based ASMR Experience with Multimodal Triggers for Mental Well-Being<\/a><\/div><\/div><\/div>
Selcuk Artut<\/a><\/div>
Sabanci University<\/a><\/div><\/span> Turkey<\/span><\/div>
Art Gallery<\/span> Geomart-ut7: Encountering Geometric Patterns in Media Arts<\/a><\/div><\/div><\/div>
Ali Asadipour<\/a><\/div>
Computer Science Research Centre, Royal College of Art<\/a><\/div><\/span> United Kingdom<\/span><\/div>
Art Gallery<\/span> AI N\u00fcshu (Women's scripts) - An Exploration of Language Emergence in Sisterhood<\/a><\/div>
Art Papers - Short<\/span> AI N\u00fcshu: An Exploration of Language Emergence in Sisterhood Through the Lens of Computational Linguistics<\/a><\/div><\/div><\/div>
Hirosuke Asahi<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> ForceField: Visualizing Intermaterial Interaction through Floor and Depth Sensing<\/a><\/div><\/div><\/div>
Indriyati Atmosukarto<\/a><\/div>
Singapore Institute of Technology<\/a><\/div><\/span> Singapore<\/span><\/div>
Technical Papers<\/span> SynthDa: Exploiting Existing Real-World Data for Usable and Accessible Synthetic Data Generation<\/a><\/div><\/div><\/div>
Marco ATTENE<\/a><\/div>
Institute for Applied Mathematics and Information Technologies (IMATI), CNR<\/a><\/div><\/span> Italy<\/span><\/div>
Technical Papers<\/span> Embed to a Different Space<\/a><\/div><\/div><\/div>
Omri Avrahami<\/a><\/div>
The Hebrew University<\/a><\/div><\/span> Israel<\/span><\/div>
Technical Papers<\/span> Break-A-Scene: Extracting Multiple Concepts from a Single Image<\/a><\/div><\/div><\/div>
Simon Ayton<\/a><\/div>
Roland Australia<\/a><\/div><\/span> Australia<\/span><\/div>
Real-Time Live!<\/span> The drummer who played an orchestra - real time conversion of solo performance to orchestral layers<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
B<\/div><\/span>
Jonghee Back<\/a><\/div>
Gwangju Institute of Science and Technology<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Input-Dependent Uncorrelated Weighting for Monte Carlo Denoising<\/a><\/div><\/div><\/div>
Seok-Hyung Bae<\/a><\/div>
Korea Advanced Institute of Science and Technology (KAIST)<\/a><\/div><\/span> South Korea<\/span><\/div>
Emerging Technologies<\/span> An Interactive Showcase of Touch'n'Draw: Rapid 3D Sketching with Fluent Bimanual Coordination<\/a><\/div><\/div><\/div>
Seung-Hwan Baek<\/a><\/div>
POSTECH<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Computer Vision<\/a><\/div><\/div><\/div>
Huidong Bai<\/a><\/div>
University of Auckland<\/a><\/div>
Empathic Computing Lab<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> LightSense - Long Distance<\/a><\/div><\/div><\/div>
Aloys Baillet<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Australia<\/span><\/div>
Courses<\/span> Demystifying OpenUSD: End-to-end Data Pipelines and Workflows<\/a><\/div>
Exhibitor Talks<\/span> Developer Meetup | Meet the Experts<\/a><\/div>
Exhibitor Talks<\/span> NVIDIA Lectures<\/a><\/div><\/div><\/div>
Saraswathi Vani Balgam<\/a><\/div>
Dancing Atoms<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> [Cancelled] The Power of Connections and Crafting a Compelling Pitch<\/a><\/div><\/div><\/div>
Martin Balint<\/a><\/div>
Max Planck Institute for Informatics<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Joint Sampling and Optimisation for Inverse Rendering<\/a><\/div><\/div><\/div>
Reigo Ban<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Hitchhiking Hands: Remote Interaction by Switching Multiple Hand Avatars with Gaze<\/a><\/div><\/div><\/div>
Xiaojuan Ban<\/a><\/div>
University of Science and Technology Beijing<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> An Implicitly Stable Mixture Model for Dynamic Multi-fluid Simulations<\/a><\/div><\/div><\/div>
Yuki Ban<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> DazzleVR: Enhancement of Brightness by Presenting Afterimage and Dazzle Reflex Sensation in Virtual Reality<\/a><\/div>
Emerging Technologies<\/span> FurAir: Non-contact Presentation of Soft Fur Texture by Psuedo-haptics and Mid-air Ultrasound Haptic Feedback<\/a><\/div>
Emerging Technologies<\/span> WearSway: Wearable Device to Reproduce Tactile Stimuli of Strong Wind through Swaying Clothes<\/a><\/div><\/div><\/div>
Seungbae Bang<\/a><\/div>
University of Toronto<\/a><\/div>
Amazon<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> An Adaptive Fast-Multipole-Accelerated Hybrid Boundary Integral Equation Method for Accurate Diffusion Curves<\/a><\/div>
Technical Papers<\/span> Flesh & Bones<\/a><\/div><\/div><\/div>
Sai Praveen Bangaru<\/a><\/div>
Massachusetts Institute of Technology<\/a><\/div>
NVIDIA<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> SLANG.D: Fast, Modular and Differentiable Shader Programming<\/a><\/div><\/div><\/div>
Hujun Bao<\/a><\/div>
State Key Lab of CAD\\&CG, Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> EasyVolcap: Accelerating Neural Volumetric Video Research<\/a><\/div><\/div><\/div>
Giulia Barbareschi<\/a><\/div>
Keio Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Synced Drift: A Novel Sport Using a System that Harmonises Human Movement to Transcend Distance and Ability<\/a><\/div><\/div><\/div>
Jernej Barbic<\/a><\/div>
University of Southern California<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Beyond Skin Deep<\/a><\/div>
Technical Papers<\/span> Capturing Animation-Ready Isotropic Materials Using Systematic Poking<\/a><\/div>
Technical Papers<\/span> Kirchhoff-Love Shells with Arbitrary Hyperelastic Materials<\/a><\/div><\/div><\/div>
Aaron Barclay<\/a><\/div>
Head of Compositing - Fin Design + Effects<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Boutique VFX Studios Deliver Big Results with Nuke Studio<\/a><\/div><\/div><\/div>
Amit Barde<\/a><\/div>
University of Auckland<\/a><\/div>
Empathic Computing Lab<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> LightSense - Long Distance<\/a><\/div><\/div><\/div>
Tully Barnett<\/a><\/div>
Flinders University<\/a><\/div>
Assemblage<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Virtual Production Beyond Cinema<\/a><\/div><\/div><\/div>
Elizabeth Baron<\/a><\/div>
Immersionary Enterprises, LLC<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> Immersive Visualization for Science, Research, Art and Metaverse Applications<\/a><\/div><\/div><\/div>
Lucia Barrera<\/a><\/div>
UNSW Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> Perinatal Dreaming - Understanding Country [XR Theater]<\/a><\/div><\/div><\/div>
Glenn Barry<\/a><\/div>
Griffith University<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> Perinatal Dreaming - Understanding Country [XR Theater]<\/a><\/div><\/div><\/div>
Mamadou Barry<\/a><\/div>
GOBELINS, l\u2019\u00e9cole de l\u2019image<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Funeral at Nine<\/a><\/div><\/div><\/div>
Johan Barthelemy<\/a><\/div>
Senior Developer Relations Manager - Strategic Researcher Engagement, APAC, NVIDIA<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Developer Meetup | Meet the Experts<\/a><\/div>
Exhibitor Talks<\/span> NVIDIA Lectures<\/a><\/div><\/div><\/div>
Christopher Batty<\/a><\/div>
University of Waterloo<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Fluid Simulation<\/a><\/div><\/div><\/div>
Daria Batueva<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> Russia<\/span><\/div>
Computer Animation Festival<\/span> Thaba Ye<\/a><\/div><\/div><\/div>
Ahmet Canberk Baykal<\/a><\/div>
Ko\u00e7 University<\/a><\/div><\/span> Turkey<\/span><\/div>
Technical Papers<\/span> CLIP-Guided StyleGAN Inversion for Text-Driven Real Image Editing<\/a><\/div><\/div><\/div>
Nathan Bazley<\/a><\/div>
VP Concepts<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Virtual Production<\/a><\/div><\/div><\/div>
Abraham Beauferris<\/a><\/div>
Huawei<\/a><\/div><\/span> Canada<\/span><\/div>
Poster<\/span> Deep Albedo: A Machine Learning Approach to Real-Time Photo Realistic Human Skin Rendering and Editing Using Autoencoders<\/a><\/div><\/div><\/div>
Quentin Becker<\/a><\/div>
EPFL<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> C-shells: Deployable Gridshells with Curved Beams<\/a><\/div><\/div><\/div>
Megan Beckwith<\/a><\/div>
University of Melbourne<\/a><\/div><\/span> Australia<\/span><\/div>
Real-Time Live!<\/span> Collective Gestures \/ Collapsing Distances<\/a><\/div><\/div><\/div>
Tomasz Bednarz<\/a><\/div>Director of Strategic Researcher Engagement<\/span>
NVIDIA<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> ACM 4.0 and a Values-Based Vision for Computing<\/a><\/div>
Exhibitor Talks<\/span> Developer Meetup | Meet the Experts<\/a><\/div>
Birds of a Feather<\/span> Generative AI for Graphics, 3D and Videos<\/a><\/div>
Birds of a Feather<\/span> Immersive Visualization for Science, Research, Art and Metaverse Applications<\/a><\/div>
Talks<\/span> Khronos Fast Forward<\/a><\/div>
Courses<\/span> Use of Physics Based AI for Simulation and Modeling in Era of Digital Twins<\/a><\/div><\/div><\/div>
Tamrat Belayneh<\/a><\/div>
Esri<\/a><\/div><\/span> United States of America<\/span><\/div>
Talks<\/span> Democratizing Building Information Model (BIM) Data Access in Digital Twins by Using OGC I3S 3D Streaming Standard<\/a><\/div><\/div><\/div>
Yash Belhe<\/a><\/div>
University of California San Diego<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Discontinuity-Aware 2D Neural Fields<\/a><\/div><\/div><\/div>
Marine Benabdallah-Crolais<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> #DoudouChallenge<\/a><\/div><\/div><\/div>
Otman Benchekroun<\/a><\/div>
University of Toronto<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Subspace Mixed Finite Elements for Real-Time Heterogeneous Elastodynamics<\/a><\/div><\/div><\/div>
Alison Bennett<\/a><\/div>
RMIT University<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> Expressive Aesthetics in Data Visualisation<\/a><\/div><\/div><\/div>
Gregory Bennett<\/a><\/div>
Auckland University of Technology<\/a><\/div><\/span> New Zealand<\/span><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div>
Educator's Forum<\/span> Pedagogical strategies for teaching Virtual Production pipelines<\/a><\/div><\/div><\/div>
Jill Bennett<\/a><\/div>
UNSW Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> A Safer Place? Stories from the Emergency Department [XR Theater]<\/a><\/div>
XR<\/span> Perinatal Dreaming - Understanding Country [XR Theater]<\/a><\/div><\/div><\/div>
Nicola Bernardi<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> Italy<\/span><\/div>
Computer Animation Festival<\/span> Last Summer<\/a><\/div><\/div><\/div>
Jason Bevan<\/a><\/div>
Flinders University<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Building Virtual Production Capabilities and Curriculum Within University Settings<\/a><\/div><\/div><\/div>
Robert Beveridge<\/a><\/div>
Machine Learning 2D Supervisor - RSP<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Integrating Machine Learning Workflows Within a VFX Pipeline<\/a><\/div><\/div><\/div>
School of Visual Arts BFA Animation<\/a><\/div>Academic Program<\/span>
School of Visual Arts<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Smile Mask<\/a><\/div><\/div><\/div>
Shrisha Bharadwaj<\/a><\/div>
Max Planck Institute for Intelligent Systems<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> FLARE: Fast Learning of Animatable and Relightable Mesh Avatars<\/a><\/div><\/div><\/div>
Purav Bhardwaj<\/a><\/div>
University of California Santa Barbara<\/a><\/div>
National Institute of Design, India<\/a><\/div><\/span> India<\/span><\/div>
Art Papers - Short<\/span> Ghost in the Machine : Discourses with AI<\/a><\/div><\/div><\/div>
Sukanya Bhattacharjee<\/a><\/div>
Indian Institute of Technology (IIT), Bombay<\/a><\/div><\/span> India<\/span><\/div>
Doctoral Consortium<\/span> Learning Assisted Interactive 3D modelling from 3D sketches<\/a><\/div><\/div><\/div>
Zoubin Bi<\/a><\/div>
State Key Laboratory of CAD&CG, Zhejiang Univerisity<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Differentiable Dynamic Visible-Light Tomography<\/a><\/div><\/div><\/div>
Bernd Bickel<\/a><\/div>
Institute of Science and Technology Austria<\/a><\/div>
Google Research<\/a><\/div><\/span> Austria<\/span><\/div>
Technical Papers<\/span> Designer Assistant<\/a><\/div>
Technical Papers<\/span> The Design Space of Kirchhoff Rods<\/a><\/div><\/div><\/div>
Mario Bijelic<\/a><\/div>
Princeton University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Thin On-Sensor Nanophotonic Array Cameras<\/a><\/div><\/div><\/div>
Mark Billinghurst<\/a><\/div>
University of South Australia<\/a><\/div>
University of Auckland<\/a><\/div><\/span> Australia<\/span><\/div>
Technical Papers<\/span> A Motion-Simulation Platform to Generate Synthetic Motion Data for Computer Vision Tasks<\/a><\/div>
XR<\/span> Healing Horizons: Adaptive VR for Traumatic Brain Injury Rehabilitation<\/a><\/div>
Art Gallery<\/span> LightSense - Long Distance<\/a><\/div>
XR<\/span> NinjaHeads: Gaze-Oriented Parallel View System for Asynchronous Tasks<\/a><\/div>
Birds of a Feather<\/span> Paper Accepted!: Getting Work Published at SIGGRAPH<\/a><\/div>
Courses<\/span> Rapid Prototyping for XR<\/a><\/div>
XR<\/span> SensoryScape: Context-Aware Empathic VR Photography<\/a><\/div><\/div><\/div>
Robin Chen<\/a><\/div>
National Taiwan University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Birds of a Feather<\/span> CG in Asia<\/a><\/div><\/div><\/div>
Magdalena Bisogni<\/a><\/div>
CG Spectrum<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> What to Expect in Your First Job<\/a><\/div><\/div><\/div>
Jan Bitzer<\/a><\/div>Distributor<\/span>
woodblock<\/a><\/div><\/span> Germany<\/span><\/div>
Computer Animation Festival<\/span> Bye Bear<\/a><\/div><\/div><\/div>
Jan Bitzer<\/a><\/div>
woodblock<\/a><\/div><\/span> Germany<\/span><\/div>
Computer Animation Festival<\/span> Bye Bear<\/a><\/div><\/div><\/div>
Curtis Black<\/a><\/div>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Technical Papers<\/span> Focus Range: Production Ray Tracing of Depth of Field<\/a><\/div><\/div><\/div>
Kevin Blackistone<\/a><\/div>
N\/A<\/a><\/div><\/span> Austria<\/span><\/div>
Art Gallery<\/span> Exquisite Corpus<\/a><\/div><\/div><\/div>
Hana Blaha \u0160ilarov\u00e1<\/a><\/div>
Frame Films<\/a><\/div><\/span> Czech Republic<\/span><\/div>
XR<\/span> Darkening [XR Theater]<\/a><\/div><\/div><\/div>
C\u00e9cile Blondel<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Funeral at Nine<\/a><\/div>
Computer Animation Festival<\/span> Go Fishboy<\/a><\/div>
Computer Animation Festival<\/span> Last Summer<\/a><\/div>
Computer Animation Festival<\/span> Midnight Hotel<\/a><\/div>
Computer Animation Festival<\/span> Search for the Human<\/a><\/div>
Computer Animation Festival<\/span> Thaba Ye<\/a><\/div><\/div><\/div>
Guillaume Boiss\u00e9<\/a><\/div>
Advanced Micro Devices, Advanced Micro Devices, Inc. (AMD)<\/a><\/div><\/span> France<\/span><\/div>
Technical Papers<\/span> Real-time Rendering of Glossy Reflections using Ray Tracing and Two-level Radiance Caching<\/a><\/div><\/div><\/div>
Masayoshi Boku<\/a><\/div>
Bascule<\/a><\/div><\/span> <\/div>
Super Speed Connectivity<\/span> Interactive Volumetric Live Between Sydney and Tokyo<\/a><\/div><\/div><\/div>
Olivier Bos<\/a><\/div>
MeshMinds Pte. Ltd.<\/a><\/div>
The MeshMinds Foundation Ltd.<\/a><\/div><\/span> Singapore<\/span><\/div>
Art Gallery<\/span> Aquasia<\/a><\/div><\/div><\/div>
Jean Botev<\/a><\/div>
VR\/AR Lab, University of Luxembourg<\/a><\/div><\/span> Luxembourg<\/span><\/div>
Demoscene<\/span> Demoscene and XR<\/a><\/div><\/div><\/div>
Mario Botsch<\/a><\/div>
TU Dortmund University<\/a><\/div><\/span> Germany<\/span><\/div>
Courses<\/span> Discrete Laplacians for General Polygonal and Polyhedral Meshes<\/a><\/div><\/div><\/div>
Katia Bourahmoune<\/a><\/div>
Univeristy of Technology Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Poster<\/span> A remote training platform for learning physical skills using an AI powered virtual coach and a novel IoT sensing mat<\/a><\/div><\/div><\/div>
Nicolas Bourniquel<\/a><\/div>
\/<\/a><\/div><\/span> France<\/span><\/div>
XR<\/span> Fortune [XR Theater]<\/a><\/div><\/div><\/div>
Maxime Bourstin<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Quem Salva<\/a><\/div><\/div><\/div>
Tristan Braud<\/a><\/div>
Hong Kong University of Science and Technology<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Art Gallery<\/span> AI N\u00fcshu (Women's scripts) - An Exploration of Language Emergence in Sisterhood<\/a><\/div>
Art Papers - Short<\/span> AI N\u00fcshu: An Exploration of Language Emergence in Sisterhood Through the Lens of Computational Linguistics<\/a><\/div><\/div><\/div>
Rob Bredow<\/a><\/div>SVP, Chief Creative Officer<\/span>
Industrial Light & Magic<\/a><\/div><\/span> United States of America<\/span><\/div>
Featured Sessions<\/span> The Intersection of Art and Technology: Creative Design at Industrial Light & Magic<\/a><\/div><\/div><\/div>
Navin Brohier<\/a><\/div>
UNSW<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Penumbra2.0<\/a><\/div><\/div><\/div>
Anna Broinowski<\/a><\/div>
Sydney College of the Arts, The University of Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Deepfakes: Cool New Tool Or The End Of Truth As We Know It?<\/a><\/div><\/div><\/div>
Carol Brown<\/a><\/div>
University of Melbourne<\/a><\/div><\/span> Australia<\/span><\/div>
Real-Time Live!<\/span> Collective Gestures \/ Collapsing Distances<\/a><\/div><\/div><\/div>
Paul Brown<\/a><\/div>Former Co-Founder and Director<\/span>
Digital Pictures VFX<\/a><\/div><\/span> United Kingdom<\/span><\/div>
Birds of a Feather<\/span> The Distinguished Artist Award for Lifetime Achievement in Digital Art<\/a><\/div><\/div><\/div>
Jonah Brucker-Cohen<\/a><\/div>
Lehman College<\/a><\/div>
City University of New York<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Anything Can be Neural<\/a><\/div>
Art Papers - Short<\/span> Environmental Inversion: A Collection of Artworks that Subvert Methods of Climate Change Action<\/a><\/div><\/div><\/div>
Hendrik Br\u00fcckler<\/a><\/div>
Osnabr\u00fcck University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Collapsing Embedded Cell Complexes for Safer Hexahedral Meshing<\/a><\/div><\/div><\/div>
Ron Bull<\/a><\/div>
Otago Polytechnic<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> M\u0101k\u016b, te h\u0101 o Haupapa: Moisture, the breath of Haupapa<\/a><\/div><\/div><\/div>
Astrid Bunge<\/a><\/div>
TU Dortmund University<\/a><\/div><\/span> <\/div>
Courses<\/span> Discrete Laplacians for General Polygonal and Polyhedral Meshes<\/a><\/div><\/div><\/div>
J. Andreas B\u00e6rentzen<\/a><\/div>
Technical University of Denmark<\/a><\/div><\/span> Denmark<\/span><\/div>
Technical Papers<\/span> Computational Design<\/a><\/div>
Technical Papers<\/span> Curl Noise Jittering<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
C<\/div><\/span>
Matt Cabanag<\/a><\/div>
University of New South Wales Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Educator's Forum<\/span> MathVR: Teaching Vector Arithmetic Using Virtual Reality<\/a><\/div><\/div><\/div>
L. Nicol Cabe<\/a><\/div>
Flinders University<\/a><\/div>
Giant Nerd Productions<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Virtual Production Beyond Cinema<\/a><\/div><\/div><\/div>
Bruno Caetano<\/a><\/div>
COLA Animation<\/a><\/div><\/span> Portugal<\/span><\/div>
Computer Animation Festival<\/span> Ice Merchants<\/a><\/div><\/div><\/div>
Jianfei Cai<\/a><\/div>
Monash University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> How To Deal With NERF?<\/a><\/div><\/div><\/div>
Zhongang Cai<\/a><\/div>
SenseTime Research<\/a><\/div><\/span> Singapore<\/span><\/div>
Technical Papers<\/span> Story-to-Motion: Synthesizing Infinite and Controllable Character Animation from Long Text<\/a><\/div><\/div><\/div>
Damian Candusso<\/a><\/div>
QUT<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> New Dimensions in Extended Reality<\/a><\/div><\/div><\/div>
Mar Canet Sola<\/a><\/div>
Tallinn university<\/a><\/div>
Varvara & Mar<\/a><\/div><\/span> Estonia<\/span><\/div>
Art Gallery<\/span> Visions of Destruction<\/a><\/div><\/div><\/div>
Marie-Paule CANI<\/a><\/div>
LIX - Ecole Polytechnique, Institut Polytechnique de Paris<\/a><\/div><\/span> France<\/span><\/div>
Technical Papers<\/span> PerfectDart: Automatic Dart Design for Garment Fitting<\/a><\/div><\/div><\/div>
Ryan Capouellez<\/a><\/div>
New York University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Metric Optimization in Penner Coordinates<\/a><\/div><\/div><\/div>
Chris Careaga<\/a><\/div>
Simon Fraser University<\/a><\/div><\/span> Canada<\/span><\/div>
Poster<\/span> Datamoshing with Optical Flow<\/a><\/div>
Technical Papers<\/span> Intrinsic Harmonization for Illumination-Aware Image Compositing<\/a><\/div><\/div><\/div>
Marc Carmichael<\/a><\/div>
University of Technology Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Poster<\/span> A remote training platform for learning physical skills using an AI powered virtual coach and a novel IoT sensing mat<\/a><\/div><\/div><\/div>
Sarah Carney<\/a><\/div>Chief Technical Officer, Enterprise Commercial<\/span>
Microsoft<\/a><\/div><\/span> Australia<\/span><\/div>
Business and Innovation Symposium<\/span> GenAI Trends - Beyond the Hype: the real world use cases and what we\u2019ve learnt from the field.<\/a><\/div>
Business and Innovation Symposium<\/span> Panel: Future of GenAI<\/a><\/div><\/div><\/div>
Chris Carter<\/a><\/div>
RMIT<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Building Virtual Production Capabilities and Curriculum Within University Settings<\/a><\/div>
Birds of a Feather<\/span> Virtual Production<\/a><\/div><\/div><\/div>
Justin Carter<\/a><\/div>
Griffith University<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Virtual Production<\/a><\/div><\/div><\/div>
Alvaro Cassinelli<\/a><\/div>
City University of Hong Kong<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Art Gallery<\/span> Cymatic Ground<\/a><\/div>
Emerging Technologies<\/span> The Zoetop: a kinesthetic-aware zoetrope<\/a><\/div><\/div><\/div>
Pedro Castro Neves<\/a><\/div>
Modo Imago<\/a><\/div><\/span> Portugal<\/span><\/div>
Computer Animation Festival<\/span> Morning Shadows<\/a><\/div><\/div><\/div>
Victor Ceballos Inza<\/a><\/div>
King Abdullah University of Science and Technology (KAUST)<\/a><\/div><\/span> Saudi Arabia<\/span><\/div>
Technical Papers<\/span> Developable Quad Meshes and Contact Element Nets<\/a><\/div><\/div><\/div>
Duygu Ceylan<\/a><\/div>
Adobe Research<\/a><\/div><\/span> United Kingdom<\/span><\/div>
Technical Papers<\/span> CLIP-Guided StyleGAN Inversion for Text-Driven Real Image Editing<\/a><\/div><\/div><\/div>
Alina Chadwick<\/a><\/div>
Dartmouth College<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> MicroGlam: Microscopic Skin Image Dataset with Cosmetics<\/a><\/div><\/div><\/div>
Praneeth Chakravarthula<\/a><\/div>
Princeton University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Thin On-Sensor Nanophotonic Array Cameras<\/a><\/div><\/div><\/div>
Andrew Chalmers<\/a><\/div>
Victoria University of Wellington<\/a><\/div>
Computational Media Innovation Centre<\/a><\/div><\/span> New Zealand<\/span><\/div>
Technical Papers<\/span> A Motion-Simulation Platform to Generate Synthetic Motion Data for Computer Vision Tasks<\/a><\/div>
Real-Time Live!<\/span> Real-time Auditorium Modeling and Visual Effects for Live Performances<\/a><\/div><\/div><\/div>
Dorian Y Chan<\/a><\/div>
Carnegie Mellon University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Light-Efficient Holographic Illumination for Continuous-Wave Time-of-Flight Imaging<\/a><\/div><\/div><\/div>
Manmohan Chandraker<\/a><\/div>
University of California San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Spatiotemporally Consistent HDR Indoor Lighting Estimation<\/a><\/div><\/div><\/div>
Prashanth Chandran<\/a><\/div>
Disney Research|Studios<\/a><\/div><\/span> <\/div>
Courses<\/span> Next Generation 3D Face Models<\/a><\/div><\/div><\/div>
Yue Chang<\/a><\/div>
University of Toronto<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> LiCROM: Linear-Subspace Continuous Reduced Order Modeling with Neural Fields<\/a><\/div><\/div><\/div>
Zhuang Chang<\/a><\/div>
University of Auckland<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Healing Horizons: Adaptive VR for Traumatic Brain Injury Rehabilitation<\/a><\/div><\/div><\/div>
ACM SIGGRAPH Chapters<\/a><\/div>
ACM SIGGRAPH Chapters Committee<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> How to Join or Start an ACM SIGGRAPH Chapter<\/a><\/div><\/div><\/div>
Kenneth Chau<\/a><\/div>
University of British Columbia<\/a><\/div><\/span> Canada<\/span><\/div>
Poster<\/span> Deep Albedo: A Machine Learning Approach to Real-Time Photo Realistic Human Skin Rendering and Editing Using Autoencoders<\/a><\/div><\/div><\/div>
Parag Chaudhuri<\/a><\/div>
Indian Institute of Technology Bombay<\/a><\/div><\/span> India<\/span><\/div>
Technical Papers<\/span> Full-Body Avatar<\/a><\/div><\/div><\/div>
Mark Chavez<\/a><\/div>
Giant Monster<\/a><\/div><\/span> Singapore<\/span><\/div>
Computer Animation Festival<\/span> Moirai- Thread of Life<\/a><\/div><\/div><\/div>
Noshaba Cheema<\/a><\/div>
German Research Center for Artificial Intelligence<\/a><\/div>
Max-Planck Institute for Informatics<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> Discovering Fatigued Movements for Virtual Character Animation<\/a><\/div><\/div><\/div>
Baoquan Chen<\/a><\/div>
Peking University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Reconstruction<\/a><\/div><\/div><\/div>
Bin Chen<\/a><\/div>
Max-Planck-Institut f\u00fcr Informatik<\/a><\/div><\/span> Australia<\/span><\/div>
Technical Papers<\/span> See Details<\/a><\/div>
Technical Papers<\/span> The effect of display capabilities on the gloss consistency between real and virtual objects<\/a><\/div><\/div><\/div>
Bingyi Chen<\/a><\/div>
Center for Future Media, University of Electronic Science and Technology of China<\/a><\/div>
School of Computer Science and Engineering, University of Electronic Science and Technology of China<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Monte Carlo Denoising via Multi-scale Auxiliary Feature Fusion Guided Transformer<\/a><\/div><\/div><\/div>
BoSheng Chen<\/a><\/div>
National Yang Ming Chiao Tung University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Interactive Relative Pose Estimation for 360\u00b0 Indoor Panoramas through Wall-Wall Matching Selections<\/a><\/div><\/div><\/div>
Jun Chen<\/a><\/div>
Beijing Film Academy<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Footstep Detection for Film Sound Production<\/a><\/div><\/div><\/div>
JunLiang Chen<\/a><\/div>
Beijing Film Academy<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Footstep Detection for Film Sound Production<\/a><\/div><\/div><\/div>
Po-Chih Chen<\/a><\/div>
National Cheng-Kung University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Learning to Generate Wire Sculpture Art from 3D Models<\/a><\/div><\/div><\/div>
Qifeng Chen<\/a><\/div>
Hong Kong University of Science and Technology<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> AniPortraitGAN: Animatable 3D Portrait Generation from 2D Image Collections<\/a><\/div><\/div><\/div>
Qimin Chen<\/a><\/div>
Simon Fraser University<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> ShaDDR: Interactive Example-Based Geometry and Texture Generation via 3D Shape Detailization and Differentiable Rendering<\/a><\/div><\/div><\/div>
Shu-Yu Chen<\/a><\/div>
Institute of Computing Technology, Chinese Academy of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> NeRFFaceLighting: Implicit and Disentangled Face Lighting Representation Leveraging Generative Prior in Neural Radiance Fields<\/a><\/div><\/div><\/div>
Weijen Chen<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> FoodMorph: Changing Food Appearance Towards Less Unhealthy Food Intake<\/a><\/div><\/div><\/div>
Xuhui Chen<\/a><\/div>
Institute of Software, Chinese Academy of Sciences<\/a><\/div>
University of Chinese Academy of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Robust Zero Level-Set Extraction from Unsigned Distance Fields Based on Double Covering<\/a><\/div><\/div><\/div>
Yun-Ju Chen<\/a><\/div>
National Taipei University of Business<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Gaze and Graze: Illuminating Taiwanese Hand Puppet Character Display and Deconstructing Visual Engagement<\/a><\/div><\/div><\/div>
Yurou Chen<\/a><\/div>
SOAS, University of London<\/a><\/div><\/span> United Kingdom<\/span><\/div>
Art Papers - Short<\/span> AI N\u00fcshu: An Exploration of Language Emergence in Sisterhood Through the Lens of Computational Linguistics<\/a><\/div><\/div><\/div>
Gary Cheng<\/a><\/div>
Business Development Manager, Giga Computing<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Industrial Application Cases 3 | Design for AI & HPC<\/a><\/div><\/div><\/div>
Mingyong Cheng<\/a><\/div>
University of California San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Art Gallery<\/span> Fusion: Landscape and Beyond 2.0<\/a><\/div><\/div><\/div>
Pu CHENG<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Albert Chern<\/a><\/div>
University of California San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Poster<\/span> Closest Point Exterior Calculus<\/a><\/div><\/div><\/div>
Ram Cherukuri<\/a><\/div>
NVIDIA<\/a><\/div><\/span> United States of America<\/span><\/div>
Courses<\/span> Use of Physics Based AI for Simulation and Modeling in Era of Digital Twins<\/a><\/div><\/div><\/div>
Evgeniia Cheskidova<\/a><\/div>
Ready Player Me<\/a><\/div><\/span> Estonia<\/span><\/div>
Poster<\/span> Geometry Aware Texturing<\/a><\/div>
Real-Time Live!<\/span> Geometry Aware Texturing for 3D Avatars Content Creation<\/a><\/div><\/div><\/div>
Alberto Chierici<\/a><\/div>
New York University<\/a><\/div><\/span> United Arab Emirates<\/span><\/div>
Emerging Technologies<\/span> Boundless Conversations: AI-Powered Video Interactions across Domains, Languages, and Time<\/a><\/div><\/div><\/div>
Victoria Chiu<\/a><\/div>
University of Melbourne<\/a><\/div><\/span> Australia<\/span><\/div>
Real-Time Live!<\/span> Collective Gestures \/ Collapsing Distances<\/a><\/div><\/div><\/div>
Hyunwoo Cho<\/a><\/div>
University of South Australia<\/a><\/div><\/span> Australia<\/span><\/div>
Poster<\/span> Flying Over Tourist Attractions: A Novel Augmented Reality Tourism System Using Miniature Dioramas<\/a><\/div><\/div><\/div>
Jinuk Choi<\/a><\/div>Director<\/span>
Kotory Studio<\/a><\/div><\/span> South Korea<\/span><\/div>
Computer Animation Festival<\/span> Hair Universe<\/a><\/div><\/div><\/div>
Kiseok Choi<\/a><\/div>
Korea Advanced Institute of Science and Technology (KAIST)<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Self-Calibrating, Fully Differentiable NLOS Inverse Rendering<\/a><\/div><\/div><\/div>
Sang-Min Choi<\/a><\/div>
Gyeongsang National University<\/a><\/div><\/span> South Korea<\/span><\/div>
Poster<\/span> Flying Over Tourist Attractions: A Novel Augmented Reality Tourism System Using Miniature Dioramas<\/a><\/div><\/div><\/div>
Soo-Mi Choi<\/a><\/div>
Sejong University<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Applications & Innovations<\/a><\/div><\/div><\/div>
Toby Chong<\/a><\/div>
The University of Toko<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> MicroGlam: Microscopic Skin Image Dataset with Cosmetics<\/a><\/div><\/div><\/div>
Gene Chou<\/a><\/div>
Princeton University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Thin On-Sensor Nanophotonic Array Cameras<\/a><\/div><\/div><\/div>
Hsiao-ching Chou<\/a><\/div>
Institute of Applied Arts, National Yang Ming Chiao Tung University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Art Papers - Short<\/span> Computational Three Distances: Exploring the Aesthetics of the Southern Song Dynasty and Its Adapted Simulation and Rendering<\/a><\/div><\/div><\/div>
AJ Christensen<\/a><\/div>
NASA (SSAI)<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> How to Join or Start an ACM SIGGRAPH Chapter<\/a><\/div><\/div><\/div>
Kinfung Chu<\/a><\/div>
Tohoku University<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Real-Time Reconstruction of Fluid Flow under Unknown Disturbance<\/a><\/div><\/div><\/div>
Yoon Han<\/a><\/div>
San Jose State University<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> CG in Asia<\/a><\/div>
Art Gallery<\/span> Plastic Landscape - The Reversible World<\/a><\/div><\/div><\/div>
Denise Cirone<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Go Fishboy<\/a><\/div><\/div><\/div>
Rob Coleman<\/a><\/div>Creative Director<\/span>
Industrial Light & Magic<\/a><\/div><\/span> Australia<\/span><\/div>
Featured Sessions<\/span> The Craft of Character Story Telling in an Age of High-Tech Tools Panel<\/a><\/div><\/div><\/div>
Sally Coleman<\/a><\/div>
Big Sand<\/a><\/div><\/span> Australia<\/span><\/div>
Real-Time Live!<\/span> Big Sand Live<\/a><\/div><\/div><\/div>
Arnaud Colinart<\/a><\/div>
Atlas V<\/a><\/div><\/span> France<\/span><\/div>
XR<\/span> Fortune [XR Theater]<\/a><\/div><\/div><\/div>
Lin Cong<\/a><\/div>
University of Hamburg<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Efficient Human Motion Reconstruction from Monocular Videos with Physical Consistency Loss<\/a><\/div><\/div><\/div>
Ina Conradi Chavez<\/a><\/div>Director, producer<\/span>
Nanyang Technological University<\/a><\/div>
ADM School of Art, Design and Media<\/a><\/div><\/span> Singapore<\/span><\/div>
Computer Animation Festival<\/span> Moirai- Thread of Life<\/a><\/div><\/div><\/div>
Michael Cook<\/a><\/div>
Kings College London<\/a><\/div><\/span> United Kingdom<\/span><\/div>
Art Papers - Short<\/span> \"AI-Generated Imagery: A New Era for the `Readymade'\"<\/a><\/div><\/div><\/div>
Ben Cooke<\/a><\/div>
DNEG<\/a><\/div><\/span> Australia<\/span><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div><\/div><\/div>
Isa Cotte<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> L'Animal Sauce Ail<\/a><\/div><\/div><\/div>
Deborah Cramb<\/a><\/div>
DNEG<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> DNEG Down Under: A Look at DNEG Sydney\u2019s Studio<\/a><\/div>
Exhibitor Talks<\/span> DNEG Down Under: Cheers to One Year!<\/a><\/div><\/div><\/div>
Teresa Crea<\/a><\/div>Senior Lecturer<\/span>
University of New South Wales (UNSW)<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Designing Sustainable Space and Environment<\/a><\/div><\/div><\/div>
Luka Croisez<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Paumo D'amour<\/a><\/div><\/div><\/div>
Rita Cruchinho Neves<\/a><\/div>Director<\/span>
Modo Imago<\/a><\/div><\/span> Portugal<\/span><\/div>
Computer Animation Festival<\/span> Morning Shadows<\/a><\/div><\/div><\/div>
Rita Cruchinho Neves<\/a><\/div>
Modo Imago<\/a><\/div><\/span> Portugal<\/span><\/div>
Computer Animation Festival<\/span> Morning Shadows<\/a><\/div><\/div><\/div>
Ruoxin Cui<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> FoodMorph: Changing Food Appearance Towards Less Unhealthy Food Intake<\/a><\/div>
Poster<\/span> asmVR: VR-Based ASMR Experience with Multimodal Triggers for Mental Well-Being<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
D<\/div><\/span>
Jessica D'Ali<\/a><\/div>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Empowering Women in Technology: You\u2019re Not the Only One Feeling This Way<\/a><\/div><\/div><\/div>
Radek Danecek<\/a><\/div>
Max Planck Institut for Intelligent Systems<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> Emotional Speech-Driven Animation with Content-Emotion Disentanglement<\/a><\/div><\/div><\/div>
Xuexi Dang<\/a><\/div>
University of California San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Art Gallery<\/span> Fusion: Landscape and Beyond 2.0<\/a><\/div><\/div><\/div>
Atsushi Date<\/a><\/div>
Canon<\/a><\/div><\/span> Japan<\/span><\/div>
Super Speed Connectivity<\/span> Interactive Volumetric Live Between Sydney and Tokyo<\/a><\/div><\/div><\/div>
Sayantan Datta<\/a><\/div>
McGill University<\/a><\/div>
Meta Reality Labs<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> Efficient Graphics Representation with Differentiable Indirection<\/a><\/div><\/div><\/div>
Akshat Dave<\/a><\/div>
Rice University<\/a><\/div><\/span> United States of America<\/span><\/div>
Doctoral Consortium<\/span> Seeing the Invisible: Next-Generation Cameras Leveraging Hidden Properties of Light<\/a><\/div><\/div><\/div>
Alex Davis<\/a><\/div>
UNSW Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> A Safer Place? Stories from the Emergency Department [XR Theater]<\/a><\/div><\/div><\/div>
Patrick De Carvalho<\/a><\/div>Distributor<\/span>
Je Regarde<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> #DoudouChallenge<\/a><\/div>
Computer Animation Festival<\/span> Bonhomme<\/a><\/div>
Computer Animation Festival<\/span> L'Animal Sauce Ail<\/a><\/div>
Computer Animation Festival<\/span> Loup y es-tu ?<\/a><\/div>
Computer Animation Festival<\/span> Paumo D'amour<\/a><\/div>
Computer Animation Festival<\/span> Quem Salva<\/a><\/div><\/div><\/div>
Laureline de Cremoux<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Bonhomme<\/a><\/div><\/div><\/div>
Charles Malefette<\/a><\/div>
Ecole Polytechnique<\/a><\/div><\/span> France<\/span><\/div>
Technical Papers<\/span> PerfectDart: Automatic Dart Design for Garment Fitting<\/a><\/div><\/div><\/div>
Alessandra De Stefano<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> Italy<\/span><\/div>
Computer Animation Festival<\/span> Last Summer<\/a><\/div><\/div><\/div>
Emily Dean<\/a><\/div>Director<\/span>
Blur Studios & Nexus Studios<\/a><\/div><\/span> Australia<\/span><\/div>
Featured Sessions<\/span> The Craft of Character Story Telling in an Age of High-Tech Tools Panel<\/a><\/div><\/div><\/div>
Paul Debevec<\/a><\/div>Chief Research Officer<\/span>
Eyeline Studios Powered by Netflix<\/a><\/div><\/span> United States of America<\/span><\/div>
Featured Sessions<\/span> From Virtual Cinematography to Virtual Production<\/a><\/div><\/div><\/div>
Ysaline Debut<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> L'Animal Sauce Ail<\/a><\/div><\/div><\/div>
Thomas DeFanti<\/a><\/div>
Immersive Visualization Center, Qualcomm Institute of Technology<\/a><\/div>
UC San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Super Speed Connectivity<\/span> Real-time streaming of high fidelity content across continents within immersive environments on NRP's 100Gbps Science DMZ<\/a><\/div><\/div><\/div>
Dennis Del Favero<\/a><\/div>
UNSW iCinema Centre<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Penumbra2.0<\/a><\/div><\/div><\/div>
Alexandra Delaunay-Fernandez<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> #DoudouChallenge<\/a><\/div><\/div><\/div>
Queen Denchukwu<\/a><\/div>VP, DEI<\/span>
Disney Entertainment<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> SIGGRAPH Asia DEI Panel: The Future of Inclusive Filmmaking Sponsored by ILM<\/a><\/div><\/div><\/div>
Yitong Deng<\/a><\/div>
Dartmouth College<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Fluid Simulation on Neural Flow Maps<\/a><\/div><\/div><\/div>
Ivan Deriuga<\/a><\/div>
Samsung R&D Institute Ukraine<\/a><\/div><\/span> Ukraine<\/span><\/div>
Poster<\/span> Recognition-Independent Handwritten Text Alignment Using Lightweight Recurrent Neural Network<\/a><\/div><\/div><\/div>
Nishkrit Desai<\/a><\/div>
University of Toronto<\/a><\/div>
Vector Institute<\/a><\/div><\/span> Canada<\/span><\/div>
Real-Time Live!<\/span> Interactive Texture Painting with Generative AI<\/a><\/div><\/div><\/div>
Bishnu Dev<\/a><\/div>
New York University<\/a><\/div><\/span> United Arab Emirates<\/span><\/div>
Emerging Technologies<\/span> Boundless Conversations: AI-Powered Video Interactions across Domains, Languages, and Time<\/a><\/div><\/div><\/div>
Laure Devin<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Quem Salva<\/a><\/div><\/div><\/div>
Arindam Dey<\/a><\/div>
Meta Platforms, Inc.<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> A Motion-Simulation Platform to Generate Synthetic Motion Data for Computer Vision Tasks<\/a><\/div><\/div><\/div>
Preetam Dhar<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> India<\/span><\/div>
Computer Animation Festival<\/span> Thaba Ye<\/a><\/div><\/div><\/div>
Rodrigo Dias Takase<\/a><\/div>
JIX Reality<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> AR Multi-Marker interactions: Dental Simulator Syringe and Patient<\/a><\/div><\/div><\/div>
Lorenzo Diazzi<\/a><\/div>
UniMore<\/a><\/div>
CNR-IMATI: GENOVA<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Constrained Delaunay Tetrahedrization: A Robust and Practical Approach<\/a><\/div><\/div><\/div>
Kaitlyn Dierikx<\/a><\/div>
University of Tasmania<\/a><\/div><\/span> Australia<\/span><\/div>
Educator's Forum<\/span> Table Cape VR Education Technology Project: An Immersive Learning Experience of Walking with Giants<\/a><\/div><\/div><\/div>
Ne\u00efl Dieu<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Midnight Hotel<\/a><\/div><\/div><\/div>
Yang Ding<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Yikang Ding<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> LayerDiffusion: Layered Controlled Image Editing with Diffusion Models<\/a><\/div><\/div><\/div>
Filip Diviak<\/a><\/div>
Director<\/a><\/div><\/span> Slovakia<\/span><\/div>
Computer Animation Festival<\/span> My name is Edgar and I have a cow<\/a><\/div><\/div><\/div>
Tobias Djuren<\/a><\/div>
TU Berlin<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> K-surfaces: B\u00e9zier-Splines Interpolating at Gaussian Curvature Extrema<\/a><\/div><\/div><\/div>
Yoshinori Dobashi<\/a><\/div>
Hokkaido University<\/a><\/div>
Prometech CG Research<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Efficient Visualization of Light Pollution for the Night Sky<\/a><\/div><\/div><\/div>
Neil A. Dodgson<\/a><\/div>
Victoria University of Wellington<\/a><\/div><\/span> New Zealand<\/span><\/div>
Poster<\/span> Rule-of-Thirds or Centered? A study in preference in photo composition<\/a><\/div>
Technical Papers<\/span> Simulation and Animation of Natural Phenomena<\/a><\/div>
Technical Papers<\/span> Training Orchestral Conductors in Beating Time<\/a><\/div><\/div><\/div>
Ana Dodik<\/a><\/div>
MIT CSAIL<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Variational Barycentric Coordinates<\/a><\/div><\/div><\/div>
Bastien Doignies<\/a><\/div>
Universit\u00e9 Claude Bernard Lyon<\/a><\/div><\/span> France<\/span><\/div>
Technical Papers<\/span> Example-Based Sampling with Diffusion Models<\/a><\/div><\/div><\/div>
Edoardo Alberto Dominici<\/a><\/div>
Animal Logic<\/a><\/div>
Huawei<\/a><\/div><\/span> Australia<\/span><\/div>
Technical Papers<\/span> Focus Range: Production Ray Tracing of Depth of Field<\/a><\/div><\/div><\/div>
Ran Dong<\/a><\/div>
Chukyo University<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Learning Multivariate Empirical Mode Decomposition for Spectral Motion Editing<\/a><\/div><\/div><\/div>
Zhao Dong<\/a><\/div>
Meta<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Spatiotemporally Consistent HDR Indoor Lighting Estimation<\/a><\/div><\/div><\/div>
Zheng Dong<\/a><\/div>
State Key Laboratory of CAD & CG, Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> SAILOR: Synergizing Radiance and Occupancy Fields for Live Human Performance Capture<\/a><\/div><\/div><\/div>
Sebastian Doringer<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Go Fishboy<\/a><\/div><\/div><\/div>
Stephen Dorner<\/a><\/div>
Media Design School<\/a><\/div><\/span> New Zealand<\/span><\/div>
Educator's Forum<\/span> Educational Perilune: Visual effects practices at Media Design School<\/a><\/div><\/div><\/div>
Zhiyang Dou<\/a><\/div>
The University of Hong Kong (HKU)<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> C\u00b7ASE: Learning Conditional Adversarial Skill Embeddings for Physics-based Characters<\/a><\/div><\/div><\/div>
Malo Doucet<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Midnight Hotel<\/a><\/div><\/div><\/div>
James Drown<\/a><\/div>
Victoria University of Wellington<\/a><\/div>
Computational Media Innovation Centre<\/a><\/div><\/span> New Zealand<\/span><\/div>
Technical Papers<\/span> A Motion-Simulation Platform to Generate Synthetic Motion Data for Computer Vision Tasks<\/a><\/div><\/div><\/div>
Ruofei Du<\/a><\/div>
Google Inc.<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Portrait Expression Editing With Mobile Photo Sequence<\/a><\/div><\/div><\/div>
Tao Du<\/a><\/div>
Tsinghua University<\/a><\/div>
Shanghai Qi Zhi Institute<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Neural Physics<\/a><\/div><\/div><\/div>
HaoBin Duan<\/a><\/div>
State Key Laboratory of Virtual Reality Technology and Systems, Beihang University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> BakedAvatar: Baking Neural Fields for Real-Time Head Avatar Synthesis<\/a><\/div><\/div><\/div>
Agnieszka Dubiel<\/a><\/div>
Lodz University of Technology<\/a><\/div><\/span> Poland<\/span><\/div>
Educator's Forum<\/span> Mixed Reality as Empathy Machine. Case Study in Universal Design Course<\/a><\/div><\/div><\/div>
Aur\u00e9lien Duchez<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> L'Animal Sauce Ail<\/a><\/div><\/div><\/div>
Budmonde Duinkharjav<\/a><\/div>
New York University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> The Shortest Route Is Not Always the Fastest: Probability-Modeled Stereoscopic Eye Movement Completion Time in VR<\/a><\/div><\/div><\/div>
J\u00e9r\u00e9mie Dumas<\/a><\/div>
Adobe<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Progressive Shell Quasistatics for Unstructured Meshes<\/a><\/div><\/div><\/div>
Jessica D\u2019Ali<\/a><\/div>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Student Volunteers<\/span> Getting a Job in the Animation and VFX Industry<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
E<\/div><\/span>
Sixtine Emerat<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> #DoudouChallenge<\/a><\/div><\/div><\/div>
Luke Emrose<\/a><\/div>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Technical Papers<\/span> Focus Range: Production Ray Tracing of Depth of Field<\/a><\/div><\/div><\/div>
Ulrich Engelke<\/a><\/div>
CSIRO Data61<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Interaction Design for Immersive Human-AI Collaboration<\/a><\/div><\/div><\/div>
Aykut Erdem<\/a><\/div>
Ko\u00e7 University<\/a><\/div><\/span> Turkey<\/span><\/div>
Technical Papers<\/span> CLIP-Guided StyleGAN Inversion for Text-Driven Real Image Editing<\/a><\/div><\/div><\/div>
Erkut Erdem<\/a><\/div>
Hacettepe University<\/a><\/div><\/span> Turkey<\/span><\/div>
Technical Papers<\/span> CLIP-Guided StyleGAN Inversion for Text-Driven Real Image Editing<\/a><\/div><\/div><\/div>
Kenta Eto<\/a><\/div>
Advanced Micro Devices, Inc.<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Bounded VNDF Sampling for Smith\u2013GGX Reflections<\/a><\/div>
Technical Papers<\/span> Real-time Rendering of Glossy Reflections using Ray Tracing and Two-level Radiance Caching<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
F<\/div><\/span>
Ian Failes (Moderator)<\/a><\/div>
befores & afters<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> OPPENHEIMER: Theory Will Only Take You So Far<\/a><\/div><\/div><\/div>
Daniel Fallshaw<\/a><\/div>
UNF Pty Ltd<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> Prison X<\/a><\/div><\/div><\/div>
Jiayi Fan<\/a><\/div>
ACEMS at QUT<\/a><\/div>
Animation QUT<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> Celebrating Inclusive Technology and Differently Abled Bodies<\/a><\/div><\/div><\/div>
Zhimin Fan<\/a><\/div>
Nanjing University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Manifold Path Guiding for Importance Sampling Specular Chains<\/a><\/div><\/div><\/div>
Sean Fanello<\/a><\/div>
Google Inc.<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Portrait Expression Editing With Mobile Photo Sequence<\/a><\/div><\/div><\/div>
Ke Fang<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Digital Transformation of Ethnic Dance Heritage: A Multimodal Interactive Game to Balancing Instructional and Cultural Essence<\/a><\/div><\/div><\/div>
Yi Fang<\/a><\/div>
New York University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Neural Gradient Learning and Optimization for Oriented Point Normal Estimation<\/a><\/div><\/div><\/div>
Nima Fathollahi<\/a><\/div>
University of Victoria<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> Lock-free Vertex Clustering for Multicore Mesh Reduction<\/a><\/div><\/div><\/div>
Fanni Fazakas<\/a><\/div>
RUMEXR<\/a><\/div>
CMIC, Victoria University of Wellington<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Missing 10 Hours VR [XR Theater]<\/a><\/div><\/div><\/div>
Roman Fedotov<\/a><\/div>
Meta<\/a><\/div><\/span> Australia<\/span><\/div>
Technical Papers<\/span> Spatiotemporally Consistent HDR Indoor Lighting Estimation<\/a><\/div><\/div><\/div>
Raymond Fei<\/a><\/div>
Adobe<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Progressive Shell Quasistatics for Unstructured Meshes<\/a><\/div><\/div><\/div>
Wenduo Feng<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Yusen Feng<\/a><\/div>
Peking University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> MuscleVAE: Model-Based Controllers of Muscle-Actuated Characters<\/a><\/div><\/div><\/div>
Emma Fessart<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Loup y es-tu ?<\/a><\/div><\/div><\/div>
Jessica Fink Blaine<\/a><\/div>Producer<\/span>
Brigham Young University<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> The Witch's Cat<\/a><\/div><\/div><\/div>
Laura Fink<\/a><\/div>
Friedrich-Alexander-Universit\u00e4t Erlangen-N\u00fcrnberg<\/a><\/div>
Fraunhofer IIS<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> LiveNVS: Neural View Synthesis on Live RGB-D Streams<\/a><\/div><\/div><\/div>
Simon Finnie<\/a><\/div>
Victoria University of Wellington<\/a><\/div>
Computational Media Innovation Centre<\/a><\/div><\/span> New Zealand<\/span><\/div>
Technical Papers<\/span> A Motion-Simulation Platform to Generate Synthetic Motion Data for Computer Vision Tasks<\/a><\/div>
Real-Time Live!<\/span> Real-time Auditorium Modeling and Visual Effects for Live Performances<\/a><\/div><\/div><\/div>
Mark Flanagan<\/a><\/div>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Educators and Trainers in VFX\/Animation & Games<\/a><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div>
Educator's Forum<\/span> From fledglings to wise owls: Nurturing talent to new heights.<\/a><\/div><\/div><\/div>
Basile Fraboni<\/a><\/div>
Animal Logic<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> Focus Range: Production Ray Tracing of Depth of Field<\/a><\/div><\/div><\/div>
Annouck Fran\u00e7ois<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Loup y es-tu ?<\/a><\/div><\/div><\/div>
Linus Franke<\/a><\/div>
Friedrich-Alexander-Universit\u00e4t Erlangen-N\u00fcrnberg<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> VET: Visual Error Tomography for Point Cloud Completion and High-Quality Neural Rendering<\/a><\/div><\/div><\/div>
Chris French<\/a><\/div>Technical Lead-In-Residence<\/span>
UTS Animal Logic Academy<\/a><\/div><\/span> Australia<\/span><\/div>
Computer Animation Festival<\/span> Corrupted<\/a><\/div><\/div><\/div>
Johannes Froesch<\/a><\/div>
University of Washington<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Thin On-Sensor Nanophotonic Array Cameras<\/a><\/div><\/div><\/div>
Chi Wing Fu<\/a><\/div>
The Chinese University of Hong Kong<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Put Things Together<\/a><\/div><\/div><\/div>
Hongbo Fu<\/a><\/div>
School of Creative Media, City University of Hong Kong<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Technical Papers<\/span> NeRFFaceLighting: Implicit and Disentangled Face Lighting Representation Leveraging Generative Prior in Neural Radiance Fields<\/a><\/div><\/div><\/div>
Yuichiro Fujimoto<\/a><\/div>
Ryukoku University<\/a><\/div><\/span> Japan<\/span><\/div>
XR<\/span> General Software Platform for Designing and Developing of Augmented Reality Task Support Systems<\/a><\/div><\/div><\/div>
Koki Fukuda<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> HapReel: A Racket-shaped Haptic Display Controller for Presenting Vibrotactile and Force Feedback through Fingertip Deformation<\/a><\/div><\/div><\/div>
Gaku Fukui<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> The Effect of Wearing Knee Supporters on the Applicable Gain of Redirected Walking<\/a><\/div><\/div><\/div>
Hironori Fukuoka<\/a><\/div>
Fukuoka Weaving Co., Ltd.<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> AI-supported Nishijin-ori: connecting a text-to-image model to traditional Nishijin-ori textile production<\/a><\/div><\/div><\/div>
Tsukasa Fukusato<\/a><\/div>
Waseda University<\/a><\/div><\/span> Japan<\/span><\/div>
Birds of a Feather<\/span> CG in Japan<\/a><\/div><\/div><\/div>
Masaya Furukawa<\/a><\/div>
Nagoya City University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Meta Musicking: A Playground for Exploring Alternative Realities with Others in the XR Age<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
G<\/div><\/span>
Jason Galeon<\/a><\/div>Sequence VFX Supervisor<\/span>
Sequence VFX Supervisor - W\u0113t\u0101 FX<\/a><\/div><\/span> <\/div>
Student Volunteers<\/span> Getting Started in the World of VFX: A Chat With the W\u0113t\u0101 FX Crew<\/a><\/div>
Exhibitor Talks<\/span> How to Build a Better Spaceship: The VFX of Guardians of the Galaxy Vol 3.<\/a><\/div><\/div><\/div>
Jeanne Galland<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Loup y es-tu ?<\/a><\/div><\/div><\/div>
Joseph Game<\/a><\/div>
CHOGRIN LLC<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Lucky Brave's Sunshine<\/a><\/div><\/div><\/div>
Will Gammon<\/a><\/div>
Cumulus VFX<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> David v Goliath? Starting a Small VFX Business in Australia<\/a><\/div><\/div><\/div>
Fangzhou Gao<\/a><\/div>
Tianjin University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Transparent Object Reconstruction via Implicit Differentiable Refraction Rendering<\/a><\/div><\/div><\/div>
Lin Gao<\/a><\/div>
Institute of Computing Technology, Chinese Academy of Sciences<\/a><\/div>
University of Chinese Academy of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Avatar Portrait<\/a><\/div>
Technical Papers<\/span> NeRFFaceLighting: Implicit and Disentangled Face Lighting Representation Leveraging Generative Prior in Neural Radiance Fields<\/a><\/div><\/div><\/div>
Xifeng Gao<\/a><\/div>
LightSpeed Studios<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Joint UV Optimization and Texture Baking<\/a><\/div><\/div><\/div>
Yaoan Gao<\/a><\/div>
State Key Laboratory of CAD & CG, Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> SAILOR: Synergizing Radiance and Occupancy Fields for Live Human Performance Capture<\/a><\/div><\/div><\/div>
Yukang gao<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Ze Gao<\/a><\/div>
Hong Kong University of Science and Technology<\/a><\/div>
Hong Kong Polytechnic University<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Art Gallery<\/span> AI N\u00fcshu (Women's scripts) - An Exploration of Language Emergence in Sisterhood<\/a><\/div>
Art Papers - Short<\/span> AI N\u00fcshu: An Exploration of Language Emergence in Sisterhood Through the Lens of Computational Linguistics<\/a><\/div><\/div><\/div>
Gregory Garvey<\/a><\/div>
Quinnipiac University<\/a><\/div><\/span> United States of America<\/span><\/div>
Educator's Forum<\/span> A University Curriculum Course for Undergraduates: Artificial Intelligence and Art<\/a><\/div><\/div><\/div>
Brett Gaylor<\/a><\/div>
\/<\/a><\/div><\/span> Canada<\/span><\/div>
XR<\/span> Fortune [XR Theater]<\/a><\/div><\/div><\/div>
Bill Georgiou<\/a><\/div>Associate VFX Supervisor<\/span>
ILM<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> SIGGRAPH Asia DEI Panel: The Future of Inclusive Filmmaking Sponsored by ILM<\/a><\/div><\/div><\/div>
Adnan Ghani<\/a><\/div>
Disguise<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> Virtual Production<\/a><\/div><\/div><\/div>
Michael Gharbi<\/a><\/div>
Reve AI<\/a><\/div>
Massachusetts Institute of Technology (MIT)<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Light, Shadows & Curves<\/a><\/div>
Technical Papers<\/span> Rendering<\/a><\/div><\/div><\/div>
Sebasti\u00e1n Gil Parga<\/a><\/div>
Auckland University of Technology<\/a><\/div><\/span> New Zealand<\/span><\/div>
Educator's Forum<\/span> Computer Graphics and Extended Reality Courses for the Programmophobic<\/a><\/div><\/div><\/div>
Antonin Gilles<\/a><\/div>
Institute of Research and Technology b-com<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Holographic Near-eye Display with Real-time Embedded Rendering<\/a><\/div><\/div><\/div>
Matteo Giuberti<\/a><\/div>
Radical Solutions, Inc.<\/a><\/div><\/span> Italy<\/span><\/div>
Real-Time Live!<\/span> Real-time, AI-powered, collaborative 3D motion capture at massive scale.<\/a><\/div><\/div><\/div>
Mashhuda Glencross<\/a><\/div>
School of Electrical Engineering and Computer Science, The University of Queensland<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Paper Accepted!: Getting Work Published at SIGGRAPH<\/a><\/div>
Birds of a Feather<\/span> XR Training Applications in the Health and Safety Domain<\/a><\/div><\/div><\/div>
Glenn Goldman<\/a><\/div>
New Jersey Institute of Technology<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> Educators Forum Opening Welcome: Opportunity for Educators<\/a><\/div><\/div><\/div>
Ashley Goldstein<\/a><\/div>
NVIDIA<\/a><\/div><\/span> United States of America<\/span><\/div>
Real-Time Live!<\/span> Interactive Texture Painting with Generative AI<\/a><\/div><\/div><\/div>
Julian Gomez<\/a><\/div>
Polished Pixels<\/a><\/div><\/span> United States of America<\/span><\/div>
Talks<\/span> Charting the Digital Frontier: Unveiling the Center for Computer Graphics History and Its Graph Database Journey<\/a><\/div><\/div><\/div>
Pablo Munoz Gomez<\/a><\/div>
Freelance 3D concept and character artist, 3D Concept Artist<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Ignite Your Creative Journey with Adobe<\/a><\/div><\/div><\/div>
Yuan Gong<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Interactive Story Visualization with Multiple Characters<\/a><\/div><\/div><\/div>
Jo\u00e3o Gonzalez<\/a><\/div>
Director<\/a><\/div><\/span> Portugal<\/span><\/div>
Computer Animation Festival<\/span> Ice Merchants<\/a><\/div><\/div><\/div>
Astrid Maren Gooding<\/a><\/div>
devcom GmbH<\/a><\/div><\/span> Germany<\/span><\/div>
Birds of a Feather<\/span> Game on for Diversity: How Safer Spaces Power Up Workplace Success and Level Up Profits in the Video Games Industry!<\/a><\/div><\/div><\/div>
John Graham<\/a><\/div>
Immersive Visualization Center, Qualcomm Institute of Technology<\/a><\/div>
UC San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Super Speed Connectivity<\/span> Real-time streaming of high fidelity content across continents within immersive environments on NRP's 100Gbps Science DMZ<\/a><\/div><\/div><\/div>
Phil Graham<\/a><\/div>
Griffith University<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> Perinatal Dreaming - Understanding Country [XR Theater]<\/a><\/div><\/div><\/div>
Andrew Grant<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> SynthDa: Exploiting Existing Real-World Data for Usable and Accessible Synthetic Data Generation<\/a><\/div><\/div><\/div>
Gavan Gravesen<\/a><\/div>
Radical Solutions, Inc.<\/a><\/div><\/span> United Kingdom<\/span><\/div>
Real-Time Live!<\/span> Real-time, AI-powered, collaborative 3D motion capture at massive scale.<\/a><\/div><\/div><\/div>
Charles Green<\/a><\/div>
University of Melbourne<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Penumbra2.0<\/a><\/div><\/div><\/div>
Kathleen Griffin<\/a><\/div>
Victoria University of Wellington<\/a><\/div><\/span> New Zealand<\/span><\/div>
Technical Papers<\/span> Training Orchestral Conductors in Beating Time<\/a><\/div><\/div><\/div>
Luce Grosjean<\/a><\/div>Distributor<\/span>
Miyu Distribution<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Funeral at Nine<\/a><\/div>
Computer Animation Festival<\/span> Go Fishboy<\/a><\/div>
Computer Animation Festival<\/span> Last Summer<\/a><\/div>
Computer Animation Festival<\/span> Midnight Hotel<\/a><\/div>
Computer Animation Festival<\/span> My name is Edgar and I have a cow<\/a><\/div>
Computer Animation Festival<\/span> Search for the Human<\/a><\/div>
Computer Animation Festival<\/span> Thaba Ye<\/a><\/div>
Computer Animation Festival<\/span> The yellow triangle<\/a><\/div><\/div><\/div>
Xiaojuan Gu<\/a><\/div>
Beijing Film Academy<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Footstep Detection for Film Sound Production<\/a><\/div><\/div><\/div>
Yingqian Gu<\/a><\/div>
Huawei<\/a><\/div><\/span> Canada<\/span><\/div>
Poster<\/span> Deep Albedo: A Machine Learning Approach to Real-Time Photo Realistic Human Skin Rendering and Editing Using Autoencoders<\/a><\/div><\/div><\/div>
Zhengwu Gu<\/a><\/div>Director, Writer<\/span>
Ringling College of Art & Design<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Dandelion<\/a><\/div><\/div><\/div>
Phillip Guan<\/a><\/div>
Meta Reality Labs Research<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Perceptual Requirements for World-Locked Rendering in AR and VR<\/a><\/div><\/div><\/div>
Varvara Guljajeva<\/a><\/div>
Hong Kong University of Science and Technology (Guangzhou)<\/a><\/div>
Hong Kong University of Science and Technology<\/a><\/div><\/span> China<\/span><\/div>
Art Gallery<\/span> Visions of Destruction<\/a><\/div><\/div><\/div>
Tamil Selvan Gunasekaran<\/a><\/div>
University of Auckland<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Healing Horizons: Adaptive VR for Traumatic Brain Injury Rehabilitation<\/a><\/div>
XR<\/span> SensoryScape: Context-Aware Empathic VR Photography<\/a><\/div><\/div><\/div>
Mairi Gunn<\/a><\/div>
University of Auckland<\/a><\/div>
Black Box Productions Ltd<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Haptic Hongi - Reiterated<\/a><\/div><\/div><\/div>
Tian Guo<\/a><\/div>
Worcester Polytechnic Institute<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Portrait Expression Editing With Mobile Photo Sequence<\/a><\/div><\/div><\/div>
Yuan-Chen Guo<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> VMesh: Hybrid Volume-Mesh Representation for Efficient View Synthesis<\/a><\/div><\/div><\/div>
Kunal Gupta<\/a><\/div>
University of California San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> MCNeRF: Monte Carlo Rendering and Denoising for Real-Time NeRFs<\/a><\/div><\/div><\/div>
Kunal Gupta<\/a><\/div>
University of Auckland<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Healing Horizons: Adaptive VR for Traumatic Brain Injury Rehabilitation<\/a><\/div>
XR<\/span> SensoryScape: Context-Aware Empathic VR Photography<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
H<\/div><\/span>
Olaf Haag<\/a><\/div>
Ready Player Me<\/a><\/div><\/span> Germany<\/span><\/div>
Poster<\/span> Geometry Aware Texturing<\/a><\/div><\/div><\/div>
Olaf Haag<\/a><\/div>
Ready Player Me<\/a><\/div><\/span> Estonia<\/span><\/div>
Real-Time Live!<\/span> Geometry Aware Texturing for 3D Avatars Content Creation<\/a><\/div><\/div><\/div>
Nizar Habash<\/a><\/div>
New York University<\/a><\/div><\/span> United Arab Emirates<\/span><\/div>
Emerging Technologies<\/span> Boundless Conversations: AI-Powered Video Interactions across Domains, Languages, and Time<\/a><\/div><\/div><\/div>
Shun Hachisu<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Conversation Echo: Communication in virtual environments that reflects conversation contents<\/a><\/div><\/div><\/div>
Matthias Hanks Haeusler<\/a><\/div>A\/Professor<\/span>
University of New South Wales (UNSW)<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Designing Sustainable Space and Environment<\/a><\/div><\/div><\/div>
Christian Hafner<\/a><\/div>
Institute of Science and Technology Austria<\/a><\/div><\/span> Austria<\/span><\/div>
Technical Papers<\/span> The Design Space of Kirchhoff Rods<\/a><\/div><\/div><\/div>
Juergen Hagler<\/a><\/div>
University of Applied Sciences Upper Austria<\/a><\/div>
Ars Electronica<\/a><\/div><\/span> Austria<\/span><\/div>
Talks<\/span> Innovative Currents in Expanded Animation and Digital Art<\/a><\/div><\/div><\/div>
Ian Halley<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Paumo D'amour<\/a><\/div><\/div><\/div>
Kerry Halupka<\/a><\/div>
Head of Content ML and Principal Machine Learning Engineer, Canva<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Industrial Application Cases 1 | Powering the Magic of Canva<\/a><\/div><\/div><\/div>
Ryuji Hamada<\/a><\/div>
Taikoz<\/a><\/div><\/span> Australia<\/span><\/div>
Real-Time Live!<\/span> The drummer who played an orchestra - real time conversion of solo performance to orchestral layers<\/a><\/div><\/div><\/div>
Mitsuki Hamamichi<\/a><\/div>
Aoyama Gakuin University<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Non-Newtonian ViRheometry via Similarity Analysis<\/a><\/div><\/div><\/div>
Merel Hamers<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> Netherlands<\/span><\/div>
Computer Animation Festival<\/span> Thaba Ye<\/a><\/div><\/div><\/div>
JungHyun Han<\/a><\/div>
Department of Computer Science and Engineering<\/a><\/div>
Korea University<\/a><\/div><\/span> South Korea<\/span><\/div>
Real-Time Live!<\/span> Real-time Auditorium Modeling and Visual Effects for Live Performances<\/a><\/div><\/div><\/div>
Kyungsik Han<\/a><\/div>
Hanyang University<\/a><\/div><\/span> South Korea<\/span><\/div>
Poster<\/span> Developing a Realistic VR Interface to Recreate a Full-body Immersive Fire Scene Experience<\/a><\/div><\/div><\/div>
Lei Han<\/a><\/div>
Tecnent<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Neural Categorical Priors for Physics-Based Character Control<\/a><\/div><\/div><\/div>
Xingjian Han<\/a><\/div>
Boston University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> GroundLink: A Dataset Unifying Human Body Movement and Ground Reaction Dynamics<\/a><\/div><\/div><\/div>
Zhizhong Han<\/a><\/div>
Wayne State University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Neural Gradient Learning and Optimization for Oriented Point Normal Estimation<\/a><\/div><\/div><\/div>
Guoqing Hao<\/a><\/div>
University of Tsukuba<\/a><\/div>
National Institute of Advanced Industrial Science and Technology (AIST)<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Diffusion-based Holistic Texture Rectification and Synthesis<\/a><\/div><\/div><\/div>
Harin Hapuarachchi<\/a><\/div>
Toyohashi University of Technology<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Exploring Embodiment and Usability of Autonomous Prosthetic Limbs through Virtual Reality<\/a><\/div><\/div><\/div>
Kazi Injamamul Haque<\/a><\/div>
Utrecht University<\/a><\/div><\/span> Netherlands<\/span><\/div>
Doctoral Consortium<\/span> Data-Driven Expressive 3D Facial Animation Synthesis for Digital Humans<\/a><\/div><\/div><\/div>
Takahiro Harada<\/a><\/div>
Advanced Micro Devices, Advanced Micro Devices, Inc. (AMD)<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Real-time Rendering of Glossy Reflections using Ray Tracing and Two-level Radiance Caching<\/a><\/div><\/div><\/div>
Tatsuya Harada<\/a><\/div>
The University of Tokyo<\/a><\/div>
RIKEN<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> 3D Lighter: Learning to Generate Emissive Textures<\/a><\/div><\/div><\/div>
Mathias Harrer<\/a><\/div>
Friedrich-Alexander-Universit\u00e4t Erlangen-N\u00fcrnberg<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> Inovis: Instant Novel-View Synthesis<\/a><\/div><\/div><\/div>
Kaihei HASE<\/a><\/div>
Kansai University<\/a><\/div><\/span> Japan<\/span><\/div>
Art Gallery<\/span> AI History 1890-2090<\/a><\/div><\/div><\/div>
Daniela Hasenbring<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Canada<\/span><\/div>
Real-Time Live!<\/span> Interactive Texture Painting with Generative AI<\/a><\/div><\/div><\/div>
Naoki Hashimoto<\/a><\/div>
The University of Electro-Communications<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Room to Room Mapping: Seamlessly Connecting Different Rooms<\/a><\/div><\/div><\/div>
Taisuke Hashimoto<\/a><\/div>
Preferred Networks<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Interactive Material Annotation on 3D Scanned Models leveraging Color-Material Correlation<\/a><\/div><\/div><\/div>
Jacob Haydel<\/a><\/div>
University of Utah<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Locally-Adaptive Level-of-Detail for Hardware-Accelerated Ray Tracing<\/a><\/div><\/div><\/div>
Guangzhao He<\/a><\/div>
State Key Lab of CAD\\&CG, Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> EasyVolcap: Accelerating Neural Volumetric Video Research<\/a><\/div><\/div><\/div>
Xueyan He<\/a><\/div>
Nanjing University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> MetaLayer: A Meta-learned BSDF Model for Layered Materials<\/a><\/div><\/div><\/div>
Charles Hechinger<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Quem Salva<\/a><\/div><\/div><\/div>
Joel Hegland<\/a><\/div>
Meta Reality Labs Research<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Perceptual Requirements for World-Locked Rendering in AR and VR<\/a><\/div><\/div><\/div>
Felix Heide<\/a><\/div>
Princeton University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Thin On-Sensor Nanophotonic Array Cameras<\/a><\/div><\/div><\/div>
Nigel Llwyd William HELYER<\/a><\/div>
SonicObjects; SonicArchitecture<\/a><\/div>
Macquarie University<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Sonus Maris; Strange Attractor<\/a><\/div><\/div><\/div>
Volker Helzle<\/a><\/div>
Filmakademie<\/a><\/div><\/span> Germany<\/span><\/div>
Talks<\/span> New Dimensions in Extended Reality<\/a><\/div><\/div><\/div>
Nathan Hermouet<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Paumo D'amour<\/a><\/div><\/div><\/div>
Christophe Hery<\/a><\/div>Director, Science Research<\/span>
META<\/a><\/div><\/span> United States of America<\/span><\/div>
Featured Sessions<\/span> How We View Digital Humans Panel<\/a><\/div><\/div><\/div>
David Hicks<\/a><\/div>
University of Tasmania<\/a><\/div><\/span> Australia<\/span><\/div>
Educator's Forum<\/span> Table Cape VR Education Technology Project: An Immersive Learning Experience of Walking with Giants<\/a><\/div><\/div><\/div>
Toru Higaki<\/a><\/div>
Hiroshima University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Efficient and Accurate Physically Based Rendering of Periodic Multilayer Structures with Iridescence<\/a><\/div><\/div><\/div>
Keita Higuchi<\/a><\/div>
Preferred Networks<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Interactive Material Annotation on 3D Scanned Models leveraging Color-Material Correlation<\/a><\/div><\/div><\/div>
David Hill<\/a><\/div>
Epic Games<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Robust Skin Weights Transfer via Weight Inpainting<\/a><\/div><\/div><\/div>
Cyndia Hilliger<\/a><\/div>
Business Northwest<\/a><\/div><\/span> Australia<\/span><\/div>
Educator's Forum<\/span> Table Cape VR Education Technology Project: An Immersive Learning Experience of Walking with Giants<\/a><\/div><\/div><\/div>
Hemanta Himdung<\/a><\/div>
RMIT University<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Evolving Spirituality: Abstract Art Elements in Hybrid Animation<\/a><\/div><\/div><\/div>
Yuito Hirohashi<\/a><\/div>
Gunma University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Aerial Display Method Using a Flying Screen with an IR Marker and Long Range Dynamic Projection Mapping<\/a><\/div><\/div><\/div>
Masaharu Hirose<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> ForceField: Visualizing Intermaterial Interaction through Floor and Depth Sensing<\/a><\/div><\/div><\/div>
Ikumi Hisamatsu<\/a><\/div>
Hokkaido University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Usability Evaluation of VR Shopping System not Imitating Real Stores<\/a><\/div><\/div><\/div>
Xavier Ho<\/a><\/div>
Monash University<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Infinite Colours<\/a><\/div><\/div><\/div>
Weng Khuan Hoh<\/a><\/div>
Victoria University of Wellington<\/a><\/div><\/span> New Zealand<\/span><\/div>
Poster<\/span> Rule-of-Thirds or Centered? A study in preference in photo composition<\/a><\/div><\/div><\/div>
Seth Holladay<\/a><\/div>Faculty<\/span>
Brigham Young University<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> The Witch's Cat<\/a><\/div><\/div><\/div>
Robin Hollander<\/a><\/div>VFX Supervisor<\/span>
Weta FX<\/a><\/div><\/span> New Zealand<\/span><\/div>
Featured Sessions<\/span> Blood, Guts and Fur: The Visual Effects Behind Cocaine Bear<\/a><\/div>
Student Volunteers<\/span> Getting Started in the World of VFX: A Chat With the W\u0113t\u0101 FX Crew<\/a><\/div><\/div><\/div>
Nick Hore<\/a><\/div>Senior Recruiter<\/span>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Student Volunteers<\/span> Getting a Job in the Animation and VFX Industry<\/a><\/div><\/div><\/div>
Arata Horie<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Multichannel Haptic Communication Platform with Wearable Sensing and Display<\/a><\/div>
Poster<\/span> Somatic Music: Enhancing Musical Experiences through the Performer\u2019s Embodiment<\/a><\/div><\/div><\/div>
Juro Hosoi<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> DazzleVR: Enhancement of Brightness by Presenting Afterimage and Dazzle Reflex Sensation in Virtual Reality<\/a><\/div>
Emerging Technologies<\/span> FurAir: Non-contact Presentation of Soft Fur Texture by Psuedo-haptics and Mid-air Ultrasound Haptic Feedback<\/a><\/div>
Emerging Technologies<\/span> WearSway: Wearable Device to Reproduce Tactile Stimuli of Strong Wind through Swaying Clothes<\/a><\/div><\/div><\/div>
Fei Hou<\/a><\/div>
Institute of Software, Chinese Academy of Sciences<\/a><\/div>
University of Chinese Academy of Sciences<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Neural Shape Representation<\/a><\/div><\/div><\/div>
Simon Howden<\/a><\/div>
Independent Artist<\/a><\/div><\/span> Australia<\/span><\/div>
Art Papers - Short<\/span> Exploring the Eco-Digital: Performative Sensing with Plants and Data<\/a><\/div><\/div><\/div>
Chi-min Hsieh<\/a><\/div>
Institute of Applied Arts, National Yang Ming Chiao Tung University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Art Papers - Short<\/span> Computational Three Distances: Exploring the Aesthetics of the Southern Song Dynasty and Its Adapted Simulation and Rendering<\/a><\/div><\/div><\/div>
Tsuei-Ju Hsieh<\/a><\/div>
National Tsing Hua University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Gaze and Graze: Illuminating Taiwanese Hand Puppet Character Display and Deconstructing Visual Engagement<\/a><\/div><\/div><\/div>
Tung-Ju Hsieh<\/a><\/div>
National Taipei University of Technology<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Vector Gradient Stroke Stylized Neural Network Painting<\/a><\/div><\/div><\/div>
Anita Hu<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Canada<\/span><\/div>
Real-Time Live!<\/span> Interactive Texture Painting with Generative AI<\/a><\/div><\/div><\/div>
Jingyu Hu<\/a><\/div>
The Chinese University of Hong Kong<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Technical Papers<\/span> CLIPXPlore: Coupled CLIP and Shape Spaces for 3D Shape Exploration<\/a><\/div><\/div><\/div>
Binh-Son Hua<\/a><\/div>
Trinity College Dublin<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> View Synthesis<\/a><\/div><\/div><\/div>
HuiGuang Huang<\/a><\/div>
National Cheng-Kung University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Learning to Generate Wire Sculpture Art from 3D Models<\/a><\/div><\/div><\/div>
Jialin Huang<\/a><\/div>
George Mason University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> ShapeSonic: Sonifying Fingertip Interactions for Non-Visual Virtual Shape Perception<\/a><\/div><\/div><\/div>
Jiawei Huang<\/a><\/div>
Chuzhou University<\/a><\/div>
Void Dimensions<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Real-Time Reconstruction of Fluid Flow under Unknown Disturbance<\/a><\/div><\/div><\/div>
Qinxuan Huang<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> LayerDiffusion: Layered Controlled Image Editing with Diffusion Models<\/a><\/div><\/div><\/div>
Qixing Huang<\/a><\/div>
University of Texas at Austin<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Deformable Solids<\/a><\/div>
Technical Papers<\/span> GeoLatent: A Geometric Approach to Latent Space Design for Deformable Shape Generators<\/a><\/div><\/div><\/div>
Scottie Chih-Chieh Huang<\/a><\/div>
National Tsing Hua University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Art Gallery<\/span> Sensitive Floral<\/a><\/div><\/div><\/div>
Alwyn Hunt<\/a><\/div>
the Rookies<\/a><\/div><\/span> Australia<\/span><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div><\/div><\/div>
Yuchi Huo<\/a><\/div>
Zhejiang University<\/a><\/div>
Korea Advanced Institute of Science and Technology<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> See Through The Field<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
I<\/div><\/span>
Yudai Ichimura<\/a><\/div>
Hosei University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Text-driven Tree Modeling on L-System<\/a><\/div><\/div><\/div>
M\u00e9lina Ienco<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Search for the Human<\/a><\/div><\/div><\/div>
Takeo Igarashi<\/a><\/div>
The University of Tokyo<\/a><\/div>
ACM SIGGRAPH<\/a><\/div><\/span> Japan<\/span><\/div>
Birds of a Feather<\/span> CG in Japan<\/a><\/div>
Technical Papers<\/span> Interactive Material Annotation on 3D Scanned Models leveraging Color-Material Correlation<\/a><\/div>
Technical Papers<\/span> MicroGlam: Microscopic Skin Image Dataset with Cosmetics<\/a><\/div>
Technical Papers<\/span> PerfectDart: Automatic Dart Design for Garment Fitting<\/a><\/div><\/div><\/div>
Takumi Ikeda<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Phantom Walls : Spatial perception and navigation without vision<\/a><\/div><\/div><\/div>
Soichiro Ikuno<\/a><\/div>
Tokyo University of Technology<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Learning Multivariate Empirical Mode Decomposition for Spectral Motion Editing<\/a><\/div><\/div><\/div>
Yuki Inada<\/a><\/div>
The University of Electro-Communications<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Room to Room Mapping: Seamlessly Connecting Different Rooms<\/a><\/div><\/div><\/div>
Masahiko Inami<\/a><\/div>Professor<\/span>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> AvatarForge : A Real-time and Node-Based Body Editing System<\/a><\/div>
Birds of a Feather<\/span> Designing Creative Future Robotics<\/a><\/div>
Emerging Technologies<\/span> ForceField: Visualizing Intermaterial Interaction through Floor and Depth Sensing<\/a><\/div><\/div><\/div>
Keiko Ino<\/a><\/div>
National Center of Neurology and Psychiatry<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Auditory VR Generative System for Non-Experts to Reproduce Human Memories Through Natural Language Interactions<\/a><\/div><\/div><\/div>
Daichi Inoue<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> HapReel: A Racket-shaped Haptic Display Controller for Presenting Vibrotactile and Force Feedback through Fingertip Deformation<\/a><\/div><\/div><\/div>
Yasuyuki Inoue<\/a><\/div>
Toyama Prefectural University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Exploring Embodiment and Usability of Autonomous Prosthetic Limbs through Virtual Reality<\/a><\/div><\/div><\/div>
Yannis Ioannidis<\/a><\/div>President<\/span>
ACM<\/a><\/div><\/span> Greece<\/span><\/div>
Birds of a Feather<\/span> ACM 4.0 and a Values-Based Vision for Computing<\/a><\/div><\/div><\/div>
Isabella Ippolito<\/a><\/div>Procedural Assets and FX Technical Director<\/span>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Empowering Women in Technology: You\u2019re Not the Only One Feeling This Way<\/a><\/div>
Student Volunteers<\/span> Everyone has a Different Path<\/a><\/div><\/div><\/div>
Karlos ISHAC<\/a><\/div>
University of Technology Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Poster<\/span> A remote training platform for learning physical skills using an AI powered virtual coach and a novel IoT sensing mat<\/a><\/div><\/div><\/div>
Hironori Ishikawa<\/a><\/div>
NTT DOCOMO, INC.<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Multichannel Haptic Communication Platform with Wearable Sensing and Display<\/a><\/div><\/div><\/div>
Kenichi Ito<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> WearSway: Wearable Device to Reproduce Tactile Stimuli of Strong Wind through Swaying Clothes<\/a><\/div><\/div><\/div>
Takahiro Ito<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> DazzleVR: Enhancement of Brightness by Presenting Afterimage and Dazzle Reflex Sensation in Virtual Reality<\/a><\/div><\/div><\/div>
Kazuya Izumi<\/a><\/div>
University of Tsukuba<\/a><\/div><\/span> Japan<\/span><\/div>
Art Papers - Short<\/span> Alternative Photographic Processes Reimagined: The Role of Digital Technology in Revitalizing Classic Printing Techniques<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
J<\/div><\/span>
Andrew Jackson<\/a><\/div>
DNEG<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> OPPENHEIMER: Theory Will Only Take You So Far<\/a><\/div><\/div><\/div>
Lee Jackson<\/a><\/div>
Auckland University of Technology<\/a><\/div><\/span> New Zealand<\/span><\/div>
Educator's Forum<\/span> Pedagogical strategies for teaching Virtual Production pipelines<\/a><\/div><\/div><\/div>
Alec Jacobson<\/a><\/div>
University of Toronto<\/a><\/div>
Adobe<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> Progressive Shell Quasistatics for Unstructured Meshes<\/a><\/div><\/div><\/div>
Du\u0161an Jakoveti\u0107<\/a><\/div>
University of Novi Sad<\/a><\/div><\/span> Serbia & Montenegro<\/span><\/div>
Technical Papers<\/span> Distributed Solution of the Blendshape Rig Inversion Problem<\/a><\/div><\/div><\/div>
Doug James<\/a><\/div>
Stanford University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Progressive Shell Quasistatics for Unstructured Meshes<\/a><\/div><\/div><\/div>
Deok-Kyeong Jang<\/a><\/div>
KAIST<\/a><\/div>
MOVIN Inc.<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> MOCHA: Real-Time Motion Characterization via Context Matching<\/a><\/div><\/div><\/div>
Titouan Jaouen<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Quem Salva<\/a><\/div><\/div><\/div>
Soorya Narayan Jayaraman Mohan<\/a><\/div>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Technical Papers<\/span> Hair Tubes: Stylized Hair from Polygonal Meshes of Arbitrary Topology<\/a><\/div><\/div><\/div>
Jens Jeben<\/a><\/div>
Product Owner for Large Scene Optimization of Omniverse, NVIDIA<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> NVIDIA Lectures<\/a><\/div><\/div><\/div>
Jens Jebens<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Australia<\/span><\/div>
Courses<\/span> Demystifying OpenUSD: End-to-end Data Pipelines and Workflows<\/a><\/div><\/div><\/div>
Dan Jermyn<\/a><\/div>Chief Decision Scientist<\/span>
Commonwealth Bank of Australia<\/a><\/div><\/span> Australia<\/span><\/div>
Business and Innovation Symposium<\/span> GenAI in Finance<\/a><\/div><\/div><\/div>
Sangeeta Jha<\/a><\/div>
Intel Corporation<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> ExtraSS: A Framework for Joint Spatial Super Sampling and Frame Extrapolation<\/a><\/div><\/div><\/div>
Hai Jiang<\/a><\/div>
Sichuan University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Low-Light Image Enhancement with Wavelet-based Diffusion Models<\/a><\/div><\/div><\/div>
Haiyan Jiang<\/a><\/div>
Beijing Institute of Technology<\/a><\/div>
National Key Laboratory of General Artificial Intelligence, Beijing Institute for General Artificial Intelligence (BIGAI)<\/a><\/div><\/span> \u4e2d\u56fd<\/span><\/div>
Technical Papers<\/span> Commonsense Knowledge-Driven Joint Reasoning Approach for Object Retrieval in Virtual Reality<\/a><\/div><\/div><\/div>
Kaiwen Jiang<\/a><\/div>
Institute of Computing Technology, Chinese Academy of Sciences<\/a><\/div>
Beijing Jiaotong University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> NeRFFaceLighting: Implicit and Disentangled Face Lighting Representation Leveraging Generative Prior in Neural Radiance Fields<\/a><\/div><\/div><\/div>
Shaohui Jiao<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Du Jin<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> FurAir: Non-contact Presentation of Soft Fur Texture by Psuedo-haptics and Mid-air Ultrasound Haptic Feedback<\/a><\/div><\/div><\/div>
Taegyu Jin<\/a><\/div>
Korea Advanced Institute of Science and Technology (KAIST)<\/a><\/div><\/span> South Korea<\/span><\/div>
Emerging Technologies<\/span> An Interactive Showcase of Touch'n'Draw: Rapid 3D Sketching with Fluent Bimanual Coordination<\/a><\/div><\/div><\/div>
zhuang jingyu<\/a><\/div>
Sun Yat-sen University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> DreamEditor: Text-Driven 3D Scene Editing with Neural Fields<\/a><\/div><\/div><\/div>
Joel Johnson<\/a><\/div>
University of British Columbia<\/a><\/div>
Huawei<\/a><\/div><\/span> Canada<\/span><\/div>
Poster<\/span> Deep Albedo: A Machine Learning Approach to Real-Time Photo Realistic Human Skin Rendering and Editing Using Autoencoders<\/a><\/div><\/div><\/div>
Joaquim Jorge<\/a><\/div>
Instituto Superior T\u00e9cnico, Universidade de Lisboa<\/a><\/div>
Instituto de Engenharia de Sistemas e Computadores - Investiga\u00e7\u00e3o e Desenvolvimento (INESC-ID)<\/a><\/div><\/span> Portugal<\/span><\/div>
Courses<\/span> Approaches and Challenges in XR and AI for Health Applications<\/a><\/div><\/div><\/div>
Bhautik Joshi<\/a><\/div>
Principal Applied Scientist at Canva<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Generation Gap: Addressing Bias in Generative AI<\/a><\/div><\/div><\/div>
Bhautik Joshi<\/a><\/div>
Canva<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Stories of Connecting Research & Development at Scale<\/a><\/div><\/div><\/div>
David Jourdan<\/a><\/div>
INRIA Nancy - Grand Est<\/a><\/div>
LORIA<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Shrink & Morph: 3D-printed self-shaping shells actuated by a shape memory effect<\/a><\/div><\/div><\/div>
Yulan Ju<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Multichannel Haptic Communication Platform with Wearable Sensing and Display<\/a><\/div><\/div><\/div>
Hannah Judd<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> Australia<\/span><\/div>
Computer Animation Festival<\/span> Thaba Ye<\/a><\/div><\/div><\/div>
Hyerim Jung<\/a><\/div>
Yonsei University<\/a><\/div><\/span> South Korea<\/span><\/div>
XR<\/span> Flow: Connect the movement of Virtual Actor and Audience<\/a><\/div><\/div><\/div>
Lucie Juric<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Search for the Human<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
K<\/div><\/span>
Aakash K.T.<\/a><\/div>
International Institute of Information Technology, Hyderabad<\/a><\/div><\/span> India<\/span><\/div>
Technical Papers<\/span> Combining Resampled Importance and Projected Solid Angle Samplings for Many Area Light Rendering<\/a><\/div><\/div><\/div>
Yasuaki Kakehi<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Art Papers - Short<\/span> see-saw: A Kinetic Installation that Unfolds in Silence Driven by Liquid Flow<\/a><\/div><\/div><\/div>
Pratik Kalshetti<\/a><\/div>
Indian Institute of Technology Bombay<\/a><\/div><\/span> India<\/span><\/div>
Doctoral Consortium<\/span> Reconstructing Hand Shape and Appearance for Accurate Tracking from Monocular Video<\/a><\/div><\/div><\/div>
Tharindu Kaluarachchi<\/a><\/div>
University of Auckland<\/a><\/div>
Augmented Human Lab<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> LightSense - Long Distance<\/a><\/div><\/div><\/div>
Yoshiki Kaminaka<\/a><\/div>
Hiroshima University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Efficient and Accurate Physically Based Rendering of Periodic Multilayer Structures with Iridescence<\/a><\/div><\/div><\/div>
Dorota Kami\u0144ska<\/a><\/div>
Lodz University of Technology<\/a><\/div><\/span> Poland<\/span><\/div>
Educator's Forum<\/span> Mixed Reality as Empathy Machine. Case Study in Universal Design Course<\/a><\/div><\/div><\/div>
Youichi Kamiyama<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Multichannel Haptic Communication Platform with Wearable Sensing and Display<\/a><\/div>
Poster<\/span> Somatic Music: Enhancing Musical Experiences through the Performer\u2019s Embodiment<\/a><\/div><\/div><\/div>
Kenta Kan<\/a><\/div>
DALIFILMS Inc.<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Multichannel Haptic Communication Platform with Wearable Sensing and Display<\/a><\/div><\/div><\/div>
Katsuhiro kanamori<\/a><\/div>
Kanagawa Institute of Technology<\/a><\/div><\/span> Japan<\/span><\/div>
Educator's Forum<\/span> Practical Course for Creating Stereoscopic VTuber<\/a><\/div><\/div><\/div>
Kei Kanari<\/a><\/div>
Utsunomiya University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> An Examination of Text Shaking Correction Methods for AR Walking<\/a><\/div><\/div><\/div>
Masaki Kanayama<\/a><\/div>
Nagaoka Institute of Design<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Art Gallery<\/span> \u0394t-Sphere<\/a><\/div><\/div><\/div>
Kazufumi Kaneda<\/a><\/div>
Hiroshima University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Efficient and Accurate Physically Based Rendering of Periodic Multilayer Structures with Iridescence<\/a><\/div><\/div><\/div>
Kaizhang Kang<\/a><\/div>
State Key Laboratory of CAD&CG, Zhejiang Univerisity<\/a><\/div><\/span> Saudi Arabia<\/span><\/div>
Technical Papers<\/span> Differentiable Dynamic Visible-Light Tomography<\/a><\/div><\/div><\/div>
Taeho Kang<\/a><\/div>
Seoul National University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Ego3DPose: Capturing 3D Cues from Binocular Egocentric Views<\/a><\/div><\/div><\/div>
Yash Kant<\/a><\/div>
University of Toronto<\/a><\/div>
Snap Inc.<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> Repurposing Diffusion Inpainters for Novel View Synthesis<\/a><\/div><\/div><\/div>
Swati Kanwal<\/a><\/div>
Huawei<\/a><\/div><\/span> Canada<\/span><\/div>
Poster<\/span> Deep Albedo: A Machine Learning Approach to Real-Time Photo Realistic Human Skin Rendering and Editing Using Autoencoders<\/a><\/div><\/div><\/div>
Chih-Chen Kao<\/a><\/div>
Advanced Micro Devices, Advanced Micro Devices, Inc. (AMD)<\/a><\/div><\/span> Germany<\/span><\/div>
Courses<\/span> GPU Programming Primitives for Computer Graphics<\/a><\/div><\/div><\/div>
Anton Kaplanyan<\/a><\/div>
Intel Corporation<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> ExtraSS: A Framework for Joint Spatial Super Sampling and Frame Extrapolation<\/a><\/div>
Technical Papers<\/span> Visualizing the Future<\/a><\/div><\/div><\/div>
Ioannis Karamouzas<\/a><\/div>
University of California Riverside<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> AdaptNet: Policy Adaptation for Physics-Based Character Control<\/a><\/div>
Technical Papers<\/span> Robots & Characters<\/a><\/div><\/div><\/div>
Mona Kasra<\/a><\/div>Associate Professor<\/span>
University of Virginia<\/a><\/div><\/span> United States of America<\/span><\/div>
Talks<\/span> Women of SIGGRAPH Conversations Panel: Leading with Impact<\/a><\/div><\/div><\/div>
Danny Kaufman<\/a><\/div>
Adobe<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Progressive Shell Quasistatics for Unstructured Meshes<\/a><\/div><\/div><\/div>
Christian Kaufmann<\/a><\/div>Director<\/span>
Filmakademie Baden-Wurttemberg<\/a><\/div>
Animationsinstitut<\/a><\/div><\/span> Germany<\/span><\/div>
Computer Animation Festival<\/span> Town Hall Square<\/a><\/div><\/div><\/div>
Nerissa Kavanagh<\/a><\/div>
Blackbird VFX<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> David v Goliath? Starting a Small VFX Business in Australia<\/a><\/div><\/div><\/div>
Wataru Kawabe<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Interactive Material Annotation on 3D Scanned Models leveraging Color-Material Correlation<\/a><\/div><\/div><\/div>
Midori Kawaguchi<\/a><\/div>
Keio Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Synced Drift: A Novel Sport Using a System that Harmonises Human Movement to Transcend Distance and Ability<\/a><\/div><\/div><\/div>
Jinle Ke<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Pingchuan Ke<\/a><\/div>
School of Creative Media, City University of Hong Kong<\/a><\/div><\/span> China<\/span><\/div>
Emerging Technologies<\/span> SoftVibe: Enhancing On-Body Haptic Feedback in VR using Rapid-Prototyping Toolkit with Modularized Flexible Vibrotactile Device<\/a><\/div><\/div><\/div>
Mogau Kekana<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> South Africa<\/span><\/div>
Computer Animation Festival<\/span> Thaba Ye<\/a><\/div><\/div><\/div>
Marilyn Keller<\/a><\/div>
Max Planck Institute for Intelligent Systems<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> From Skin to Skeleton : Towards Biomechanically Accurate 3D Digital Humans<\/a><\/div><\/div><\/div>
Gail Kenning<\/a><\/div>
UNSW Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> A Safer Place? Stories from the Emergency Department [XR Theater]<\/a><\/div><\/div><\/div>
Markus Kettunen<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Finland<\/span><\/div>
Technical Papers<\/span> Conditional Resampled Importance Sampling and ReSTIR<\/a><\/div><\/div><\/div>
Daniel Keys<\/a><\/div>
Head of Innovation of xAmplify<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Industrial Application Cases 2 | Gravitational Energy Storage Design and Visualization using NVIDIA Omniverse<\/a><\/div><\/div><\/div>
Payam Khanteimouri<\/a><\/div>
Osnabr\u00fcck University<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> 3D B\u00e9zier Guarding: Boundary-Conforming Curved Tetrahedral Meshing<\/a><\/div><\/div><\/div>
Weng Khuan Hoh<\/a><\/div>
Victoria University of Wellington<\/a><\/div>
Computational Media Innovation Centre<\/a><\/div><\/span> New Zealand<\/span><\/div>
Technical Papers<\/span> A Motion-Simulation Platform to Generate Synthetic Motion Data for Computer Vision Tasks<\/a><\/div><\/div><\/div>
Martin Kilian<\/a><\/div>
TU Wien<\/a><\/div><\/span> Austria<\/span><\/div>
Technical Papers<\/span> Meshes with Spherical Faces<\/a><\/div><\/div><\/div>
Da Eun Kim<\/a><\/div>
Giantstep<\/a><\/div><\/span> South Korea<\/span><\/div>
Poster<\/span> Expression Omnibus: Expandable Facial Expression Dataset via Embedding Analysis and Synthesis<\/a><\/div><\/div><\/div>
DONGHOE KIM<\/a><\/div>Director<\/span>
Ringling College of Art & Design<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Octopus Ninja<\/a><\/div><\/div><\/div>
Emily Kim<\/a><\/div>
Sam Houston State University<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> Expanding Perspectives: Fostering Student Empowerment in Graphic Design Education<\/a><\/div><\/div><\/div>
Eunjae Kim<\/a><\/div>
Sejong University<\/a><\/div>
Sejongpia<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> An Architecture and Implementation of Real-Time Sound Propagation Hardware for Mobile Devices<\/a><\/div><\/div><\/div>
Jeonghwan Kim<\/a><\/div>
Georgia Institute of Technology<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> ACE: Adversarial Correspondence Embedding for Cross Morphology Motion Retargeting from Human to Nonhuman Characters<\/a><\/div><\/div><\/div>
Jin Ryong Kim<\/a><\/div>
University of Texas at Dallas<\/a><\/div><\/span> United States of America<\/span><\/div>
Emerging Technologies<\/span> FIRE: Mid-Air Thermo-Tactile Display<\/a><\/div><\/div><\/div>
Jin Ryong Kim<\/a><\/div>
TBU<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> TechScape<\/a><\/div><\/div><\/div>
Juhyeon Kim<\/a><\/div>
Dartmouth College<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Doppler Time-of-Flight Rendering<\/a><\/div><\/div><\/div>
June Kim<\/a><\/div>Associate Lecturer<\/span>
UNSW Art & Design<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> Women of SIGGRAPH Conversations Panel: Leading with Impact<\/a><\/div><\/div><\/div>
June Kim<\/a><\/div>
University of New South Wales Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Courses<\/span> From Reconstruction to Generation: State-Of-Art Approaches for 3D Visualization<\/a><\/div><\/div><\/div>
Juno Kim<\/a><\/div>
University of New South Wales Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Poster<\/span> Quantifying display lag and its effects during Head-Mounted Display based Virtual Reality<\/a><\/div>
Poster<\/span> Towards a Psychophysically Plausible Simulation of Translucent Appearance<\/a><\/div>
Technical Papers<\/span> Visual Perception<\/a><\/div><\/div><\/div>
Sanghyeon Kim<\/a><\/div>
Gyeongsang National University<\/a><\/div><\/span> South Korea<\/span><\/div>
Poster<\/span> Flying Over Tourist Attractions: A Novel Augmented Reality Tourism System Using Miniature Dioramas<\/a><\/div><\/div><\/div>
Seong-Lyun Kim<\/a><\/div>
Yonsei University<\/a><\/div><\/span> South Korea<\/span><\/div>
Art Gallery<\/span> Plastic Landscape - The Reversible World<\/a><\/div><\/div><\/div>
Seongwon Kim<\/a><\/div>
Gyeongsang National University<\/a><\/div><\/span> South Korea<\/span><\/div>
Poster<\/span> Flying Over Tourist Attractions: A Novel Augmented Reality Tourism System Using Miniature Dioramas<\/a><\/div><\/div><\/div>
Sujin Kim<\/a><\/div>
Arizona State University<\/a><\/div><\/span> United States of America<\/span><\/div>
Art Papers - Short<\/span> Reimagining Animation Making through Style Transfer<\/a><\/div><\/div><\/div>
Sungye Kim<\/a><\/div>
Intel Corporation<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> ExtraSS: A Framework for Joint Spatial Super Sampling and Frame Extrapolation<\/a><\/div><\/div><\/div>
Young J. Kim<\/a><\/div>
Ewha Womans University<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Rendering, Neural Fields & Neural Caches<\/a><\/div><\/div><\/div>
Youngchan Kim<\/a><\/div>
POSTECH<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Neural Spectro-polarimetric Fields<\/a><\/div><\/div><\/div>
Youngjin Kim<\/a><\/div>
Seoul National University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Depolarized Holography with Polarization-multiplexing Metasurface<\/a><\/div><\/div><\/div>
Yumi Kim<\/a><\/div>
Pusan National University<\/a><\/div><\/span> South Korea<\/span><\/div>
Birds of a Feather<\/span> University Education for the Utilization of CG tools and Boundless Creative Activities<\/a><\/div><\/div><\/div>
Ayumi KIMURA<\/a><\/div>
OLM Digital<\/a><\/div>
ACM SIGGRAPH<\/a><\/div><\/span> Japan<\/span><\/div>
Birds of a Feather<\/span> CG in Asia<\/a><\/div>
Birds of a Feather<\/span> CG in Japan<\/a><\/div><\/div><\/div>
Shoko Kimura<\/a><\/div>
Aoyama Gakuin University<\/a><\/div>
Nagoya Institute of Technology<\/a><\/div><\/span> Japan<\/span><\/div>
Birds of a Feather<\/span> CG in Asia<\/a><\/div>
Birds of a Feather<\/span> CG in Japan<\/a><\/div>
Talks<\/span> Celebrating Inclusive Technology and Differently Abled Bodies<\/a><\/div><\/div><\/div>
Marcus King<\/a><\/div>
Independent<\/a><\/div>
University of Otago<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Healing Horizons: Adaptive VR for Traumatic Brain Injury Rehabilitation<\/a><\/div><\/div><\/div>
Lusia Kiroyan<\/a><\/div>
Cinderella From Indonesia<\/a><\/div><\/span> Indonesia<\/span><\/div>
Computer Animation Festival<\/span> Ficusia<\/a><\/div><\/div><\/div>
Yoshifumi Kitamura<\/a><\/div>
Tohoku University<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Real-Time Reconstruction of Fluid Flow under Unknown Disturbance<\/a><\/div><\/div><\/div>
Michiteru Kitazaki<\/a><\/div>
Toyohashi University of Technology<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Exploring Embodiment and Usability of Autonomous Prosthetic Limbs through Virtual Reality<\/a><\/div><\/div><\/div>
Akihiro Kiuchi<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
XR<\/span> PerfectFit: Custom-Fit Garment Design in Augmented Reality<\/a><\/div><\/div><\/div>
Hiroaki Kiyokawa<\/a><\/div>
Saitama University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Towards a Psychophysically Plausible Simulation of Translucent Appearance<\/a><\/div><\/div><\/div>
Tobias Klein<\/a><\/div>
School of Creative Media, City University of Hong Kong<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Art Gallery<\/span> Cymatic Ground<\/a><\/div><\/div><\/div>
Julian Knodt<\/a><\/div>
LightSpeed Studios<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Joint UV Optimization and Texture Baking<\/a><\/div><\/div><\/div>
Tatsuya Kobayashi<\/a><\/div>
KDDI Research, Inc.<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> High-quality Color-animated CGH Using a Motor-driven Photomask<\/a><\/div><\/div><\/div>
Kenri Kodaka<\/a><\/div>
Nagoya City University<\/a><\/div><\/span> Japan<\/span><\/div>
XR<\/span> Cubic Gymnastics<\/a><\/div><\/div><\/div>
Milin Kodnongbua<\/a><\/div>
University of Washington<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> ReparamCAD: Zero-shot CAD Re-Parameterization for Interactive Manipulation<\/a><\/div><\/div><\/div>
Hiromu Koide<\/a><\/div>
Utsunomiya University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> An Examination of Text Shaking Correction Methods for AR Walking<\/a><\/div><\/div><\/div>
Yukio Koike<\/a><\/div>
NTT Corporation<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Motor-Skill-Transfer Technology for Piano Playing with Electrical Muscle Stimulation<\/a><\/div><\/div><\/div>
Ryota Koiso<\/a><\/div>
KDDI Research, Inc.<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> High-quality Color-animated CGH Using a Motor-driven Photomask<\/a><\/div><\/div><\/div>
Naoya Koizumi<\/a><\/div>
The University of Electro-Communications<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> AiRound: a touchable mid-air image viewable from 360 degrees<\/a><\/div><\/div><\/div>
Renata Kokanovi\u0107<\/a><\/div>
RMIT<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> A Safer Place? Stories from the Emergency Department [XR Theater]<\/a><\/div><\/div><\/div>
Andrey KOLESOV<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Go Fishboy<\/a><\/div><\/div><\/div>
Ryota Kondo<\/a><\/div>
Keio University<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Dynamic Split Body: Changing Body Perception and Self-Location by Manipulating Half-Body Position<\/a><\/div><\/div><\/div>
Regis Kopper<\/a><\/div>
University of North Carolina at Greensboro<\/a><\/div><\/span> United States of America<\/span><\/div>
Courses<\/span> Approaches and Challenges in XR and AI for Health Applications<\/a><\/div><\/div><\/div>
Mi\u0161a Kora\u0107<\/a><\/div>
DFKI<\/a><\/div>
Saarland University<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> Perceptual error optimization for Monte Carlo animation rendering<\/a><\/div><\/div><\/div>
Maria Korosteleva<\/a><\/div>
ETH Z\u00fcrich<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> GarmentCode: Programming Parametric Sewing Patterns<\/a><\/div><\/div><\/div>
Karina Korovai<\/a><\/div>
Samsung R&D Institute Ukraine<\/a><\/div><\/span> Ukraine<\/span><\/div>
Poster<\/span> Recognition-Independent Handwritten Text Alignment Using Lightweight Recurrent Neural Network<\/a><\/div><\/div><\/div>
Jessica Korte<\/a><\/div>
University of Queensland<\/a><\/div><\/span> Australia<\/span><\/div>
Emerging Technologies<\/span> Visual-gestural Interface for Auslan Virtual Assistant<\/a><\/div><\/div><\/div>
Yusuke Koseki<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Avatars for Good Drinking: An Exploratory Study of The Effects of Avatar\u2019s Body Shape on Beverage Perception<\/a><\/div><\/div><\/div>
Divya Kothandaraman<\/a><\/div>
University of Maryland College Park<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Aerial Diffusion: Text Guided Ground-to-Aerial View Synthesis from a Single Image using Diffusion Models<\/a><\/div><\/div><\/div>
Minamizawa Kouta<\/a><\/div>
Keio Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> OwnDiffusion: A Design Pipeline Using Design Generative AI to preserve Sense Of Ownership<\/a><\/div><\/div><\/div>
Haruki Kozuka<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> ForceField: Visualizing Intermaterial Interaction through Floor and Depth Sensing<\/a><\/div><\/div><\/div>
Race Krehel<\/a><\/div>
Metamo Industries<\/a><\/div><\/span> Singapore<\/span><\/div>
Art Gallery<\/span> Aquasia<\/a><\/div><\/div><\/div>
Ariane Krief<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Bonhomme<\/a><\/div><\/div><\/div>
Nanditha Krishna<\/a><\/div>
Amrita Vishwa Vidyapeetham, Amritapuri<\/a><\/div><\/span> India<\/span><\/div>
XR<\/span> SensoryScape: Context-Aware Empathic VR Photography<\/a><\/div><\/div><\/div>
Sai Kumar Murali Krishnan<\/a><\/div>
(Future) Machine Learning Engineer at Canva<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Generation Gap: Addressing Bias in Generative AI<\/a><\/div><\/div><\/div>
Stephen Krol<\/a><\/div>
Monash University<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Infinite Colours<\/a><\/div><\/div><\/div>
Aakash KT<\/a><\/div>
International Institute Of Information Technology, Hyderabad<\/a><\/div><\/span> India<\/span><\/div>
Doctoral Consortium<\/span> Analytical & Neural approaches to Physically Based Rendering<\/a><\/div><\/div><\/div>
Volker Kuchelmeister<\/a><\/div>
UNSW Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> A Safer Place? Stories from the Emergency Department [XR Theater]<\/a><\/div>
XR<\/span> Perinatal Dreaming - Understanding Country [XR Theater]<\/a><\/div><\/div><\/div>
Gautham Kumar<\/a><\/div>
New York University<\/a><\/div><\/span> United Arab Emirates<\/span><\/div>
Emerging Technologies<\/span> Boundless Conversations: AI-Powered Video Interactions across Domains, Languages, and Time<\/a><\/div><\/div><\/div>
Patricia Kung<\/a><\/div>
JMC Academy<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> What to Expect in Your First Job<\/a><\/div><\/div><\/div>
Grace Kuo<\/a><\/div>
Meta<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Multisource Holography<\/a><\/div><\/div><\/div>
Hideaki Kuzuoka<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> HangerBody: a Haptic Device Using Haptic Illusion for Multiple Parts of Body<\/a><\/div>
Poster<\/span> The Effect of Wearing Knee Supporters on the Applicable Gain of Redirected Walking<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
L<\/div><\/span>
Sabine Laimer<\/a><\/div>Sequence VFX Supervisor<\/span>
Weta<\/a><\/div><\/span> New Zealand<\/span><\/div>
Student Volunteers<\/span> Getting Started in the World of VFX: A Chat With the W\u0113t\u0101 FX Crew<\/a><\/div>
Featured Sessions<\/span> Unraveling The VFX Behind The Marvels<\/a><\/div><\/div><\/div>
Kwok Yan Lam<\/a><\/div>Associate Vice President (Strategy and Partnerships)<\/span>
President\u2019s Office<\/a><\/div>
Professor, School of Computer Science and Engineering Nanyang Technological University Singapore<\/a><\/div><\/span> Singapore<\/span><\/div>
Business and Innovation Symposium<\/span> Panel: Future of GenAI<\/a><\/div><\/div><\/div>
Miu Ling Lam<\/a><\/div>
School of Creative Media, City University of Hong Kong<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Art Gallery<\/span> Erased Murmurs<\/a><\/div><\/div><\/div>
Douglas Lanman<\/a><\/div>
Meta Reality Labs Research<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Perceptual Requirements for World-Locked Rendering in AR and VR<\/a><\/div><\/div><\/div>
Paulina Larson<\/a><\/div>
Filmakademie Baden-W\u00fcrttemberg<\/a><\/div><\/span> Germany<\/span><\/div>
Computer Animation Festival<\/span> Town Hall Square<\/a><\/div><\/div><\/div>
Louise Laurent<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Loup y es-tu ?<\/a><\/div><\/div><\/div>
Leroy le Roux<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Thaba Ye<\/a><\/div><\/div><\/div>
Duy Khanh Le<\/a><\/div>
Group Engineering Lead, Trust & Safety Group at Canva<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Generation Gap: Addressing Bias in Generative AI<\/a><\/div><\/div><\/div>
Qiqin Le<\/a><\/div>
Shanghai Qi Zhi Institute<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Second-Order Finite Elements for Deformable Surfaces<\/a><\/div><\/div><\/div>
Thi-Ngoc-Hanh Le<\/a><\/div>
National Cheng-Kung University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Learning to Generate Wire Sculpture Art from 3D Models<\/a><\/div><\/div><\/div>
Brett Leavy<\/a><\/div>
Bilbie XR Labs<\/a><\/div><\/span> Australia<\/span><\/div>
Real-Time Live!<\/span> Virtual Songlines - Warrane<\/a><\/div><\/div><\/div>
C\u00e9lina Lebon<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Loup y es-tu ?<\/a><\/div><\/div><\/div>
Yoann Leclerc<\/a><\/div>
Ateliers de S\u00e8vres<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> The yellow triangle<\/a><\/div><\/div><\/div>
Aur\u00e9lie Leduc<\/a><\/div>
Atlas V<\/a><\/div><\/span> France<\/span><\/div>
XR<\/span> Fortune [XR Theater]<\/a><\/div><\/div><\/div>
Michela Ledwidge<\/a><\/div>
Mod<\/a><\/div><\/span> Australia<\/span><\/div>
Business and Innovation Symposium<\/span> Lightening Talks: Spatial data science + storytelling : a practical perspective<\/a><\/div>
Art Gallery<\/span> Through The Eyes Of Our Ancestors<\/a><\/div>
Birds of a Feather<\/span> Virtual Production<\/a><\/div><\/div><\/div>
Chang Hee Lee<\/a><\/div>
Affective Systems and Cognition Lab, Korea Advanced Institute of Science and Technology (KAIST)<\/a><\/div><\/span> South Korea<\/span><\/div>
Art Gallery<\/span> AI N\u00fcshu (Women's scripts) - An Exploration of Language Emergence in Sisterhood<\/a><\/div>
Art Papers - Short<\/span> AI N\u00fcshu: An Exploration of Language Emergence in Sisterhood Through the Lens of Computational Linguistics<\/a><\/div><\/div><\/div>
Dohae Lee<\/a><\/div>
Yonsei University<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> ClothCombo: Modeling Inter-Cloth Interaction for Draping Multi-Layered Clothes<\/a><\/div><\/div><\/div>
Gun Lee<\/a><\/div>
University of South Australia<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> NinjaHeads: Gaze-Oriented Parallel View System for Asynchronous Tasks<\/a><\/div><\/div><\/div>
Hyunseok Lee<\/a><\/div>
Pusan National University<\/a><\/div><\/span> South Korea<\/span><\/div>
Birds of a Feather<\/span> University Education for the Utilization of CG tools and Boundless Creative Activities<\/a><\/div><\/div><\/div>
Jeongmin Lee<\/a><\/div>
Chung-Ang University<\/a><\/div><\/span> South Korea<\/span><\/div>
XR<\/span> Flow: Connect the movement of Virtual Actor and Audience<\/a><\/div><\/div><\/div>
Jisu Lee<\/a><\/div>
Chung-Ang University<\/a><\/div><\/span> South Korea<\/span><\/div>
XR<\/span> Flow: Connect the movement of Virtual Actor and Audience<\/a><\/div><\/div><\/div>
Joo-Haeng Lee<\/a><\/div>
Pebblous<\/a><\/div><\/span> South Korea<\/span><\/div>
Poster<\/span> Expression Omnibus: Expandable Facial Expression Dataset via Embedding Analysis and Synthesis<\/a><\/div><\/div><\/div>
Joon Hyub Lee<\/a><\/div>
Korea Advanced Institute of Science and Technology (KAIST)<\/a><\/div><\/span> South Korea<\/span><\/div>
Emerging Technologies<\/span> An Interactive Showcase of Touch'n'Draw: Rapid 3D Sketching with Fluent Bimanual Coordination<\/a><\/div><\/div><\/div>
Seung-Jun Lee<\/a><\/div>
Korea Advanced Institute of Science and Technology (KAIST)<\/a><\/div><\/span> South Korea<\/span><\/div>
Emerging Technologies<\/span> An Interactive Showcase of Touch'n'Draw: Rapid 3D Sketching with Fluent Bimanual Coordination<\/a><\/div><\/div><\/div>
Sing Chun Lee<\/a><\/div>
Bucknell University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> What're Your Points?<\/a><\/div><\/div><\/div>
Soojin Lee<\/a><\/div>
New York University<\/a><\/div><\/span> United Arab Emirates<\/span><\/div>
Emerging Technologies<\/span> Boundless Conversations: AI-Powered Video Interactions across Domains, Languages, and Time<\/a><\/div><\/div><\/div>
Sunmin Lee<\/a><\/div>
Seoul National University<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> SAME: Skeleton-Agnostic Motion Embedding for Character Animation<\/a><\/div><\/div><\/div>
Suwon Lee<\/a><\/div>
Gyeongsang National University<\/a><\/div><\/span> South Korea<\/span><\/div>
Poster<\/span> Flying Over Tourist Attractions: A Novel Augmented Reality Tourism System Using Miniature Dioramas<\/a><\/div><\/div><\/div>
Tong-Yee Lee<\/a><\/div>
National Cheng-Kung University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Learning to Generate Wire Sculpture Art from 3D Models<\/a><\/div><\/div><\/div>
Yong Tsui (YT) Lee<\/a><\/div>Associate Professor<\/span>
Nanyang Technological University<\/a><\/div><\/span> Singapore<\/span><\/div>
Birds of a Feather<\/span> Outstanding Service Award<\/a><\/div><\/div><\/div>
Yoonsang Lee<\/a><\/div>
Hanyang University<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Adaptive Tracking of a Single-Rigid-Body Character in Various Environments<\/a><\/div>
Technical Papers<\/span> Motion Synthesis With Awareness, Part II<\/a><\/div><\/div><\/div>
George Legrady<\/a><\/div>
University of California Santa Barbara<\/a><\/div><\/span> United States of America<\/span><\/div>
Art Papers - Short<\/span> Reflection on Abstract Art through Kandinsky's Teaching: Reflection on Abstract Art through Reconstruction of Kandinsky's Teaching at the Bauhaus<\/a><\/div><\/div><\/div>
Chenyang Lei<\/a><\/div>
Princeton University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Thin On-Sensor Nanophotonic Array Cameras<\/a><\/div><\/div><\/div>
Caroline Leibel<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Search for the Human<\/a><\/div><\/div><\/div>
Benjamin Letham<\/a><\/div>
Meta Reality Labs Research<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Perceptual Requirements for World-Locked Rendering in AR and VR<\/a><\/div><\/div><\/div>
Joe Letteri<\/a><\/div>Senior Visual Effects Supervisor<\/span>
Weta Digital<\/a><\/div><\/span> United States of America<\/span><\/div>
Key Events<\/span> Innovation & Avatar: The Way of Water<\/a><\/div><\/div><\/div>
Yaniv Leviathan<\/a><\/div>
Google Research<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Face0: Instantaneously Conditioning a Text-to-Image Model on a Face<\/a><\/div><\/div><\/div>
David Levin<\/a><\/div>
University Of Toronto<\/a><\/div>
NVIDIA<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> ViCMA: Visual Control of Multibody Animations<\/a><\/div><\/div><\/div>
Gabriela Lewandowska<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> Poland<\/span><\/div>
Computer Animation Festival<\/span> Last Summer<\/a><\/div><\/div><\/div>
Bo Li<\/a><\/div>
ETH Z\u00fcrich<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> Efficient Incremental Potential Contact for Actuated Face Simulation<\/a><\/div><\/div><\/div>
Bo Li<\/a><\/div>
Beijing Film Academy<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Footstep Detection for Film Sound Production<\/a><\/div><\/div><\/div>
Bowen Li<\/a><\/div>
Institute of Automation, Institute of Automation, Institute of Automation, Chinese Academy Of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> SCOOT:Self-supervised Centric Open-set Object Tracking<\/a><\/div><\/div><\/div>
Changhao Li<\/a><\/div>
University of Science and Technology of China\u4e2d\u56fd\u79d1\u5b66\u6280\u672f\u5927\u5b66<\/a><\/div><\/span> China \u4e2d\u56fd<\/span><\/div>
Technical Papers<\/span> Online Scene CAD Recomposition via Autonomous Scanning<\/a><\/div><\/div><\/div>
Chenghong Li<\/a><\/div>
The Chinese University of Hong Kong, Shenzhen<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> EMS: 3D Eyebrow Modeling from Single-view Images<\/a><\/div><\/div><\/div>
Jiaman Li<\/a><\/div>
Stanford University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Object Motion Guided Human Motion Synthesis<\/a><\/div><\/div><\/div>
Lingzhi Li<\/a><\/div>
Alibaba<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> High-Resolution Volumetric Reconstruction for Clothed Humans<\/a><\/div><\/div><\/div>
Mica Li<\/a><\/div>
University of California San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Poster<\/span> Closest Point Exterior Calculus<\/a><\/div><\/div><\/div>
Mo Li<\/a><\/div>
University of Science and Technology of China<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Efficient Cone Singularity Construction for Conformal Parameterizations<\/a><\/div><\/div><\/div>
Pengzhi Li<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> LayerDiffusion: Layered Controlled Image Editing with Diffusion Models<\/a><\/div><\/div><\/div>
Qing Li<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Neural Gradient Learning and Optimization for Oriented Point Normal Estimation<\/a><\/div><\/div><\/div>
Sheng Li<\/a><\/div>
Peking University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Technoscape<\/a><\/div><\/div><\/div>
Tony Li<\/a><\/div>
Media Design School<\/a><\/div><\/span> New Zealand<\/span><\/div>
Educator's Forum<\/span> Educational Perilune: Visual effects practices at Media Design School<\/a><\/div><\/div><\/div>
Wei Li<\/a><\/div>
Tencent\/LightSpeed Studios,China<\/a><\/div><\/span> France<\/span><\/div>
Technical Papers<\/span> High-Order Moment-Encoded Kinetic Simulation of Turbulent Flows<\/a><\/div><\/div><\/div>
Wei Li<\/a><\/div>
Institute of Automation, Chinese Academy Of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> SCOOT:Self-supervised Centric Open-set Object Tracking<\/a><\/div><\/div><\/div>
Wenfa li<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Xiao Li<\/a><\/div>
Princeton University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Thin On-Sensor Nanophotonic Array Cameras<\/a><\/div><\/div><\/div>
Xingqiao Li<\/a><\/div>
SIST & KLMP (MOE), Peking University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> GARM-LS: A Gradient-Augmented Reference-Map Method for Level-Set Fluid Simulation<\/a><\/div><\/div><\/div>
Xiu Li<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Digital Transformation of Ethnic Dance Heritage: A Multimodal Interactive Game to Balancing Instructional and Cultural Essence<\/a><\/div><\/div><\/div>
Yi Li<\/a><\/div>
Center for Future Media, University of Electronic Science and Technology of China<\/a><\/div>
School of Computer Science and Engineering, University of Electronic Science and Technology of China<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Monte Carlo Denoising via Multi-scale Auxiliary Feature Fusion Guided Transformer<\/a><\/div><\/div><\/div>
Yu Li<\/a><\/div>
Meta<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Spatiotemporally Consistent HDR Indoor Lighting Estimation<\/a><\/div><\/div><\/div>
Yue Li<\/a><\/div>
ETH Z\u00fcrich<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> Neural Metamaterial Networks for Nonlinear Material Design<\/a><\/div><\/div><\/div>
Zhehao Li<\/a><\/div>
University of Science and Technology of China<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> DiffFR: Differentiable SPH-based Fluid-Rigid Coupling for Rigid Body Control<\/a><\/div><\/div><\/div>
Zhengqin Li<\/a><\/div>
Meta<\/a><\/div>
University of California San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Spatiotemporally Consistent HDR Indoor Lighting Estimation<\/a><\/div><\/div><\/div>
Zhibing Li<\/a><\/div>
The Chinese University of Hong Kong<\/a><\/div>
Shanghai AI Laboratory<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> HyperDreamer: Hyper-Realistic 3D Content Generation and Editing from a Single Image<\/a><\/div><\/div><\/div>
Zhiheng Li<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> LayerDiffusion: Layered Controlled Image Editing with Diffusion Models<\/a><\/div><\/div><\/div>
Zilu Li<\/a><\/div>
Cornell University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Neural Cache for Monte Carlo Partial Differential Equation Solver<\/a><\/div><\/div><\/div>
Zun Li<\/a><\/div>
Beijing University of Technology<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Multi-Stage Manufacturing for Preoperative Medical Models with Overhanging Components<\/a><\/div><\/div><\/div>
Hai-Ning Liang<\/a><\/div>
Xi'an Jiaotong Liverpool University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Comparing Cinematic Conventions through Emotional Responses in Cinematic VR and Traditional Mediums<\/a><\/div><\/div><\/div>
Michael Liang<\/a><\/div>
Silkroad Visual Technologies Co., LTD<\/a><\/div><\/span> Taiwan<\/span><\/div>
Business and Innovation Symposium<\/span> Panel: Future of GenAI<\/a><\/div>
Business and Innovation Symposium<\/span> Welcome: Powering Business Transformation with Generative AI<\/a><\/div><\/div><\/div>
Xiaozhan Liang<\/a><\/div>
Beihang University<\/a><\/div>
State Key Laboratory of Virtual Reality Technology and Systems, Beihang University<\/a><\/div><\/span> China<\/span><\/div>
XR<\/span> \u2018\u2018Embark the Journey \u00b7 Embrace the Universe\u2019\u2019: An Interactive System of Astronomy Education Based on Spherical TUI in MR<\/a><\/div><\/div><\/div>
Monica Lim<\/a><\/div>
University of Melbourne<\/a><\/div><\/span> Australia<\/span><\/div>
Real-Time Live!<\/span> Collective Gestures \/ Collapsing Distances<\/a><\/div><\/div><\/div>
Haotong Lin<\/a><\/div>
Zhejiang university<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> EasyVolcap: Accelerating Neural Volumetric Video Research<\/a><\/div>
Technical Papers<\/span> High-Fidelity and Real-Time Novel View Synthesis for Dynamic Scenes<\/a><\/div><\/div><\/div>
James Lin<\/a><\/div>
Meta Platforms, Inc.<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> A Motion-Simulation Platform to Generate Synthetic Motion Data for Computer Vision Tasks<\/a><\/div><\/div><\/div>
Jia-Shuan Lin<\/a><\/div>
National Taipei University of Technology<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Vector Gradient Stroke Stylized Neural Network Painting<\/a><\/div><\/div><\/div>
Jonathan Lin<\/a><\/div>Partner<\/span>
Andra Capital<\/a><\/div>
National Taiwan University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Business and Innovation Symposium<\/span> GenAI Investment Trends<\/a><\/div><\/div><\/div>
Ming Lin<\/a><\/div>
University of Maryland College Park<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Aerial Diffusion: Text Guided Ground-to-Aerial View Synthesis from a Single Image using Diffusion Models<\/a><\/div><\/div><\/div>
Rem RunGu Lin<\/a><\/div>
Hong Kong University of Science and Technology (Guangzhou)<\/a><\/div><\/span> China<\/span><\/div>
XR<\/span> Body Cosmos VR<\/a><\/div>
Art Papers - Short<\/span> Revisiting McLuhan's Laws of Media and Ant Farm: Insights for Mediated Urbanism and Architecture<\/a><\/div><\/div><\/div>
Shih-Syun Lin<\/a><\/div>
National Taiwan Ocean University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Learning to Generate Wire Sculpture Art from 3D Models<\/a><\/div><\/div><\/div>
Ziyao Lin<\/a><\/div>
Goldsmiths, University of London<\/a><\/div>
Central Academy of Fine Arts<\/a><\/div><\/span> China<\/span><\/div>
XR<\/span> Limit Situation [XR Theater]<\/a><\/div><\/div><\/div>
Chiayu Liu<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Go Fishboy<\/a><\/div><\/div><\/div>
Karen Liu<\/a><\/div>
Stanford University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> DROP: Dynamics Responses from Human Motion Prior and Projective Dynamics<\/a><\/div>
Technical Papers<\/span> Object Motion Guided Human Motion Synthesis<\/a><\/div><\/div><\/div>
Lijuan Liu<\/a><\/div>
Sea AI Lab<\/a><\/div><\/span> Singapore<\/span><\/div>
Technical Papers<\/span> Towards Garment Sewing Pattern Reconstruction from a Single Image<\/a><\/div><\/div><\/div>
Mengyun Liu<\/a><\/div>
ShanghaiTech University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> A Parametric Kinetic Solver for Simulating Boundary-Dominated Turbulent Flow Phenomena<\/a><\/div><\/div><\/div>
Yinan Liu<\/a><\/div>
University of Auckland<\/a><\/div>
arc\/sec Lab<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> LightSense - Long Distance<\/a><\/div><\/div><\/div>
Yu-Shen Liu<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Neural Gradient Learning and Optimization for Oriented Point Normal Estimation<\/a><\/div><\/div><\/div>
Zengyu Liu<\/a><\/div>
Center for Future Media, University of Electronic Science and Technology of China<\/a><\/div>
School of Computer Science and Engineering, University of Electronic Science and Technology of China<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Monte Carlo Denoising via Multi-scale Auxiliary Feature Fusion Guided Transformer<\/a><\/div><\/div><\/div>
Zhengzhe Liu<\/a><\/div>
The Chinese University of Hong Kong<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> EXIM: A Hybrid Explicit-Implicit Representation for Text-Guided 3D Shape Generation<\/a><\/div><\/div><\/div>
Zhitao Liu<\/a><\/div>
Center for Future Media, University of Electronic Science and Technology of China<\/a><\/div>
School of Computer Science and Engineering, University of Electronic Science and Technology of China<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Monte Carlo Denoising via Multi-scale Auxiliary Feature Fusion Guided Transformer<\/a><\/div><\/div><\/div>
Zixiao Liu<\/a><\/div>
School of New Media Art and Design, Beihang University<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Crossing Narrative: Exploring the Possibilities of Crossing the Virtuality and Reality in Interactive Narrative Experiences<\/a><\/div><\/div><\/div>
Cheng-Hung Lo<\/a><\/div>
Xi'an Jiaotong Liverpool University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Comparing Cinematic Conventions through Emotional Responses in Cinematic VR and Traditional Mediums<\/a><\/div><\/div><\/div>
Wei Sen Loi<\/a><\/div>
Huawei<\/a><\/div><\/span> Canada<\/span><\/div>
Poster<\/span> Deep Albedo: A Machine Learning Approach to Real-Time Photo Realistic Human Skin Rendering and Editing Using Autoencoders<\/a><\/div><\/div><\/div>
Daohan Lu<\/a><\/div>
Carnegie Mellon University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Content-based Search for Deep Generative Models<\/a><\/div><\/div><\/div>
Lin Lu<\/a><\/div>
Shandong University<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Multi-Stage Manufacturing for Preoperative Medical Models with Overhanging Components<\/a><\/div>
Technical Papers<\/span> Texture Magic<\/a><\/div><\/div><\/div>
Qinghua Lu<\/a><\/div>Science Lead, Responsible AI and Principal Research Scientist<\/span>
Data61, CSIRO<\/a><\/div><\/span> Australia<\/span><\/div>
Business and Innovation Symposium<\/span> Panel: Future of GenAI<\/a><\/div><\/div><\/div>
Xin Lu<\/a><\/div>
University of Chinese Academy of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Landmark Guided 4D Facial Expression Generation<\/a><\/div><\/div><\/div>
Yuanyuan Lu<\/a><\/div>Director<\/span>
School of Visual Arts<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Smile Mask<\/a><\/div><\/div><\/div>
Zhengda Lu<\/a><\/div>
University of Chinese Academy of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Landmark Guided 4D Facial Expression Generation<\/a><\/div>
Poster<\/span> Recovering Detailed Neural Implicit Surfaces from Blurry Images<\/a><\/div><\/div><\/div>
Simon LUCAS<\/a><\/div>
Institut national de recherche en informatique et en automatique (INRIA) Bordeaux Sud-Ouest<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> A Micrograin BSDF Model for the Rendering of Porous Layers<\/a><\/div><\/div><\/div>
Kartini Ludwig<\/a><\/div>Director & Founder<\/span>
Kopi Su Studio<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Designing Sustainable Space and Environment<\/a><\/div><\/div><\/div>
Artem Lukoianov<\/a><\/div>
MIT CSAIL<\/a><\/div><\/span> United States of America<\/span><\/div>
Poster<\/span> Towards Efficient Local 3D Conditioning<\/a><\/div><\/div><\/div>
Danny Lumen<\/a><\/div>
Google Research<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Face0: Instantaneously Conditioning a Text-to-Image Model on a Face<\/a><\/div><\/div><\/div>
Siyu Luo<\/a><\/div>
Beihang University<\/a><\/div><\/span> China<\/span><\/div>
Art Papers - Short<\/span> \u201cAchi Mukua Experience Space\u201d\u2014\u2014A Multi-Player Immersive Experience of Yunnan ICH Dance<\/a><\/div><\/div><\/div>
Yuzhe Luo<\/a><\/div>
Sate Key Lab of CAD&CG, State Key Laboratory of CAD & CG, Zhejiang University<\/a><\/div>
LIGHTSPEED STUDIOS<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Texture Atlas Compression Based on Repeated Content Removal<\/a><\/div><\/div><\/div>
Julie Lyons<\/a><\/div>
The University of Queensland<\/a><\/div><\/span> Australia<\/span><\/div>
Emerging Technologies<\/span> Visual-gestural Interface for Auslan Virtual Assistant<\/a><\/div><\/div><\/div>
Linjie Lyu<\/a><\/div>
Max-Planck-Institut f\u00fcr Informatik<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Diffusion Posterior Illumination for Ambiguity-aware Inverse Rendering<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
M<\/div><\/span>
Chongyang Ma<\/a><\/div>
ByteDance<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Text To Anything<\/a><\/div><\/div><\/div>
Weiyin Ma<\/a><\/div>
City University of Hong Kong<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> An Unified $\\lambda$-subdivision Scheme for Quadrilateral Meshes with Optimal Curvature Performance in Extraordinary Regions<\/a><\/div><\/div><\/div>
Xiaohe Ma<\/a><\/div>
Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> OpenSVBRDF: A Database of Measured Spatially-Varying Reflectance<\/a><\/div><\/div><\/div>
Anderson Maciel<\/a><\/div>
Instituto Superior T\u00e9cnico, Universidade de Lisboa<\/a><\/div>
Instituto de Engenharia de Sistemas e Computadores - Investiga\u00e7\u00e3o e Desenvolvimento (INESC-ID)<\/a><\/div><\/span> Portugal<\/span><\/div>
Courses<\/span> Approaches and Challenges in XR and AI for Health Applications<\/a><\/div><\/div><\/div>
Cameron Mackness<\/a><\/div>
Flinders University<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Building Virtual Production Capabilities and Curriculum Within University Settings<\/a><\/div><\/div><\/div>
Nirma Madhoo<\/a><\/div>
Royal Melbourne Institute of Technology<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> Volumetric Scenography for the Fashion Film Genre: 444.2, a Posthumanist Journey in Virtual Reality<\/a><\/div><\/div><\/div>
Tomosuke Maeda<\/a><\/div>
Toyota Central R&D Labs., Inc.<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Waylet: Self-Contained Haptic Device for Park-Scale Interactions<\/a><\/div><\/div><\/div>
Arman Maesumi<\/a><\/div>
Brown University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Explorable Mesh Deformation Subspaces from Unstructured 3D Generative Models<\/a><\/div><\/div><\/div>
Filippo Maggioli<\/a><\/div>
Sapienza University of Rome<\/a><\/div><\/span> Italy<\/span><\/div>
Technical Papers<\/span> A Physically-inspired Approach to the Simulation of Plant Wilting<\/a><\/div><\/div><\/div>
Alice Magistri<\/a><\/div>
DNEG<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> DNEG Down Under: A Look at DNEG Sydney\u2019s Studio<\/a><\/div>
Exhibitor Talks<\/span> DNEG Down Under: Cheers to One Year!<\/a><\/div><\/div><\/div>
Tanguy Magne<\/a><\/div>
ETH<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> UVDoc: Neural Grid-based Document Unwarping<\/a><\/div><\/div><\/div>
Aniruddha Mahapatra<\/a><\/div>
Carnegie Mellon University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Text-Guided Synthesis of Eulerian Cinemagraphs<\/a><\/div><\/div><\/div>
Julie Majcher<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> #DoudouChallenge<\/a><\/div><\/div><\/div>
Arka Majumdar<\/a><\/div>
University of Washington<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Thin On-Sensor Nanophotonic Array Cameras<\/a><\/div><\/div><\/div>
Guirec Maloisel<\/a><\/div>
Disney Research<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> Optimal Design of Robotic Character Kinematics<\/a><\/div><\/div><\/div>
Avirup Mandal<\/a><\/div>
Indian Institute of Technology (IIT), Bombay<\/a><\/div><\/span> India<\/span><\/div>
Doctoral Consortium<\/span> Fast Remeshing-Free Methods for Complex Cutting and Fracture Simulation<\/a><\/div><\/div><\/div>
Dinesh Manocha<\/a><\/div>
University of Maryland College Park<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Aerial Diffusion: Text Guided Ground-to-Aerial View Synthesis from a Single Image using Diffusion Models<\/a><\/div><\/div><\/div>
Pranav Manu<\/a><\/div>
International Institute of Information Technology, Hyderabad<\/a><\/div><\/span> India<\/span><\/div>
Technical Papers<\/span> CLIP-Head: Text-Guided Generation of Textured Neural Parametric 3D Head Models<\/a><\/div><\/div><\/div>
Aur\u00e9lie Marchand<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Bonhomme<\/a><\/div><\/div><\/div>
Thomas Marcusson<\/a><\/div>
Artist<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Aguaviva<\/a><\/div><\/div><\/div>
Eric Markley<\/a><\/div>
Facebook Reality Labs<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Simultaneous Color Computer Generated Holography<\/a><\/div><\/div><\/div>
Stefan Marks<\/a><\/div>
Auckland University of Technology<\/a><\/div><\/span> New Zealand<\/span><\/div>
Educator's Forum<\/span> Computer Graphics and Extended Reality Courses for the Programmophobic<\/a><\/div>
Art Gallery<\/span> M\u0101k\u016b, te h\u0101 o Haupapa: Moisture, the breath of Haupapa<\/a><\/div><\/div><\/div>
Zo\u00eb Marschner<\/a><\/div>
Massachusetts Institute of Technology<\/a><\/div>
Carnegie Mellon University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Constructive Solid Geometry on Neural Signed Distance Fields<\/a><\/div><\/div><\/div>
D\u00e1vid Maruscs\u00e1k<\/a><\/div>
Universit\u00e9 Paris-Saclay<\/a><\/div>
CNRS<\/a><\/div><\/span> France<\/span><\/div>
XR<\/span> MiniGI: Guerilla Mappings in Miniature<\/a><\/div><\/div><\/div>
Wade Marynowsky<\/a><\/div>
University of Technology Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Superb Lyrebird Sequences, 2023.<\/a><\/div><\/div><\/div>
Yossi Matias<\/a><\/div>
Google Research<\/a><\/div><\/span> Israel<\/span><\/div>
Technical Papers<\/span> Face0: Instantaneously Conditioning a Text-to-Image Model on a Face<\/a><\/div><\/div><\/div>
Keigo Matsumoto<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Hitchhiking Hands: Remote Interaction by Switching Multiple Hand Avatars with Gaze<\/a><\/div>
Emerging Technologies<\/span> TableMorph: Haptic Experience with Movable Tables and Redirection<\/a><\/div>
Poster<\/span> The Effect of Wearing Knee Supporters on the Applicable Gain of Redirected Walking<\/a><\/div><\/div><\/div>
Harutaka matsunaga<\/a><\/div>
Japan Advanced Institute of Science and Technology (JAIST)<\/a><\/div><\/span> Japan<\/span><\/div>
Educator's Forum<\/span> Bridging the Gap: Sustainable Collaboration between CG Production and Educational Institutions<\/a><\/div><\/div><\/div>
Kyoji Matsushima<\/a><\/div>
Kansai University<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> High-quality Color-animated CGH Using a Motor-driven Photomask<\/a><\/div><\/div><\/div>
Fabrice Matulic<\/a><\/div>
Preferred Networks<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Interactive Material Annotation on 3D Scanned Models leveraging Color-Material Correlation<\/a><\/div><\/div><\/div>
Diane Mazella<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> L'Animal Sauce Ail<\/a><\/div><\/div><\/div>
Andr\u00e9 Mazzone<\/a><\/div>
Industrial Light & Magic<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Standard Shader Ball A Modern and Feature-Rich Render Test Scene<\/a><\/div><\/div><\/div>
Jim McCambell<\/a><\/div>
Ringling College of Art and Design<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Bent Out of Shape<\/a><\/div><\/div><\/div>
Peter McCully<\/a><\/div>
Media Design School<\/a><\/div><\/span> New Zealand<\/span><\/div>
Educator's Forum<\/span> Educational Perilune: Visual effects practices at Media Design School<\/a><\/div><\/div><\/div>
Kacy McDonald<\/a><\/div>Executive VFX Producer<\/span>
ILM<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> SIGGRAPH Asia DEI Panel: The Future of Inclusive Filmmaking Sponsored by ILM<\/a><\/div><\/div><\/div>
Justin McErlain<\/a><\/div>
Business Northwest<\/a><\/div><\/span> Australia<\/span><\/div>
Educator's Forum<\/span> Table Cape VR Education Technology Project: An Immersive Learning Experience of Walking with Giants<\/a><\/div><\/div><\/div>
Ann McNamara<\/a><\/div>
School of Performance, Visualization, & Fine Arts<\/a><\/div>
Texas A&M University<\/a><\/div><\/span> United States of America<\/span><\/div>
Courses<\/span> Creating Scripted Animation with Python in Autodesk Maya<\/a><\/div><\/div><\/div>
Nathan Medam<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Quem Salva<\/a><\/div><\/div><\/div>
Claire Meinhard<\/a><\/div>
\/<\/a><\/div><\/span> France<\/span><\/div>
XR<\/span> Fortune [XR Theater]<\/a><\/div><\/div><\/div>
Philippe Meis<\/a><\/div>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> #DoudouChallenge<\/a><\/div>
Computer Animation Festival<\/span> Bonhomme<\/a><\/div>
Computer Animation Festival<\/span> L'Animal Sauce Ail<\/a><\/div>
Computer Animation Festival<\/span> Loup y es-tu ?<\/a><\/div>
Computer Animation Festival<\/span> Paumo D'amour<\/a><\/div>
Computer Animation Festival<\/span> Quem Salva<\/a><\/div><\/div><\/div>
Daniel Meister<\/a><\/div>
Advanced Micro Devices, Advanced Micro Devices, Inc. (AMD)<\/a><\/div><\/span> <\/div>
Courses<\/span> GPU Programming Primitives for Computer Graphics<\/a><\/div><\/div><\/div>
Eli Mendiola<\/a><\/div>Senior Talent Manager<\/span>
ILM<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> SIGGRAPH Asia DEI Panel: The Future of Inclusive Filmmaking Sponsored by ILM<\/a><\/div><\/div><\/div>
Mohit Mendiratta<\/a><\/div>
Max-Planck-Institut f\u00fcr Informatik<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> AvatarStudio: Text-driven Editing of 3D Dynamic Human Head Avatars<\/a><\/div><\/div><\/div>
Weiliang Meng<\/a><\/div>
Institute of Automation, Institute of Automation, Chinese Academy Of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> SCOOT:Self-supervised Centric Open-set Object Tracking<\/a><\/div><\/div><\/div>
Faustine Merle<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Search for the Human<\/a><\/div><\/div><\/div>
Chloe Merwin<\/a><\/div>Director<\/span>
Ringling College of Art & Design<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Bent Out of Shape<\/a><\/div><\/div><\/div>
Sylvain Meunier<\/a><\/div>
Advanced Micro Devices, Advanced Micro Devices, Inc. (AMD)<\/a><\/div><\/span> France<\/span><\/div>
Technical Papers<\/span> Real-time Rendering of Glossy Reflections using Ray Tracing and Two-level Radiance Caching<\/a><\/div><\/div><\/div>
Pal Mezei<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Australia<\/span><\/div>
Courses<\/span> Demystifying OpenUSD: End-to-end Data Pipelines and Workflows<\/a><\/div><\/div><\/div>
Kouta Minamizawa<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Conversation Echo: Communication in virtual environments that reflects conversation contents<\/a><\/div>
Poster<\/span> FoodMorph: Changing Food Appearance Towards Less Unhealthy Food Intake<\/a><\/div>
Emerging Technologies<\/span> Multichannel Haptic Communication Platform with Wearable Sensing and Display<\/a><\/div>
Emerging Technologies<\/span> Phantom Walls : Spatial perception and navigation without vision<\/a><\/div>
Poster<\/span> Somatic Music: Enhancing Musical Experiences through the Performer\u2019s Embodiment<\/a><\/div>
Emerging Technologies<\/span> Synced Drift: A Novel Sport Using a System that Harmonises Human Movement to Transcend Distance and Ability<\/a><\/div>
Emerging Technologies<\/span> Waylet: Self-Contained Haptic Device for Park-Scale Interactions<\/a><\/div>
Poster<\/span> asmVR: VR-Based ASMR Experience with Multimodal Triggers for Mental Well-Being<\/a><\/div><\/div><\/div>
Shinji Miyahara<\/a><\/div>
NTT Corporation<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Motor-Skill-Transfer Technology for Piano Playing with Electrical Muscle Stimulation<\/a><\/div><\/div><\/div>
Kazunori MIYATA<\/a><\/div>
Japan Advanced Institute of Science and Technology (JAIST)<\/a><\/div><\/span> Japan<\/span><\/div>
Educator's Forum<\/span> Bridging the Gap: Sustainable Collaboration between CG Production and Educational Institutions<\/a><\/div><\/div><\/div>
Shigenori Mochizuki<\/a><\/div>
College of Image Arts and Sciences, Ritsumeikan University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Augmentation of Medical Preparation for Children by Using Projective and Tangible Interface<\/a><\/div><\/div><\/div>
Pallavi Mohan<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Germany<\/span><\/div>
Courses<\/span> From Reconstruction to Generation: State-Of-Art Approaches for 3D Visualization<\/a><\/div>
Exhibitor Talks<\/span> NVIDIA Lectures<\/a><\/div><\/div><\/div>
Khalid Moinuddin<\/a><\/div>
Victoria University<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Penumbra2.0<\/a><\/div><\/div><\/div>
Barbara Mones<\/a><\/div>
University of Washington<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> Generative AI for Graphics, 3D and Videos<\/a><\/div><\/div><\/div>
Jared Monsen<\/a><\/div>
Epic Games<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Robust Skin Weights Transfer via Weight Inpainting<\/a><\/div><\/div><\/div>
Juan Sebastian Montes Maestre<\/a><\/div>
ETH Zurich<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> ToRoS: A Topology Optimization Approach for Designing Robotic Skins<\/a><\/div><\/div><\/div>
MIki Monzen<\/a><\/div>
Graduate School of Image Arts, Ritsumeikan University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Augmentation of Medical Preparation for Children by Using Projective and Tangible Interface<\/a><\/div><\/div><\/div>
Ondrej Moravec<\/a><\/div>
Brainz Immersive<\/a><\/div><\/span> Czech Republic<\/span><\/div>
XR<\/span> Fresh Memories: The Look [XR Theater]<\/a><\/div><\/div><\/div>
Catarina Moreira<\/a><\/div>
University of Technology Sydney<\/a><\/div>
Instituto de Engenharia de Sistemas e Computadores - Investiga\u00e7\u00e3o e Desenvolvimento (INESC-ID)<\/a><\/div><\/span> Australia<\/span><\/div>
Courses<\/span> Approaches and Challenges in XR and AI for Health Applications<\/a><\/div><\/div><\/div>
Takafumi Morita<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Art Papers - Short<\/span> see-saw: A Kinetic Installation that Unfolds in Silence Driven by Liquid Flow<\/a><\/div><\/div><\/div>
Yuji Moroto<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Birds of a Feather<\/span> CG in Asia<\/a><\/div><\/div><\/div>
Logan Mosier<\/a><\/div>
University of Waterloo<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Quantum Ray Marching for Reformulating Light Transport Simulation<\/a><\/div><\/div><\/div>
Kazuki Motani<\/a><\/div>
Mori Building<\/a><\/div><\/span> Japan<\/span><\/div>
Super Speed Connectivity<\/span> Interactive Volumetric Live Between Sydney and Tokyo<\/a><\/div><\/div><\/div>
Cl\u00e9ment Mouchel<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> L'Animal Sauce Ail<\/a><\/div><\/div><\/div>
Monica Moura<\/a><\/div>Director<\/span>
California Institute of the Arts<\/a><\/div><\/span> Brazil<\/span><\/div>
Computer Animation Festival<\/span> Lapso<\/a><\/div><\/div><\/div>
Ryan Mullany<\/a><\/div>
Media Design School<\/a><\/div><\/span> New Zealand<\/span><\/div>
Educator's Forum<\/span> Educational Perilune: Visual effects practices at Media Design School<\/a><\/div><\/div><\/div>
Jun Murai<\/a><\/div>Distinguished Professor<\/span>
Keio University<\/a><\/div>
Founder, WIDE Project Also known as \u2018The Father of Internet in Japan\u2019<\/a><\/div><\/span> Japan<\/span><\/div>
Key Events<\/span> Internet Civilization: A New Frontier for Humankind<\/a><\/div><\/div><\/div>
Peta Murphy<\/a><\/div>
Laura Fergusson Brain Injury Trust<\/a><\/div>
University of Otago<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Healing Horizons: Adaptive VR for Traumatic Brain Injury Rehabilitation<\/a><\/div><\/div><\/div>
Sachith Muthukumarana<\/a><\/div>
Augmented Human Lab<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Haptic Hongi - Reiterated<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
N<\/div><\/span>
Takehiro Nagai<\/a><\/div>
Tokyo Institute of Technology<\/a><\/div>
University of New South Wales Sydney<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Towards a Psychophysically Plausible Simulation of Translucent Appearance<\/a><\/div><\/div><\/div>
Yukari Nagai<\/a><\/div>
Japan Advanced Institute of Science and Technology (JAIST)<\/a><\/div><\/span> Japan<\/span><\/div>
Educator's Forum<\/span> Bridging the Gap: Sustainable Collaboration between CG Production and Educational Institutions<\/a><\/div><\/div><\/div>
Jae-Ho Nah<\/a><\/div>
Sangmyung University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Multidisciplinary Fusion<\/a><\/div><\/div><\/div>
Hossein Najafi<\/a><\/div>
Auckland University of Technology<\/a><\/div><\/span> New Zealand<\/span><\/div>
Educator's Forum<\/span> Pedagogical strategies for teaching Virtual Production pipelines<\/a><\/div><\/div><\/div>
Ryu Nakagawa<\/a><\/div>
Nagoya City University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Meta Musicking: A Playground for Exploring Alternative Realities with Others in the XR Age<\/a><\/div><\/div><\/div>
Takuto Nakamura<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> HangerBody: a Haptic Device Using Haptic Illusion for Multiple Parts of Body<\/a><\/div>
Emerging Technologies<\/span> HapReel: A Racket-shaped Haptic Display Controller for Presenting Vibrotactile and Force Feedback through Fingertip Deformation<\/a><\/div>
Poster<\/span> The Effect of Wearing Knee Supporters on the Applicable Gain of Redirected Walking<\/a><\/div><\/div><\/div>
Kizashi Nakano<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Avatars for Good Drinking: An Exploratory Study of The Effects of Avatar\u2019s Body Shape on Beverage Perception<\/a><\/div><\/div><\/div>
Juhan Nam<\/a><\/div>
Korea Advanced Institute of Science and Technology (KAIST)<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Motion to Dance Music Generation using Latent Diffusion Model<\/a><\/div><\/div><\/div>
JungHyun Nam<\/a><\/div>
Korea Advanced Institute of Science and Technology (KAIST)<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Motion to Dance Music Generation using Latent Diffusion Model<\/a><\/div><\/div><\/div>
Seung-Woo Nam<\/a><\/div>
Seoul National University<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Depolarized Holography with Polarization-multiplexing Metasurface<\/a><\/div><\/div><\/div>
Suranga Nanayakkara<\/a><\/div>
National University of Singapore<\/a><\/div>
Augmented Human Lab<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> LightSense - Long Distance<\/a><\/div><\/div><\/div>
Munkhtsetseg Nandigjav<\/a><\/div>Associate Dean<\/span>
Savannah College of Art & Design<\/a><\/div><\/span> <\/div>
Talks<\/span> Women of SIGGRAPH Conversations Panel: Leading with Impact<\/a><\/div><\/div><\/div>
P. J. Narayanan<\/a><\/div>
International Institute of Information Technology, Hyderabad<\/a><\/div><\/span> India<\/span><\/div>
Technical Papers<\/span> Combining Resampled Importance and Projected Solid Angle Samplings for Many Area Light Rendering<\/a><\/div><\/div><\/div>
Takuji Narumi<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> AvatarForge : A Real-time and Node-Based Body Editing System<\/a><\/div>
Poster<\/span> Avatars for Good Drinking: An Exploratory Study of The Effects of Avatar\u2019s Body Shape on Beverage Perception<\/a><\/div>
Emerging Technologies<\/span> HapReel: A Racket-shaped Haptic Display Controller for Presenting Vibrotactile and Force Feedback through Fingertip Deformation<\/a><\/div>
Emerging Technologies<\/span> Hitchhiking Hands: Remote Interaction by Switching Multiple Hand Avatars with Gaze<\/a><\/div>
Emerging Technologies<\/span> TableMorph: Haptic Experience with Movable Tables and Redirection<\/a><\/div>
Poster<\/span> The Effect of Wearing Knee Supporters on the Applicable Gain of Redirected Walking<\/a><\/div><\/div><\/div>
Alaeddin Nassani<\/a><\/div>
University of Auckland<\/a><\/div>
Empathic Computing Lab<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> LightSense - Long Distance<\/a><\/div><\/div><\/div>
Dylan Neill<\/a><\/div>VFX Lead-In-Residence<\/span>
UTS Animal Logic Academy<\/a><\/div><\/span> Australia<\/span><\/div>
Computer Animation Festival<\/span> Corrupted<\/a><\/div><\/div><\/div>
Peter A C Nelson<\/a><\/div>
Hong Kong Baptist University<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Art Gallery<\/span> TreeGAN<\/a><\/div><\/div><\/div>
Aik Beng Ng<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Singapore<\/span><\/div>
Birds of a Feather<\/span> Metaverse x AI: Shaping the Future of Digital Realms<\/a><\/div>
Technical Papers<\/span> SynthDa: Exploiting Existing Real-World Data for Usable and Accessible Synthetic Data Generation<\/a><\/div><\/div><\/div>
Hong Son Nguyen<\/a><\/div>
Department of Computer Science and Engineering<\/a><\/div>
Korea University<\/a><\/div><\/span> South Korea<\/span><\/div>
Real-Time Live!<\/span> Real-time Auditorium Modeling and Visual Effects for Live Performances<\/a><\/div><\/div><\/div>
Xingyu Ni<\/a><\/div>
SCS & KLMP (MOE), Peking University<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Technical Papers<\/span> GARM-LS: A Gradient-Augmented Reference-Map Method for Level-Set Fluid Simulation<\/a><\/div><\/div><\/div>
XiaoMei Nie<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Digital Transformation of Ethnic Dance Heritage: A Multimodal Interactive Game to Balancing Instructional and Cultural Essence<\/a><\/div><\/div><\/div>
Arinobu Niijima<\/a><\/div>
NTT Corporation<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Motor-Skill-Transfer Technology for Piano Playing with Electrical Muscle Stimulation<\/a><\/div><\/div><\/div>
Merlin Nimier-David<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> Compact Neural Graphic Primitives with Learned Hash Probing<\/a><\/div><\/div><\/div>
Brad Nisbet<\/a><\/div>
Edith Cowan University<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Integrated Incubators: Industry-university collaborations in emerging media technologies<\/a><\/div><\/div><\/div>
Kazuki Nishimoto<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> HapReel: A Racket-shaped Haptic Display Controller for Presenting Vibrotactile and Force Feedback through Fingertip Deformation<\/a><\/div><\/div><\/div>
Mutian Niu<\/a><\/div>
Monash University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Comparing Cinematic Conventions through Emotional Responses in Cinematic VR and Traditional Mediums<\/a><\/div><\/div><\/div>
Gyeongmu NOH<\/a><\/div>Director<\/span>
Korean Academy of Film Arts<\/a><\/div><\/span> South Korea<\/span><\/div>
Computer Animation Festival<\/span> How To Get Your Man Pregnant<\/a><\/div><\/div><\/div>
Junyong Noh<\/a><\/div>
Korea Advanced Institute of Science and Technology (KAIST)<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Motion to Dance Music Generation using Latent Diffusion Model<\/a><\/div><\/div><\/div>
Kotaro Nomura<\/a><\/div>
Roland Japan<\/a><\/div><\/span> Japan<\/span><\/div>
Real-Time Live!<\/span> The drummer who played an orchestra - real time conversion of solo performance to orchestral layers<\/a><\/div><\/div><\/div>
Keisuke Nonaka<\/a><\/div>
KDDI Research, Inc.<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> High-quality Color-animated CGH Using a Motor-driven Photomask<\/a><\/div><\/div><\/div>
Ntumba Elie Nsampi<\/a><\/div>
Max-Planck-Institut f\u00fcr Informatik<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> Neural Field Convolutions by Repeated Differentiation<\/a><\/div><\/div><\/div>
Joanne Nunnerly<\/a><\/div>
University of Otago<\/a><\/div>
ABI Rehab<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Healing Horizons: Adaptive VR for Traumatic Brain Injury Rehabilitation<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
O<\/div><\/span>
Greg Oates<\/a><\/div>
University of Tasmania<\/a><\/div><\/span> Australia<\/span><\/div>
Educator's Forum<\/span> Table Cape VR Education Technology Project: An Immersive Learning Experience of Walking with Giants<\/a><\/div><\/div><\/div>
Yoichi Ochiai<\/a><\/div>
University of Tsukuba<\/a><\/div><\/span> Japan<\/span><\/div>
Art Papers - Short<\/span> Alternative Photographic Processes Reimagined: The Role of Digital Technology in Revitalizing Classic Printing Techniques<\/a><\/div><\/div><\/div>
Ringling College of Art & Design<\/a><\/div>
Ringling College of Art & Design<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Dandelion<\/a><\/div><\/div><\/div>
Shinji Ogaki<\/a><\/div>
ZOZO, Inc.<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Nonlinear Ray Tracing for Displacement and Shell Mapping<\/a><\/div><\/div><\/div>
Kieran Ogden-Brunell<\/a><\/div>
Flo VFX<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> David v Goliath? Starting a Small VFX Business in Australia<\/a><\/div><\/div><\/div>
Maggie Oh<\/a><\/div>
Google<\/a><\/div>
Harvard University<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> Appreciative Inquiry Workshop<\/a><\/div><\/div><\/div>
Toshikazu Ohshima<\/a><\/div>
College of Image Arts and Sciences, Ritsumeikan University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Augmentation of Medical Preparation for Children by Using Projective and Tangible Interface<\/a><\/div>
XR<\/span> MR BLS Trainer: A Physical Mixed Reality CPR+AED Rescue Simulator<\/a><\/div><\/div><\/div>
Hiromasa Oku<\/a><\/div>
Gunma University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Aerial Display Method Using a Flying Screen with an IR Marker and Long Range Dynamic Projection Mapping<\/a><\/div><\/div><\/div>
Mikhail Okunev<\/a><\/div>
Meta<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Spatiotemporally Consistent HDR Indoor Lighting Estimation<\/a><\/div><\/div><\/div>
Julie Olivieri<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Bonhomme<\/a><\/div><\/div><\/div>
alex Ong<\/a><\/div>
UNSW<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Penumbra2.0<\/a><\/div><\/div><\/div>
Yunyu Ong<\/a><\/div>
University of Technology Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Doctoral Consortium<\/span> Quest Driven Spatial Songs - Exploring how narrative structures of Quests in Games can be mapped onto songs.<\/a><\/div>
Real-Time Live!<\/span> The drummer who played an orchestra - real time conversion of solo performance to orchestral layers<\/a><\/div><\/div><\/div>
Haruka Onoda<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
XR<\/span> Transcale: Embodiment transition toward Multi-verse exploration<\/a><\/div><\/div><\/div>
Sakiko Osawa<\/a><\/div>
Bascule<\/a><\/div><\/span> Japan<\/span><\/div>
Super Speed Connectivity<\/span> Interactive Volumetric Live Between Sydney and Tokyo<\/a><\/div><\/div><\/div>
Michael Owens<\/a><\/div>
University of California San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Poster<\/span> Closest Point Exterior Calculus<\/a><\/div><\/div><\/div>
Oyewole Oyekoya<\/a><\/div>
Hunter College, City University of New York<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Mapping and Recognition of Facial Expressions on Another Person's Look-Alike Avatar<\/a><\/div>
Technical Papers<\/span> The Effects of Avatar Voice and Facial Expression Intensity on Emotional Recognition and User Perception<\/a><\/div><\/div><\/div>
Chinatsu Ozawa<\/a><\/div>
Digital Nature Group, University of Tsukuba<\/a><\/div><\/span> Japan<\/span><\/div>
Art Papers - Short<\/span> Alternative Photographic Processes Reimagined: The Role of Digital Technology in Revitalizing Classic Printing Techniques<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
P<\/div><\/span>
Yun Suen Pai<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> FoodMorph: Changing Food Appearance Towards Less Unhealthy Food Intake<\/a><\/div>
Poster<\/span> OwnDiffusion: A Design Pipeline Using Design Generative AI to preserve Sense Of Ownership<\/a><\/div>
Poster<\/span> asmVR: VR-Based ASMR Experience with Multimodal Triggers for Mental Well-Being<\/a><\/div><\/div><\/div>
Avinash Paliwal<\/a><\/div>
Texas A&M University<\/a><\/div>
Leia Inc.<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> ReShader: View-Dependent Highlights for Single Image View-Synthesis<\/a><\/div><\/div><\/div>
Stephen Palmisano<\/a><\/div>
University of Wollongong<\/a><\/div><\/span> Australia<\/span><\/div>
Poster<\/span> Quantifying display lag and its effects during Head-Mounted Display based Virtual Reality<\/a><\/div>
Poster<\/span> Towards a Psychophysically Plausible Simulation of Translucent Appearance<\/a><\/div><\/div><\/div>
Shaohua Pan<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Fusing Monocular Images and Sparse IMU Signals for Real-time Human Motion Capture<\/a><\/div><\/div><\/div>
Xiaoyu Pan<\/a><\/div>
State Key Lab of CAD&CG, Zhejiang Univerisity<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> A Locality-based Neural Solver for Optical Motion Capture<\/a><\/div><\/div><\/div>
Zherong Pan<\/a><\/div>
LightSpeed Studios<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Joint UV Optimization and Texture Baking<\/a><\/div><\/div><\/div>
Zhijun Pan<\/a><\/div>
Computer Science Research Centre, Royal College of Art<\/a><\/div>
Ubisoft<\/a><\/div><\/span> China<\/span><\/div>
Art Gallery<\/span> AI N\u00fcshu (Women's scripts) - An Exploration of Language Emergence in Sisterhood<\/a><\/div>
Art Papers - Short<\/span> AI N\u00fcshu: An Exploration of Language Emergence in Sisterhood Through the Lens of Computational Linguistics<\/a><\/div><\/div><\/div>
Rohit Pandey<\/a><\/div>
Google Inc.<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Portrait Expression Editing With Mobile Photo Sequence<\/a><\/div><\/div><\/div>
Julian Panetta<\/a><\/div>
UC Davis<\/a><\/div>
EPFL<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Computational Design of Flexible Planar Microstructures<\/a><\/div><\/div><\/div>
Bo Pang<\/a><\/div>
Peking University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Learning the Geodesic Embedding with Graph Neural Networks<\/a><\/div><\/div><\/div>
Amal Dev Parakkat<\/a><\/div>
LTCI - Telecom Paris, Institut Polytechnique de Paris<\/a><\/div><\/span> France<\/span><\/div>
Technical Papers<\/span> PerfectDart: Automatic Dart Design for Garment Fitting<\/a><\/div><\/div><\/div>
Scott Pardaillhe-Galabrun<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> #DoudouChallenge<\/a><\/div><\/div><\/div>
Axel Paris<\/a><\/div>
Universit\u00e9 Claude Bernard Lyon<\/a><\/div>
Adobe Inc.<\/a><\/div><\/span> France<\/span><\/div>
Technical Papers<\/span> Authoring and Simulating Meandering Rivers<\/a><\/div><\/div><\/div>
Chorong PARK<\/a><\/div>
Purdue University<\/a><\/div><\/span> United States of America<\/span><\/div>
Talks<\/span> Celebrating Inclusive Technology and Differently Abled Bodies<\/a><\/div><\/div><\/div>
Jae-ok PARK<\/a><\/div>
Anihall<\/a><\/div><\/span> South Korea<\/span><\/div>
Computer Animation Festival<\/span> How To Get Your Man Pregnant<\/a><\/div><\/div><\/div>
Joonho Park<\/a><\/div>
Giantstep<\/a><\/div><\/span> South Korea<\/span><\/div>
Poster<\/span> Expression Omnibus: Expandable Facial Expression Dataset via Embedding Analysis and Synthesis<\/a><\/div><\/div><\/div>
Keunhong Park<\/a><\/div>
Google Research<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> CamP: Camera Preconditioning for Neural Radiance Fields<\/a><\/div><\/div><\/div>
Kirsty Parkin<\/a><\/div>
Supaglu<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> David v Goliath? Starting a Small VFX Business in Australia<\/a><\/div><\/div><\/div>
Narayana Parlapalli<\/a><\/div>
JIX Reality<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> AR Multi-Marker interactions: Dental Simulator Syringe and Patient<\/a><\/div><\/div><\/div>
Nuria Pelechano<\/a><\/div>
Universitat Polit\u00e8cnica de Catalunya (UPC)<\/a><\/div><\/span> Spain<\/span><\/div>
Technical Papers<\/span> SparsePoser: Real-time Full-body Motion Reconstruction from Sparse Data<\/a><\/div><\/div><\/div>
Marko Peljhan<\/a><\/div>
University of California Santa Barbara<\/a><\/div><\/span> United States of America<\/span><\/div>
Art Papers - Short<\/span> Reflection on Abstract Art through Kandinsky's Teaching: Reflection on Abstract Art through Reconstruction of Kandinsky's Teaching at the Bauhaus<\/a><\/div><\/div><\/div>
Claire Pellet<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Search for the Human<\/a><\/div><\/div><\/div>
ChiHan Peng<\/a><\/div>
National Yang Ming Chiao Tung University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Interactive Relative Pose Estimation for 360\u00b0 Indoor Panoramas through Wall-Wall Matching Selections<\/a><\/div><\/div><\/div>
DANYANG Peng<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> FoodMorph: Changing Food Appearance Towards Less Unhealthy Food Intake<\/a><\/div>
XR<\/span> asmVR: Enhancing ASMR Tingles with Multimodal Triggers Based on Virtual Reality<\/a><\/div>
Poster<\/span> asmVR: VR-Based ASMR Experience with Multimodal Triggers for Mental Well-Being<\/a><\/div><\/div><\/div>
Sida Peng<\/a><\/div>
Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> EasyVolcap: Accelerating Neural Volumetric Video Research<\/a><\/div><\/div><\/div>
Yifan Peng<\/a><\/div>
University of Hong Kong<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Technical Papers<\/span> Holography<\/a><\/div><\/div><\/div>
Eric Penner<\/a><\/div>
Meta Reality Labs Research<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Perceptual Requirements for World-Locked Rendering in AR and VR<\/a><\/div><\/div><\/div>
Jo\u00e3o Pereira<\/a><\/div>
Instituto Superior T\u00e9cnico, Instituto Superior T\u00e9cnico, Universidade de Lisboa<\/a><\/div><\/span> Portugal<\/span><\/div>
Courses<\/span> Approaches and Challenges in XR and AI for Health Applications<\/a><\/div><\/div><\/div>
Leandro Augusto Pinto Pereira<\/a><\/div>
UNICAMP<\/a><\/div><\/span> Brazil<\/span><\/div>
XR<\/span> AR Multi-Marker interactions: Dental Simulator Syringe and Patient<\/a><\/div><\/div><\/div>
Madhawa Perera<\/a><\/div>
CSIRO Data61<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> XR Training Applications in the Health and Safety Domain<\/a><\/div><\/div><\/div>
Tanner Person<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> asmVR: VR-Based ASMR Experience with Multimodal Triggers for Mental Well-Being<\/a><\/div><\/div><\/div>
Mark Pesce<\/a><\/div>Honorary Associate, Media and Communications<\/span>
University of Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Featured Sessions<\/span> The Next Tools<\/a><\/div><\/div><\/div>
Nico Pietroni<\/a><\/div>
University of Technology Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Bending the Light: Next generation anamorphic sculptures<\/a><\/div><\/div><\/div>
Pauline Pilarek<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Bonhomme<\/a><\/div><\/div><\/div>
Joaquim Pinheiro<\/a><\/div>Distribution<\/span>
Ag\u00eancia Portuguese Short Film Agency<\/a><\/div><\/span> Portugal<\/span><\/div>
Computer Animation Festival<\/span> Ice Merchants<\/a><\/div><\/div><\/div>
Philip Pits<\/a><\/div>
OpenBCI, Inc<\/a><\/div><\/span> United States of America<\/span><\/div>
XR<\/span> Healing Horizons: Adaptive VR for Traumatic Brain Injury Rehabilitation<\/a><\/div>
XR<\/span> SensoryScape: Context-Aware Empathic VR Photography<\/a><\/div><\/div><\/div>
Cl\u00e9ment Plays<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Bonhomme<\/a><\/div><\/div><\/div>
Jose Luis Ponton<\/a><\/div>
Universitat Polit\u00e8cnica de Catalunya (UPC)<\/a><\/div><\/span> Spain<\/span><\/div>
Technical Papers<\/span> SparsePoser: Real-time Full-body Motion Reconstruction from Sparse Data<\/a><\/div><\/div><\/div>
Louis Pratt<\/a><\/div>
University of Technology Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Bending the Light: Next generation anamorphic sculptures<\/a><\/div><\/div><\/div>
Bara Prikaska<\/a><\/div>
Bionaut films<\/a><\/div><\/span> Czech Republic<\/span><\/div>
Computer Animation Festival<\/span> My name is Edgar and I have a cow<\/a><\/div><\/div><\/div>
Sakthi Ranganathan<\/a><\/div>
JIX Reality<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> AR Multi-Marker interactions: Dental Simulator Syringe and Patient<\/a><\/div><\/div><\/div>
Caitlin Procter<\/a><\/div>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div><\/div><\/div>
Micha\u00ebl Proen\u00e7a<\/a><\/div>
Wildstream<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Ice Merchants<\/a><\/div><\/div><\/div>
Celia Prou<\/a><\/div>
DNEG<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> DNEG Down Under: A Look at DNEG Sydney\u2019s Studio<\/a><\/div>
Exhibitor Talks<\/span> DNEG Down Under: Cheers to One Year!<\/a><\/div><\/div><\/div>
Guo Pu<\/a><\/div>
Peking University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> SinMPI: Novel View Synthesis from a Single Image with Expanded Multiplane Images<\/a><\/div><\/div><\/div>
Ivan Puhachov<\/a><\/div>
Universite de Montreal<\/a><\/div>
Huawei Technologies, Canada<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> Reconstruction of Machine-Made Shapes from Bitmap Sketches<\/a><\/div><\/div><\/div>
Sergi Pujades<\/a><\/div>
Institut national de recherche en informatique et en automatique (INRIA)<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> From Skin to Skeleton : Towards Biomechanically Accurate 3D Digital Humans<\/a><\/div>
Technical Papers<\/span> Humans & Characters<\/a><\/div><\/div><\/div>
Heather Purdie<\/a><\/div>
University of Canterbury<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> M\u0101k\u016b, te h\u0101 o Haupapa: Moisture, the breath of Haupapa<\/a><\/div><\/div><\/div>
David Pyle<\/a><\/div>
QUT<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> New Dimensions in Extended Reality<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
Q<\/div><\/span>
Anran Qi<\/a><\/div>
the University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> PerfectDart: Automatic Dart Design for Garment Fitting<\/a><\/div><\/div><\/div>
Kejiang Qian<\/a><\/div>
King's College London<\/a><\/div><\/span> United Kingdom<\/span><\/div>
Art Papers - Short<\/span> AI N\u00fcshu: An Exploration of Language Emergence in Sisterhood Through the Lens of Computational Linguistics<\/a><\/div><\/div><\/div>
Zhongfei Qing<\/a><\/div>
SenseTime Research<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Story-to-Motion: Synthesizing Infinite and Controllable Character Animation from Long Text<\/a><\/div><\/div><\/div>
Aaron Quigley<\/a><\/div>
CSIRO's Data61<\/a><\/div><\/span> Australia<\/span><\/div>
Doctoral Consortium<\/span> Doctoral Consortium<\/a><\/div>
Birds of a Feather<\/span> Stories of Connecting Research & Development at Scale<\/a><\/div><\/div><\/div>
Seeyam Quine<\/a><\/div>
Independent<\/a><\/div><\/span> United States of America<\/span><\/div>
XR<\/span> Kristine Is Not Well [XR Theater]<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
R<\/div><\/span>
Stevo Rackovic<\/a><\/div>
Instituto Superior Tecnico<\/a><\/div><\/span> Portugal<\/span><\/div>
Technical Papers<\/span> Distributed Solution of the Blendshape Rig Inversion Problem<\/a><\/div><\/div><\/div>
Vojt\u011bch Radakulan<\/a><\/div>
Czech Technical University in Prague, FEE<\/a><\/div><\/span> Czech Republic<\/span><\/div>
Art Papers - Short<\/span> The Most Expensive Museum in the World: Three Player Cooperative Game Between VR and PC Platforms Investigating Empathy between Players and Historical Characters.<\/a><\/div><\/div><\/div>
Olga Radyvonenko<\/a><\/div>
Samsung R&D Institute Ukraine<\/a><\/div><\/span> Ukraine<\/span><\/div>
Poster<\/span> Recognition-Independent Handwritten Text Alignment Using Lightweight Recurrent Neural Network<\/a><\/div><\/div><\/div>
Kim Raichstat<\/a><\/div>
Epic Games<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Robust Skin Weights Transfer via Weight Inpainting<\/a><\/div><\/div><\/div>
Megani Rajendran<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Singapore<\/span><\/div>
Birds of a Feather<\/span> Metaverse x AI: Shaping the Future of Digital Realms<\/a><\/div>
Technical Papers<\/span> SynthDa: Exploiting Existing Real-World Data for Usable and Accessible Synthetic Data Generation<\/a><\/div><\/div><\/div>
Chetan Ramaiah<\/a><\/div>
Google Inc.<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Portrait Expression Editing With Mobile Photo Sequence<\/a><\/div><\/div><\/div>
Will Ramey<\/a><\/div>
Senior Director of Developer Program and Deep Learning Institute, NVIDIA<\/a><\/div><\/span> United States of America<\/span><\/div>
Exhibitor Talks<\/span> Developer Meetup | Meet the Experts<\/a><\/div>
Business and Innovation Symposium<\/span> Welcome: Powering Business Transformation with Generative AI<\/a><\/div><\/div><\/div>
Pablo Ram\u00f3n<\/a><\/div>
Universidad Rey Juan Carlos<\/a><\/div><\/span> Spain<\/span><\/div>
Technical Papers<\/span> SFLSH: Shape-Dependent Soft-Flesh Avatars<\/a><\/div><\/div><\/div>
Qing Ran<\/a><\/div>
Alibaba<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> High-Resolution Volumetric Reconstruction for Clothed Humans<\/a><\/div><\/div><\/div>
Jos\u00e9 Ranali<\/a><\/div>
UNICAMP<\/a><\/div><\/span> Brazil<\/span><\/div>
XR<\/span> AR Multi-Marker interactions: Dental Simulator Syringe and Patient<\/a><\/div><\/div><\/div>
Daniel-Ionut Rancea<\/a><\/div>
Ready Player Me<\/a><\/div><\/span> Germany<\/span><\/div>
Poster<\/span> Geometry Aware Texturing<\/a><\/div><\/div><\/div>
Daniel-Ionut Rancea<\/a><\/div>
Ready Player Me<\/a><\/div><\/span> Estonia<\/span><\/div>
Real-Time Live!<\/span> Geometry Aware Texturing for 3D Avatars Content Creation<\/a><\/div><\/div><\/div>
Janine Randerson<\/a><\/div>
Auckland University of Technology<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> M\u0101k\u016b, te h\u0101 o Haupapa: Moisture, the breath of Haupapa<\/a><\/div><\/div><\/div>
Li Rao<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Rajeev Rao<\/a><\/div>
NVIDIA<\/a><\/div><\/span> United States of America<\/span><\/div>
Real-Time Live!<\/span> Interactive Texture Painting with Generative AI<\/a><\/div><\/div><\/div>
Bisser Raytchev<\/a><\/div>
Hiroshima University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Efficient and Accurate Physically Based Rendering of Periodic Multilayer Structures with Iridescence<\/a><\/div><\/div><\/div>
Mahesh Kumar Krishna Krishna Reddy<\/a><\/div>
Simon Fraser University<\/a><\/div><\/span> Canada<\/span><\/div>
Poster<\/span> Datamoshing with Optical Flow<\/a><\/div><\/div><\/div>
Susan Reiser<\/a><\/div>
University of North Carolina at Asheville<\/a><\/div><\/span> United States of America<\/span><\/div>
Courses<\/span> Data Materialized: A workflow walkthrough designing worry beads<\/a><\/div><\/div><\/div>
Jun Rekimoto<\/a><\/div>
Sony Computer Science Laboratories - Kyoto<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> AI-supported Nishijin-ori: connecting a text-to-image model to traditional Nishijin-ori textile production<\/a><\/div><\/div><\/div>
Tania Remana<\/a><\/div>
Self-employed<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Haptic Hongi - Reiterated<\/a><\/div><\/div><\/div>
Bo Ren<\/a><\/div>
TMCC, College of Computer Science, Nankai University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> \\nabla f = ?<\/a><\/div><\/div><\/div>
Jing Ren<\/a><\/div>
ETH Z\u00fcrich<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> Digital 3D Smocking Design<\/a><\/div><\/div><\/div>
Colin Renshaw<\/a><\/div>
Alt.VFX<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> David v Goliath? Starting a Small VFX Business in Australia<\/a><\/div><\/div><\/div>
Taehyun Rhee<\/a><\/div>
Computational Media Innovation Centre<\/a><\/div>
Victoria University of Wellington<\/a><\/div><\/span> New Zealand<\/span><\/div>
Real-Time Live!<\/span> Real-time Auditorium Modeling and Visual Effects for Live Performances<\/a><\/div><\/div><\/div>
Taehyun Rhee<\/a><\/div>
Victoria University of Wellington<\/a><\/div>
Computational Media Innovation Centre<\/a><\/div><\/span> New Zealand<\/span><\/div>
Technical Papers<\/span> A Motion-Simulation Platform to Generate Synthetic Motion Data for Computer Vision Tasks<\/a><\/div><\/div><\/div>
Clarissa RIBEIRO<\/a><\/div>
Roy Ascott Studio<\/a><\/div>
Art|Sci Collective<\/a><\/div><\/span> China<\/span><\/div>
Talks<\/span> Expressive Aesthetics in Data Visualisation<\/a><\/div><\/div><\/div>
Uwe Rieger<\/a><\/div>
University of Auckland<\/a><\/div>
arc\/sec Lab<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> LightSense - Long Distance<\/a><\/div><\/div><\/div>
Kashun Rin<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> ForceField: Visualizing Intermaterial Interaction through Floor and Depth Sensing<\/a><\/div><\/div><\/div>
Barbara Roessle<\/a><\/div>
Technical University of Munich<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> GANeRF: Leveraging Discriminators to Optimize Neural Radiance Fields<\/a><\/div><\/div><\/div>
Cristian Romero<\/a><\/div>
Universidad Rey Juan Carlos<\/a><\/div><\/span> Spain<\/span><\/div>
Technical Papers<\/span> Learning Contact Deformations with General Collider Descriptors<\/a><\/div><\/div><\/div>
Enrique Rosales<\/a><\/div>
Huawei Technologies Canada<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> Fast-MSX: Fast Multiple Scattering Approximation<\/a><\/div><\/div><\/div>
Mikki Rose<\/a><\/div>
Mikros Animation<\/a><\/div><\/span> United States of America<\/span><\/div>
Talks<\/span> Women of SIGGRAPH Conversations Panel: Leading with Impact<\/a><\/div><\/div><\/div>
Camille Rostan<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> L'Animal Sauce Ail<\/a><\/div><\/div><\/div>
Tom Rountree<\/a><\/div>
Machine Learning Developer - RSP<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Integrating Machine Learning Workflows Within a VFX Pipeline<\/a><\/div><\/div><\/div>
Dylan Rowe<\/a><\/div>
University of California San Diego<\/a><\/div>
University of Southern California<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Sparse Stress Structures from Optimal Geometric Measures<\/a><\/div><\/div><\/div>
Jaymes Ruffin<\/a><\/div>
Look Development Artist, Rising Sun Pictures<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Ignite Your Creative Journey with Adobe<\/a><\/div><\/div><\/div>
Conor Russomanno<\/a><\/div>
OpenBCI, Inc<\/a><\/div><\/span> United States of America<\/span><\/div>
XR<\/span> Healing Horizons: Adaptive VR for Traumatic Brain Injury Rehabilitation<\/a><\/div>
XR<\/span> SensoryScape: Context-Aware Empathic VR Photography<\/a><\/div><\/div><\/div>
Christina Ryan<\/a><\/div>
Lead Texture Artist, Industrial Light and Magic<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Foundry Education Summit<\/a><\/div>
Exhibitor Talks<\/span> Ignite Your Creative Journey with Adobe<\/a><\/div><\/div><\/div>
Chris Rydalch<\/a><\/div>
Side Effects Software<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> Standard Shader Ball A Modern and Feature-Rich Render Test Scene<\/a><\/div><\/div><\/div>
Bektour Ryskeldiev<\/a><\/div>
Mercari, Inc.<\/a><\/div><\/span> Japan<\/span><\/div>
Birds of a Feather<\/span> CG in Japan<\/a><\/div><\/div><\/div>
Nuri Ryu<\/a><\/div>
POSTECH<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> 360\u00b0 Reconstruction From a Single Image Using Space Carved Outpainting<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
S<\/div><\/span>
Daniel Saakes<\/a><\/div>
University of Twente<\/a><\/div><\/span> Netherlands<\/span><\/div>
Emerging Technologies<\/span> The Zoetop: a kinesthetic-aware zoetrope<\/a><\/div><\/div><\/div>
Gavin Sade<\/a><\/div>
Queensland University of Technology<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> Innovative Currents in Expanded Animation and Digital Art<\/a><\/div><\/div><\/div>
Mark Sagar<\/a><\/div>Co-founder and Chief Science Officer<\/span>
Soul Machines<\/a><\/div><\/span> New Zealand<\/span><\/div>
Featured Sessions<\/span> How We View Digital Humans Panel<\/a><\/div><\/div><\/div>
Tatsuya Saito<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Somatic Music: Enhancing Musical Experiences through the Performer\u2019s Embodiment<\/a><\/div><\/div><\/div>
Hiroyuki Sakai<\/a><\/div>
Toyota Central R&D Labs., Inc.<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Waylet: Self-Contained Haptic Device for Park-Scale Interactions<\/a><\/div><\/div><\/div>
Yuji Sakamoto<\/a><\/div>
Hokkaido University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Usability Evaluation of VR Shopping System not Imitating Real Stores<\/a><\/div><\/div><\/div>
Nataliya Sakhnenko<\/a><\/div>
Samsung R&D Institute Ukraine<\/a><\/div><\/span> Ukraine<\/span><\/div>
Poster<\/span> Recognition-Independent Handwritten Text Alignment Using Lightweight Recurrent Neural Network<\/a><\/div><\/div><\/div>
Ahmad Saropi<\/a><\/div>
Batam State Polytechnic<\/a><\/div><\/span> Indonesia<\/span><\/div>
Computer Animation Festival<\/span> Ficusia<\/a><\/div><\/div><\/div>
Sam Sartor<\/a><\/div>
College of William & Mary<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> MatFusion: A Generative Diffusion Model for SVBRDF Capture<\/a><\/div><\/div><\/div>
Prasanth Sasikumar<\/a><\/div>
University of Auckland<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Haptic Hongi - Reiterated<\/a><\/div>
XR<\/span> SensoryScape: Context-Aware Empathic VR Photography<\/a><\/div><\/div><\/div>
Mie Sato<\/a><\/div>
Utsunomiya University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> An Examination of Text Shaking Correction Methods for AR Walking<\/a><\/div><\/div><\/div>
Syuhei Sato<\/a><\/div>
Hosei University<\/a><\/div>
Prometech CG Research<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Text-driven Tree Modeling on L-System<\/a><\/div><\/div><\/div>
Jean-Luc Schmid<\/a><\/div>
University of Newcastle<\/a><\/div>
University of Tasmania<\/a><\/div><\/span> Australia<\/span><\/div>
Educator's Forum<\/span> Table Cape VR Education Technology Project: An Immersive Learning Experience of Walking with Giants<\/a><\/div><\/div><\/div>
Jerran Schmidt<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Australia<\/span><\/div>
Courses<\/span> Demystifying OpenUSD: End-to-end Data Pipelines and Workflows<\/a><\/div><\/div><\/div>
Emanuel Schrade<\/a><\/div>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Technical Papers<\/span> Focus Range: Production Ray Tracing of Depth of Field<\/a><\/div><\/div><\/div>
Colin Seah<\/a><\/div>
Ministry of Design<\/a><\/div><\/span> Singapore<\/span><\/div>
Art Gallery<\/span> Aquasia<\/a><\/div><\/div><\/div>
David Sedl\u00e1\u010dek<\/a><\/div>
Czech Technical University in Prague, FEE<\/a><\/div><\/span> Czech Republic<\/span><\/div>
Art Papers - Short<\/span> The Most Expensive Museum in the World: Three Player Cooperative Game Between VR and PC Platforms Investigating Empathy between Players and Historical Characters.<\/a><\/div><\/div><\/div>
Simon See<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Singapore<\/span><\/div>
Technical Papers<\/span> SynthDa: Exploiting Existing Real-World Data for Usable and Accessible Synthetic Data Generation<\/a><\/div><\/div><\/div>
Zi Siang See<\/a><\/div>
University of Tasmania<\/a><\/div><\/span> Australia<\/span><\/div>
Educator's Forum<\/span> Table Cape VR Education Technology Project: An Immersive Learning Experience of Walking with Giants<\/a><\/div><\/div><\/div>
Aviv Segall<\/a><\/div>
ETH Z\u00fcrich<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> Digital 3D Smocking Design<\/a><\/div><\/div><\/div>
No\u00e9mie Segalowicz<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> #DoudouChallenge<\/a><\/div><\/div><\/div>
Silvia Sellan<\/a><\/div>
University of Toronto<\/a><\/div><\/span> United States of America<\/span><\/div>
Doctoral Consortium<\/span> 3D Geometric Synthesis for Critical Applications<\/a><\/div>
Technical Papers<\/span> Neural Stochastic Poisson Surface Reconstruction<\/a><\/div>
Technical Papers<\/span> Reach For the Spheres: Tangency-aware surface reconstruction of SDFs<\/a><\/div><\/div><\/div>
Junghwa Seo<\/a><\/div>
Pusan National University<\/a><\/div><\/span> South Korea<\/span><\/div>
Birds of a Feather<\/span> University Education for the Utilization of CG tools and Boundless Creative Activities<\/a><\/div><\/div><\/div>
Mike Seymour<\/a><\/div>Co-founder<\/span>
Motus Lab<\/a><\/div>
The University of Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Featured Sessions<\/span> How We View Digital Humans Panel<\/a><\/div>
Featured Sessions<\/span> The Craft of Character Story Telling in an Age of High-Tech Tools Panel<\/a><\/div><\/div><\/div>
Davide Sforza<\/a><\/div>
Sapienza University of Rome<\/a><\/div><\/span> Italy<\/span><\/div>
Technical Papers<\/span> NodeGit: Diffing and Merging Node Graphs<\/a><\/div><\/div><\/div>
Ishaan Shah<\/a><\/div>
International Institute of Information Technology, Hyderabad<\/a><\/div><\/span> India<\/span><\/div>
Technical Papers<\/span> Combining Resampled Importance and Projected Solid Angle Samplings for Many Area Light Rendering<\/a><\/div><\/div><\/div>
Mengyi Shan<\/a><\/div>
University of Washington<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Animating Street View<\/a><\/div><\/div><\/div>
Avinash Sharma<\/a><\/div>
International Institute of Information Technology, Hyderabad<\/a><\/div>
Indian Institute of Technology, Jodhpur<\/a><\/div><\/span> India<\/span><\/div>
Technical Papers<\/span> CLIP-Head: Text-Guided Generation of Textured Neural Parametric 3D Head Models<\/a><\/div><\/div><\/div>
Rajesh Sharma<\/a><\/div>
ETH Z\u00fcrich<\/a><\/div><\/span> Switzerland<\/span><\/div>
Courses<\/span> Introduction To Generative Machine Learning<\/a><\/div><\/div><\/div>
Nicholas Sharp<\/a><\/div>
NVIDIA<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> All Kinds of Meshes<\/a><\/div><\/div><\/div>
Jason Sharples<\/a><\/div>
ADFA<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Penumbra2.0<\/a><\/div><\/div><\/div>
Rachel Shearer<\/a><\/div>
Auckland University of Technology<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> M\u0101k\u016b, te h\u0101 o Haupapa: Moisture, the breath of Haupapa<\/a><\/div><\/div><\/div>
bin Shen<\/a><\/div>
China Academy of Art<\/a><\/div><\/span> China<\/span><\/div>
Educator's Forum<\/span> Exploration and Reflection on Design Research Methods in the China Academy of Art<\/a><\/div><\/div><\/div>
I-Chao Shen<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> MicroGlam: Microscopic Skin Image Dataset with Cosmetics<\/a><\/div><\/div><\/div>
Li Shen<\/a><\/div>
Alibaba<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> High-Resolution Volumetric Reconstruction for Clothed Humans<\/a><\/div><\/div><\/div>
Xukun Shen<\/a><\/div>
School of New Media Art and Design, Beihang University<\/a><\/div>
State Key Laboratory of Virtual Reality Technology and Systems, Beihang University<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Crossing Narrative: Exploring the Possibilities of Crossing the Virtuality and Reality in Interactive Narrative Experiences<\/a><\/div><\/div><\/div>
Charlie Shenton<\/a><\/div>
RMIT University<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Gaussian Splatting: Novel View Synthesis and Beyond<\/a><\/div>
Poster<\/span> Ignis: Eulerian Fluid Simulation and Rendering at VR Frame Rates<\/a><\/div><\/div><\/div>
Aaron Sherwood<\/a><\/div>
New York University<\/a><\/div><\/span> United Arab Emirates<\/span><\/div>
Emerging Technologies<\/span> Boundless Conversations: AI-Powered Video Interactions across Domains, Languages, and Time<\/a><\/div><\/div><\/div>
Richard Shilling<\/a><\/div>Director<\/span>
Dikko!<\/a><\/div><\/span> Australia<\/span><\/div>
Computer Animation Festival<\/span> Black Curtain: The Fear<\/a><\/div><\/div><\/div>
Soshi Shimada<\/a><\/div>
Max Planck Institute for Informatics<\/a><\/div>
VIA Research Center<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Decaf: Monocular Deformation Capture for Face and Hand Interactions<\/a><\/div><\/div><\/div>
Soo yeon Shin<\/a><\/div>Director<\/span>
Korea National University of Arts<\/a><\/div><\/span> South Korea<\/span><\/div>
Computer Animation Festival<\/span> The Day spring comes<\/a><\/div><\/div><\/div>
Yosuke Shinya<\/a><\/div>
DENSO CORPORATION<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> 3D Lighter: Learning to Generate Emissive Textures<\/a><\/div><\/div><\/div>
Dave Shreiner<\/a><\/div>
Unity Technologies<\/a><\/div>
Sonoma State University<\/a><\/div><\/span> United States of America<\/span><\/div>
Courses<\/span> An Introduction to Creating Real-Time Interactive Computer Graphic Applications<\/a><\/div><\/div><\/div>
Zixi Shu<\/a><\/div>
Shanghai JiaoTong University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> RT-Octree: Accelerate PlenOctree Rendering with Batched Regular Tracking and Neural Denoising for Real-time Neural Radiance Fields<\/a><\/div><\/div><\/div>
Qing Shuai<\/a><\/div>
Zhejiang University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> EasyVolcap: Accelerating Neural Volumetric Video Research<\/a><\/div>
Technical Papers<\/span> Reconstructing Close Human Interaction from Multiple Views<\/a><\/div><\/div><\/div>
Maria Shugrina<\/a><\/div>
University of Toronto<\/a><\/div>
NVIDIA<\/a><\/div><\/span> Canada<\/span><\/div>
Real-Time Live!<\/span> Interactive Texture Painting with Generative AI<\/a><\/div><\/div><\/div>
Lana Sinapayen<\/a><\/div>
Sony Computer Science Laboratories - Kyoto<\/a><\/div>
National Institute for Basic Biology<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> AI-supported Nishijin-ori: connecting a text-to-image model to traditional Nishijin-ori textile production<\/a><\/div><\/div><\/div>
Yatharth Singhal<\/a><\/div>
University of Texas at Dallas<\/a><\/div><\/span> United States of America<\/span><\/div>
Emerging Technologies<\/span> FIRE: Mid-Air Thermo-Tactile Display<\/a><\/div><\/div><\/div>
Gabriella \u200b Siokos<\/a><\/div>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Empowering Women in Technology: You\u2019re Not the Only One Feeling This Way<\/a><\/div>
Student Volunteers<\/span> Everyone has a Different Path<\/a><\/div><\/div><\/div>
Dylan Sisson<\/a><\/div>
Pixar Animation Studios<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Unlocking the Future of Digital Artistry: AI, VR, and Pixar\u2019s RenderMan Unveiled<\/a><\/div><\/div><\/div>
Steve Smit<\/a><\/div>
AMIGA<\/a><\/div><\/span> <\/div>
Demoscene<\/span> Commodore 64 projects and more: Bringing inspiration through retro fun<\/a><\/div><\/div><\/div>
Amy Smith<\/a><\/div>
Queen Mary University London<\/a><\/div><\/span> United Kingdom<\/span><\/div>
Art Papers - Short<\/span> \"AI-Generated Imagery: A New Era for the `Readymade'\"<\/a><\/div><\/div><\/div>
Neil Smith<\/a><\/div>
Immersive Visualization Center, Qualcomm Institute of Technology,<\/a><\/div>
UC San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Super Speed Connectivity<\/span> Real-time streaming of high fidelity content across continents within immersive environments on NRP's 100Gbps Science DMZ<\/a><\/div><\/div><\/div>
Cl\u00e1udia Soares<\/a><\/div>
NOVA School of Science and Technology<\/a><\/div><\/span> Portugal<\/span><\/div>
Technical Papers<\/span> Distributed Solution of the Blendshape Rig Inversion Problem<\/a><\/div><\/div><\/div>
Barbara Solenthaler<\/a><\/div>
ETH Z\u00fcrich<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> Efficient Incremental Potential Contact for Actuated Face Simulation<\/a><\/div><\/div><\/div>
Nagabhushan Somraj<\/a><\/div>
Indian Institute of Science<\/a><\/div><\/span> India<\/span><\/div>
Technical Papers<\/span> SimpleNeRF: Regularizing Sparse Input Neural Radiance Fields with Simpler Solutions<\/a><\/div><\/div><\/div>
Hyungki Son<\/a><\/div>
Electronics and Telecommunications Research Institute (ETRI)<\/a><\/div><\/span> South Korea<\/span><\/div>
Poster<\/span> Developing a Realistic VR Interface to Recreate a Full-body Immersive Fire Scene Experience<\/a><\/div><\/div><\/div>
Jungah Son<\/a><\/div>
University of California Santa Barbara<\/a><\/div><\/span> United States of America<\/span><\/div>
Art Papers - Short<\/span> Reflection on Abstract Art through Kandinsky's Teaching: Reflection on Abstract Art through Reconstruction of Kandinsky's Teaching at the Bauhaus<\/a><\/div><\/div><\/div>
Yang Song<\/a><\/div>
UNSW<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Penumbra2.0<\/a><\/div><\/div><\/div>
Birate Sonia<\/a><\/div>
University of Virginia<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Mapping and Recognition of Facial Expressions on Another Person's Look-Alike Avatar<\/a><\/div>
Technical Papers<\/span> The Effects of Avatar Voice and Facial Expression Intensity on Emotional Recognition and User Perception<\/a><\/div><\/div><\/div>
Olga Sorkine-Hornung<\/a><\/div>
ETH Z\u00fcrich<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> Digital 3D Smocking Design<\/a><\/div><\/div><\/div>
Alexei Sourin<\/a><\/div>
Nanyang Technological University<\/a><\/div><\/span> Singapore<\/span><\/div>
Poster<\/span> Visual Signatures of Music Mood<\/a><\/div><\/div><\/div>
David Spoelstra<\/a><\/div>
Media Machine<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> Generative AI for Graphics, 3D and Videos<\/a><\/div><\/div><\/div>
Misha Sra<\/a><\/div>
University of California Santa Barbara<\/a><\/div><\/span> United States of America<\/span><\/div>
Art Papers - Short<\/span> Ghost in the Machine : Discourses with AI<\/a><\/div><\/div><\/div>
Astitva Srivastava<\/a><\/div>
International Institute of Information Technology, Hyderabad<\/a><\/div><\/span> India<\/span><\/div>
Technical Papers<\/span> CLIP-Head: Text-Guided Generation of Textured Neural Parametric 3D Head Models<\/a><\/div><\/div><\/div>
Abby Staker<\/a><\/div>
Brigham Young University<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> The Witch's Cat<\/a><\/div><\/div><\/div>
Marc Stamminger<\/a><\/div>
Friedrich-Alexander-Universit\u00e4t Erlangen-N\u00fcrnberg (FAU)<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> From Pixels to Gradients<\/a><\/div><\/div><\/div>
Anna Stangnes<\/a><\/div>
Computational Media Innovation Centre<\/a><\/div>
Victoria University of Wellington<\/a><\/div><\/span> New Zealand<\/span><\/div>
Real-Time Live!<\/span> Real-time Auditorium Modeling and Visual Effects for Live Performances<\/a><\/div><\/div><\/div>
Courtney Starrett<\/a><\/div>
Texas A&M University<\/a><\/div><\/span> <\/div>
Courses<\/span> Data Materialized: A workflow walkthrough designing worry beads<\/a><\/div><\/div><\/div>
Oded Stein<\/a><\/div>
Technion<\/a><\/div>
University of Southern California<\/a><\/div><\/span> Israel<\/span><\/div>
Technical Papers<\/span> Smooth-Parametric-LINE<\/a><\/div><\/div><\/div>
Digiars Studios<\/a><\/div>Production House<\/span>
Politeknik Negeri Batam<\/a><\/div><\/span> Indonesia<\/span><\/div>
Computer Animation Festival<\/span> Ficusia<\/a><\/div><\/div><\/div>
Mingyang Su<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Digital Transformation of Ethnic Dance Heritage: A Multimodal Interactive Game to Balancing Instructional and Cultural Essence<\/a><\/div><\/div><\/div>
Zejia Su<\/a><\/div>
Shenzhen University (SZU)<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Scene-aware Activity Program Generation with Language Guidance<\/a><\/div><\/div><\/div>
Maki Sugimoto<\/a><\/div>
Keio University<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Dynamic Split Body: Changing Body Perception and Self-Location by Manipulating Half-Body Position<\/a><\/div>
XR<\/span> NinjaHeads: Gaze-Oriented Parallel View System for Asynchronous Tasks<\/a><\/div><\/div><\/div>
Ou Sugiyama<\/a><\/div>
Mori Building<\/a><\/div><\/span> Japan<\/span><\/div>
Super Speed Connectivity<\/span> Interactive Volumetric Live Between Sydney and Tokyo<\/a><\/div><\/div><\/div>
Trinity Suma<\/a><\/div>
Columbia University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Mapping and Recognition of Facial Expressions on Another Person's Look-Alike Avatar<\/a><\/div>
Technical Papers<\/span> The Effects of Avatar Voice and Facial Expression Intensity on Emotional Recognition and User Perception<\/a><\/div><\/div><\/div>
Jia-Mu Sun<\/a><\/div>
Insititute of Computing Technology Chinese Academy of Sciences<\/a><\/div>
University of Chinese Academy of Sciences<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> SOL-NeRF: Sunlight Modeling for Outdoor Scene Decomposition and Relighting<\/a><\/div><\/div><\/div>
Jiaming Sun<\/a><\/div>
Image Derivative Inc.<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> EasyVolcap: Accelerating Neural Volumetric Video Research<\/a><\/div><\/div><\/div>
Jipeng Sun<\/a><\/div>
Princeton University<\/a><\/div>
Northwestern University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Thin On-Sensor Nanophotonic Array Cameras<\/a><\/div><\/div><\/div>
Linqi Sun<\/a><\/div>
Beihang University<\/a><\/div><\/span> China<\/span><\/div>
XR<\/span> NVSHU: Virtual Reality Design and Narrative Popularization for Intangible Cultural Heritage Characters<\/a><\/div><\/div><\/div>
Yuqian Sun<\/a><\/div>
Computer Science Research Centre, Royal College of Art<\/a><\/div><\/span> United Kingdom<\/span><\/div>
Art Gallery<\/span> AI N\u00fcshu (Women's scripts) - An Exploration of Language Emergence in Sisterhood<\/a><\/div>
Art Papers - Short<\/span> AI N\u00fcshu: An Exploration of Language Emergence in Sisterhood Through the Lens of Computational Linguistics<\/a><\/div><\/div><\/div>
Naomi Sunderland<\/a><\/div>
Griffith University<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> Perinatal Dreaming - Understanding Country [XR Theater]<\/a><\/div><\/div><\/div>
Mark Swinnerton<\/a><\/div>
Founder and CEO of Green Gravity<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Industrial Application Cases 2 | Gravitational Energy Storage Design and Visualization using NVIDIA Omniverse<\/a><\/div><\/div><\/div>
Raqi Syed<\/a><\/div>Senior Lecturer<\/span>
Victoria University of Wellington<\/a><\/div><\/span> New Zealand<\/span><\/div>
Featured Sessions<\/span> The Craft of Character Story Telling in an Age of High-Tech Tools Panel<\/a><\/div><\/div><\/div>
Victoria Szabo<\/a><\/div>
ACM SIGGRAPH Art Advisory Group<\/a><\/div>
Duke University<\/a><\/div><\/span> United States of America<\/span><\/div>
Art Papers - Short<\/span> Art Papers 1: Aesthetics and Techniques<\/a><\/div>
Art Papers - Short<\/span> Art Papers 2: AI and Art<\/a><\/div>
Art Papers - Short<\/span> Art Papers 3: Environment and Experience<\/a><\/div>
Art Papers - Short<\/span> Art Papers 4: History and Critique<\/a><\/div>
Birds of a Feather<\/span> DAC: Digital Arts Community and SIGGRAPH Asia 2023 Creative Content Overview<\/a><\/div><\/div><\/div>
Lukasz Szalankiewicz<\/a><\/div>
Collegium Da Vinci<\/a><\/div><\/span> Poland<\/span><\/div>
Demoscene<\/span> \"Foundations of the Demoscene\" \/ The time before the demoscene: Discovering the roots<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
T<\/div><\/span>
Elle Ta<\/a><\/div>
DNEG<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> DNEG Down Under: A Look at DNEG Sydney\u2019s Studio<\/a><\/div>
Exhibitor Talks<\/span> DNEG Down Under: Cheers to One Year!<\/a><\/div><\/div><\/div>
Harunobu Taguchi<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Multichannel Haptic Communication Platform with Wearable Sensing and Display<\/a><\/div><\/div><\/div>
Taiki Takami<\/a><\/div>
The University of Electro-Communications<\/a><\/div><\/span> Japan<\/span><\/div>
Birds of a Feather<\/span> CG in Japan<\/a><\/div><\/div><\/div>
Hidemasa Takana<\/a><\/div>
Tohoku University<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Real-Time Reconstruction of Fluid Flow under Unknown Disturbance<\/a><\/div><\/div><\/div>
Kei Takanohashi<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> WearSway: Wearable Device to Reproduce Tactile Stimuli of Strong Wind through Swaying Clothes<\/a><\/div><\/div><\/div>
SHUTO Takashita<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> AvatarForge : A Real-time and Node-Based Body Editing System<\/a><\/div><\/div><\/div>
Chek Tien Tan<\/a><\/div>
Singapore Institute of Technology<\/a><\/div><\/span> Singapore<\/span><\/div>
Birds of a Feather<\/span> Metaverse x AI: Shaping the Future of Digital Realms<\/a><\/div>
Technical Papers<\/span> Motion Synthesis with Awareness<\/a><\/div>
Technical Papers<\/span> SynthDa: Exploiting Existing Real-World Data for Usable and Accessible Synthetic Data Generation<\/a><\/div><\/div><\/div>
Feitong Tan<\/a><\/div>
Google Inc.<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Portrait Expression Editing With Mobile Photo Sequence<\/a><\/div><\/div><\/div>
Jo Ann Tan<\/a><\/div>Head of Technology Talent<\/span>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Empowering Women in Technology: You\u2019re Not the Only One Feeling This Way<\/a><\/div>
Student Volunteers<\/span> Everyone has a Different Path<\/a><\/div><\/div><\/div>
Kaylee Tian Lin Tan<\/a><\/div>Director<\/span>
Ringling College of Art & Design<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Head in the Clouds<\/a><\/div><\/div><\/div>
Ping Tan<\/a><\/div>
Simon Fraser University<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> High-Resolution Volumetric Reconstruction for Clothed Humans<\/a><\/div><\/div><\/div>
Vanessa Tan<\/a><\/div>
Korea Advanced Institute of Science and Technology (KAIST)<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Motion to Dance Music Generation using Latent Diffusion Model<\/a><\/div><\/div><\/div>
Yoshihiro Tanaka<\/a><\/div>
Nagoya Institute of Technology<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Multichannel Haptic Communication Platform with Wearable Sensing and Display<\/a><\/div><\/div><\/div>
Mia Tang<\/a><\/div>
Stanford University<\/a><\/div><\/span> United States of America<\/span><\/div>
Courses<\/span> Introduction To Generative Machine Learning<\/a><\/div><\/div><\/div>
Sicong Tang<\/a><\/div>
Simon Fraser University<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> High-Resolution Volumetric Reconstruction for Clothed Humans<\/a><\/div><\/div><\/div>
Weixuan TANG<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Yijie Tang<\/a><\/div>
National University of Defense Technology (NUDT)<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> MIPS-Fusion: Multi-Implicit-Submaps for Scalable and Robust Online Neural RGB-D Reconstruction<\/a><\/div><\/div><\/div>
Yuying Tang<\/a><\/div>
Tsinghua University<\/a><\/div>
Politecnico di Milano<\/a><\/div><\/span> China<\/span><\/div>
Art Gallery<\/span> AI N\u00fcshu (Women's scripts) - An Exploration of Language Emergence in Sisterhood<\/a><\/div>
Art Papers - Short<\/span> AI N\u00fcshu: An Exploration of Language Emergence in Sisterhood Through the Lens of Computational Linguistics<\/a><\/div><\/div><\/div>
Hongyu Tao<\/a><\/div>
State Key Laboratory of CAD&CG, State Key Laboratory of CAD&CG, Zhejiang Univerisity<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Neural Motion Graph<\/a><\/div><\/div><\/div>
Nooroa Tapuni<\/a><\/div>
AUT University<\/a><\/div><\/span> New Zealand<\/span><\/div>
Art Gallery<\/span> #peaches<\/a><\/div><\/div><\/div>
May Taraud<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Midnight Hotel<\/a><\/div><\/div><\/div>
Taimoor Tariq<\/a><\/div>
Meta<\/a><\/div>
Universit\u00e0 della Svizzera italiana<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> Perceptually Adaptive Real-Time Tone Mapping<\/a><\/div><\/div><\/div>
Theophilus Teo<\/a><\/div>
University of South Australia<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> NinjaHeads: Gaze-Oriented Parallel View System for Asynchronous Tasks<\/a><\/div><\/div><\/div>
Juan Fernando Teran<\/a><\/div>
MATTE CG<\/a><\/div><\/span> Ecuador<\/span><\/div>
Computer Animation Festival<\/span> Lucky Brave's Sunshine<\/a><\/div><\/div><\/div>
Danielle Thompson<\/a><\/div>Systems Engineer<\/span>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Empowering Women in Technology: You\u2019re Not the Only One Feeling This Way<\/a><\/div>
Student Volunteers<\/span> Everyone has a Different Path<\/a><\/div><\/div><\/div>
Nicholas Thompson-Wymarra<\/a><\/div>
Gudang Yadhayhenu Tribal Governance Council<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Through The Eyes Of Our Ancestors<\/a><\/div><\/div><\/div>
Ian Thomson<\/a><\/div>
Head of Animal Logic Academy at University of Technology Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Computer Animation Festival<\/span> Corrupted<\/a><\/div>
Exhibitor Talks<\/span> Foundry Education Summit<\/a><\/div><\/div><\/div>
Th\u00e9o Thonat<\/a><\/div>
Adobe Research<\/a><\/div><\/span> France<\/span><\/div>
Technical Papers<\/span> RMIP: Displacement ray tracing via inversion and oblong bounding<\/a><\/div><\/div><\/div>
Zhen Tian<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Go Fishboy<\/a><\/div><\/div><\/div>
Yusuke Tokuyoshi<\/a><\/div>
Advanced Micro Devices, Inc.<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Bounded VNDF Sampling for Smith\u2013GGX Reflections<\/a><\/div><\/div><\/div>
Xin Tong<\/a><\/div>
Microsoft Research Asia<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> AniPortraitGAN: Animatable 3D Portrait Generation from 2D Image Collections<\/a><\/div><\/div><\/div>
Catherine Totems<\/a><\/div>
Ateliers de S\u00e8vres<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> The yellow triangle<\/a><\/div><\/div><\/div>
Marie Toury<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Midnight Hotel<\/a><\/div><\/div><\/div>
Mabel Tran<\/a><\/div>Recruiter<\/span>
Animal Logic<\/a><\/div><\/span> Australia<\/span><\/div>
Student Volunteers<\/span> Getting a Job in the Animation and VFX Industry<\/a><\/div><\/div><\/div>
Quang Tran<\/a><\/div>
AIOZ, Singapore<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Controllable Group Choreography using Contrastive Diffusion<\/a><\/div><\/div><\/div>
Ty Trusty<\/a><\/div>
University of Toronto<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Subspace Mixed Finite Elements for Real-Time Heterogeneous Elastodynamics<\/a><\/div><\/div><\/div>
Hung Tsai<\/a><\/div>
San Jose State University<\/a><\/div><\/span> United States of America<\/span><\/div>
Art Gallery<\/span> Plastic Landscape - The Reversible World<\/a><\/div><\/div><\/div>
Akihiro Tsukada<\/a><\/div>
DENSO CORPORATION<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> 3D Lighter: Learning to Generate Emissive Textures<\/a><\/div><\/div><\/div>
Vella Tudor-Brown<\/a><\/div>
DNEG<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> DNEG Down Under: A Look at DNEG Sydney\u2019s Studio<\/a><\/div>
Exhibitor Talks<\/span> DNEG Down Under: Cheers to One Year!<\/a><\/div><\/div><\/div>
Anastasia Tyurina<\/a><\/div>
Queensland University of Technology<\/a><\/div>
National Research University MIET<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> Innovative Currents in Expanded Animation and Digital Art<\/a><\/div>
Educator's Forum<\/span> Leveraging AR-Driven Visual Storytelling to Enhance Communication of Complex Social Issues: Principles, Strategies, and Multifaceted Roles of Visuals<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
U<\/div><\/span>
Soshiro Ueda<\/a><\/div>
Nar Institute of Science and Technology<\/a><\/div><\/span> Japan<\/span><\/div>
XR<\/span> General Software Platform for Designing and Developing of Augmented Reality Task Support Systems<\/a><\/div><\/div><\/div>
Rishi Upadhyay<\/a><\/div>
University of California Los Angeles<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Enhancing Diffusion Models with 3D Perspective Geometry Constraints<\/a><\/div><\/div><\/div>
Aoi Uyama<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Somatic Music: Enhancing Musical Experiences through the Performer\u2019s Embodiment<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
V<\/div><\/span>
Lucas Valen\u00e7a<\/a><\/div>
Universit\u00e9 Laval<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Shadow Harmonization for Realistic Compositing<\/a><\/div><\/div><\/div>
Emilie Valentin<\/a><\/div>
\/<\/a><\/div><\/span> France<\/span><\/div>
XR<\/span> Fortune [XR Theater]<\/a><\/div><\/div><\/div>
Dani Valevski<\/a><\/div>
Google Research<\/a><\/div><\/span> Israel<\/span><\/div>
Technical Papers<\/span> Face0: Instantaneously Conditioning a Text-to-Image Model on a Face<\/a><\/div><\/div><\/div>
Chlo\u00e9 Van Becelaere<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Last Summer<\/a><\/div><\/div><\/div>
Rick Van de Schootbrugge<\/a><\/div>
Compositing Supervisor - Fin Design + Effects<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Boutique VFX Studios Deliver Big Results with Nuke Studio<\/a><\/div><\/div><\/div>
Aliz\u00e9e Van de Valle<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Loup y es-tu ?<\/a><\/div><\/div><\/div>
Jade Van De Veire<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Paumo D'amour<\/a><\/div><\/div><\/div>
Camille Van Delft<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> Belgium<\/span><\/div>
Computer Animation Festival<\/span> Last Summer<\/a><\/div><\/div><\/div>
Craig Van Dyke<\/a><\/div>Faculty<\/span>
Brigham Young University<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> The Witch's Cat<\/a><\/div><\/div><\/div>
Paul Van Opdenbosch<\/a><\/div>
Queensland University of Technology<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Building Virtual Production Capabilities and Curriculum Within University Settings<\/a><\/div>
Talks<\/span> New Dimensions in Extended Reality<\/a><\/div><\/div><\/div>
Kay Vasey<\/a><\/div>Director & Founder<\/span>
MeshMinds Foundation<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> Aquasia<\/a><\/div>
Birds of a Feather<\/span> Designing Sustainable Space and Environment<\/a><\/div><\/div><\/div>
Laur\u00e8ne Vaubourdolle<\/a><\/div>Director<\/span>
Supinfocom Rubika<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Paumo D'amour<\/a><\/div><\/div><\/div>
Mari Velonaki<\/a><\/div>Professor<\/span>
University of New South Wales (UNSW)<\/a><\/div><\/span> <\/div>
Birds of a Feather<\/span> Designing Creative Future Robotics<\/a><\/div><\/div><\/div>
Deepak Vembar<\/a><\/div>
Intel Corporation<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> ExtraSS: A Framework for Joint Spatial Super Sampling and Frame Extrapolation<\/a><\/div><\/div><\/div>
Rodrigo Veras<\/a><\/div>
GOBELINS, l\u2019\u00e9cole de l\u2019image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Funeral at Nine<\/a><\/div><\/div><\/div>
Floor Verhoeven<\/a><\/div>
ETH<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> UVDoc: Neural Grid-based Document Unwarping<\/a><\/div><\/div><\/div>
Heidy Jeanne Villafane<\/a><\/div>
DNEG<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> DNEG Down Under: A Look at DNEG Sydney\u2019s Studio<\/a><\/div>
Exhibitor Talks<\/span> DNEG Down Under: Cheers to One Year!<\/a><\/div><\/div><\/div>
Stephen Viller<\/a><\/div>
School of Electrical Engineering and Computer Science, The University of Queensland<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> XR Training Applications in the Health and Safety Domain<\/a><\/div><\/div><\/div>
Giovanni Vindiola<\/a><\/div>
Immersive Visualization Center, Qualcomm Institute of Technology<\/a><\/div>
UC San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Super Speed Connectivity<\/span> Real-time streaming of high fidelity content across continents within immersive environments on NRP's 100Gbps Science DMZ<\/a><\/div><\/div><\/div>
Yael Vinker<\/a><\/div>
Tel Aviv University<\/a><\/div>
Google Research<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Concept Decomposition for Visual Exploration and Inspiration<\/a><\/div><\/div><\/div>
Jordan Voas<\/a><\/div>
University of Texas at Austin<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> What is the Best Automated Metric for Text to Motion Generation?<\/a><\/div><\/div><\/div>
Adele Vogel<\/a><\/div>
The University of Queensland<\/a><\/div><\/span> Australia<\/span><\/div>
Emerging Technologies<\/span> Visual-gestural Interface for Auslan Virtual Assistant<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
W<\/div><\/span>
Peter Wagner<\/a><\/div>
University of New South Wales, School of Optometry and Vision Science, Sensory Processes Research Laboratory<\/a><\/div><\/span> Australia<\/span><\/div>
Poster<\/span> Quantifying display lag and its effects during Head-Mounted Display based Virtual Reality<\/a><\/div><\/div><\/div>
T. David Waite<\/a><\/div>
UNSW Centre for Transformational Environmental Technologies<\/a><\/div><\/span> Australia<\/span><\/div>
Super Speed Connectivity<\/span> Digital Twins of membrane capacitive deionization pilot units for water treatment in remote communities<\/a><\/div><\/div><\/div>
Sohei Wakisaka<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Conversation Echo: Communication in virtual environments that reflects conversation contents<\/a><\/div>
Emerging Technologies<\/span> Phantom Walls : Spatial perception and navigation without vision<\/a><\/div>
Poster<\/span> Somatic Music: Enhancing Musical Experiences through the Performer\u2019s Embodiment<\/a><\/div><\/div><\/div>
Bolun Wang<\/a><\/div>
King Abdullah University of Science and Technology (KAUST)<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> Rectifying Strip Patterns<\/a><\/div><\/div><\/div>
Chao Wang<\/a><\/div>
Max-Planck-Institut f\u00fcr Informatik<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> A Neural Implicit Representation for the Image Stack: Depth, All in Focus, and High Dynamic Range<\/a><\/div><\/div><\/div>
Cong Wang<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Neural Point-based Volumetric Avatar: Surface-guided Neural Points for Efficient and Photorealistic Volumetric Head Avatar<\/a><\/div><\/div><\/div>
Daoye Wang<\/a><\/div>
Google Inc.<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> LitNeRF: Intrinsic Radiance Decomposition for High-Quality View Synthesis and Relighting of Faces<\/a><\/div><\/div><\/div>
Guan Wang<\/a><\/div>
Yangtze Delta Region Institute of University of Electronic Science and Technology of China<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Monte Carlo Denoising via Multi-scale Auxiliary Feature Fusion Guided Transformer<\/a><\/div><\/div><\/div>
Guangyuan Wang<\/a><\/div>
Alibaba<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> High-Resolution Volumetric Reconstruction for Clothed Humans<\/a><\/div><\/div><\/div>
Hanqin Wang<\/a><\/div>
Nanyang Technological University<\/a><\/div><\/span> Singapore<\/span><\/div>
Poster<\/span> Visual Signatures of Music Mood<\/a><\/div><\/div><\/div>
Haokun Wang<\/a><\/div>
University of Texas at Dallas<\/a><\/div><\/span> United States of America<\/span><\/div>
Emerging Technologies<\/span> FIRE: Mid-Air Thermo-Tactile Display<\/a><\/div><\/div><\/div>
He Wang<\/a><\/div>
Peking University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> MIPS-Fusion: Multi-Implicit-Submaps for Scalable and Robust Online Neural RGB-D Reconstruction<\/a><\/div><\/div><\/div>
Kai Wang<\/a><\/div>
Xiamen University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Computational Design of Wiring Layout on Tight Suits with Minimal Motion Resistance<\/a><\/div><\/div><\/div>
Li Wang<\/a><\/div>
Tianjin University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> DeepBasis: Hand-Held Single-Image SVBRDF Capture via Two-Level Basis Material Model<\/a><\/div><\/div><\/div>
Peng-Shuai Wang<\/a><\/div>
Peking University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Navigating Shape Spaces<\/a><\/div><\/div><\/div>
Rui Wang<\/a><\/div>
CSIRO Data61<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Interaction Design for Immersive Human-AI Collaboration<\/a><\/div><\/div><\/div>
Shuheng Wang<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Siqi Wang<\/a><\/div>
New York University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> B\u00e9zier Spline Simplification Using Locally Integrated Error Metrics<\/a><\/div><\/div><\/div>
Yiqun Wang<\/a><\/div>
Chongqing University<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Landmark Guided 4D Facial Expression Generation<\/a><\/div>
Poster<\/span> Recovering Detailed Neural Implicit Surfaces from Blurry Images<\/a><\/div><\/div><\/div>
Yu-Chen Wang<\/a><\/div>
University of California Irvine<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Amortizing Samples in Physics-Based Inverse Rendering using ReSTIR<\/a><\/div><\/div><\/div>
Yuan Wang<\/a><\/div>
UNSW Centre for Transformational Environmental Technologies<\/a><\/div><\/span> Australia<\/span><\/div>
Super Speed Connectivity<\/span> Digital Twins of membrane capacitive deionization pilot units for water treatment in remote communities<\/a><\/div><\/div><\/div>
Yuehao Wang<\/a><\/div>
The Chinese University of Hong Kong<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Technical Papers<\/span> SeamlessNeRF: Stitching Part NeRFs with Gradient Propagation<\/a><\/div><\/div><\/div>
Zhendong Wang<\/a><\/div>
Style3D Research<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Stable Discrete Bending by Analytic Eigensystem and Adaptive Orthotropic Geometric Stiffness<\/a><\/div><\/div><\/div>
Zhigang Wang<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Art Gallery<\/span> AI N\u00fcshu (Women's scripts) - An Exploration of Language Emergence in Sisterhood<\/a><\/div>
Art Papers - Short<\/span> AI N\u00fcshu: An Exploration of Language Emergence in Sisterhood Through the Lens of Computational Linguistics<\/a><\/div><\/div><\/div>
Zian Wang<\/a><\/div>
NVIDIA<\/a><\/div>
University of Toronto<\/a><\/div><\/span> Canada<\/span><\/div>
Technical Papers<\/span> Adaptive Shells for Efficient Neural Radiance Field Rendering<\/a><\/div><\/div><\/div>
Ziyu Wang<\/a><\/div>
GOBELINS, l\u2019\u00e9cole de l\u2019image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Funeral at Nine<\/a><\/div><\/div><\/div>
Danny Ward<\/a><\/div>
Lecturer at University of South Australia<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Foundry Education Summit<\/a><\/div><\/div><\/div>
Shin'ichi Warisawa<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> DazzleVR: Enhancement of Brightness by Presenting Afterimage and Dazzle Reflex Sensation in Virtual Reality<\/a><\/div>
Emerging Technologies<\/span> FurAir: Non-contact Presentation of Soft Fur Texture by Psuedo-haptics and Mid-air Ultrasound Haptic Feedback<\/a><\/div>
Emerging Technologies<\/span> WearSway: Wearable Device to Reproduce Tactile Stimuli of Strong Wind through Swaying Clothes<\/a><\/div><\/div><\/div>
Takafumi Watanabe<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> ForceField: Visualizing Intermaterial Interaction through Floor and Depth Sensing<\/a><\/div><\/div><\/div>
Ingo Weber<\/a><\/div>Director of Digital Transformation & IT Infrastructure<\/span>
Fraunhofer<\/a><\/div><\/span> Germany<\/span><\/div>
Business and Innovation Symposium<\/span> GenAI in Science<\/a><\/div>
Business and Innovation Symposium<\/span> Panel: Future of GenAI<\/a><\/div><\/div><\/div>
Fangyun Wei<\/a><\/div>
Microsoft Research Asia<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> AniPortraitGAN: Animatable 3D Portrait Generation from 2D Image Collections<\/a><\/div><\/div><\/div>
Jason Weigel<\/a><\/div>
School of Electrical Engineering and Computer Science, The University of Queensland<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> XR Training Applications in the Health and Safety Domain<\/a><\/div><\/div><\/div>
Alex Weight<\/a><\/div>Creative Lead-In-Residence<\/span>
University of Technology Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Computer Animation Festival<\/span> Corrupted<\/a><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div><\/div><\/div>
Viveka Weiley<\/a><\/div>
CSIRO<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> Dynamic Ocean Explorer: XR Experience<\/a><\/div><\/div><\/div>
Egan Wesener<\/a><\/div>
Teaching, Learning and Development Associate at Rising Sun Pictures<\/a><\/div><\/span> Australia<\/span><\/div>
Exhibitor Talks<\/span> Foundry Education Summit<\/a><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div>
Educator's Forum<\/span> Framing the Future: How collaboration between Higher Education and Industry is empowering graduates<\/a><\/div><\/div><\/div>
Bree Whitford-Smith<\/a><\/div>
Business Development Manager - RSP<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Integrating Machine Learning Workflows Within a VFX Pipeline<\/a><\/div><\/div><\/div>
Scott Whittington<\/a><\/div>
The University of Queensland<\/a><\/div><\/span> Australia<\/span><\/div>
Emerging Technologies<\/span> Visual-gestural Interface for Auslan Virtual Assistant<\/a><\/div><\/div><\/div>
James Wilmott<\/a><\/div>
Meta Platforms, Inc.<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> A Motion-Simulation Platform to Generate Synthetic Motion Data for Computer Vision Tasks<\/a><\/div><\/div><\/div>
Anusha Withana<\/a><\/div>
The University of Sydney<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> CG in Asia<\/a><\/div><\/div><\/div>
Marianne Wobcke<\/a><\/div>
Griffith University<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> Perinatal Dreaming - Understanding Country [XR Theater]<\/a><\/div><\/div><\/div>
Sally Woellner<\/a><\/div>
Product Design Lead, Content & Discovery Group at Canva<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Generation Gap: Addressing Bias in Generative AI<\/a><\/div><\/div><\/div>
Jungdam Won<\/a><\/div>
Seoul National University<\/a><\/div><\/span> South Korea<\/span><\/div>
Technical Papers<\/span> Character and Rigid Body Control<\/a><\/div><\/div><\/div>
Seung Kim<\/a><\/div>
NVIDIA<\/a><\/div>
University of Toronto<\/a><\/div><\/span> Canada<\/span><\/div>
Real-Time Live!<\/span> Interactive Texture Painting with Generative AI<\/a><\/div><\/div><\/div>
Markus Worchel<\/a><\/div>
TU Berlin<\/a><\/div><\/span> Germany<\/span><\/div>
Technical Papers<\/span> Differentiable Rendering of Parametric Geometry<\/a><\/div><\/div><\/div>
Rewa Wright<\/a><\/div>
Queensland University of Technology<\/a><\/div><\/span> Australia<\/span><\/div>
Talks<\/span> Celebrating Inclusive Technology and Differently Abled Bodies<\/a><\/div>
Art Papers - Short<\/span> Exploring the Eco-Digital: Performative Sensing with Plants and Data<\/a><\/div>
Talks<\/span> Innovative Currents in Expanded Animation and Digital Art<\/a><\/div><\/div><\/div>
Dong-Yi Wu<\/a><\/div>
National Cheng-Kung University<\/a><\/div><\/span> Taiwan<\/span><\/div>
Poster<\/span> Learning to Generate Wire Sculpture Art from 3D Models<\/a><\/div><\/div><\/div>
FeiFei Wu<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Digital Transformation of Ethnic Dance Heritage: A Multimodal Interactive Game to Balancing Instructional and Cultural Essence<\/a><\/div><\/div><\/div>
Hongzhi Wu<\/a><\/div>
Zhejiang University<\/a><\/div>
State Key Laboratory of CAD&CG, Zhejiang University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Materials<\/a><\/div><\/div><\/div>
Jiajun Wu<\/a><\/div>
Stanford University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Object Motion Guided Human Motion Synthesis<\/a><\/div><\/div><\/div>
Jiangkai Wu<\/a><\/div>
Peking University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> ActRay: Online Active Ray Sampling for Radiance Fields<\/a><\/div><\/div><\/div>
JiaXian Wu<\/a><\/div>
Netease Games AILAB<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> DR-Occluder: Generating Occluders using Differentiable Rendering<\/a><\/div><\/div><\/div>
Juheng Wu<\/a><\/div>
University of California San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Poster<\/span> Closest Point Exterior Calculus<\/a><\/div><\/div><\/div>
Kui Wu<\/a><\/div>
LightSpeed studios<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Joint UV Optimization and Texture Baking<\/a><\/div>
Technical Papers<\/span> Real-time Height-field Simulation of Sand and Water Mixtures<\/a><\/div><\/div><\/div>
Lei WU<\/a><\/div>
Shandong University<\/a><\/div><\/span> \u4e2d\u56fd<\/span><\/div>
Technical Papers<\/span> Anything to Glyph: Artistic Font Synthesis via Text-to-Image Diffusion Model<\/a><\/div><\/div><\/div>
Lifang Wu<\/a><\/div>
Beijing University of Technology<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Multi-Stage Manufacturing for Preoperative Medical Models with Overhanging Components<\/a><\/div><\/div><\/div>
Ronghuan Wu<\/a><\/div>
City University of Hong Kong<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> IconShop: Text-Guided Vector Icon Synthesis with Autoregressive Transformers<\/a><\/div><\/div><\/div>
Songyin Wu<\/a><\/div>
University of California Santa Barbara<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> ExtraSS: A Framework for Joint Spatial Super Sampling and Frame Extrapolation<\/a><\/div><\/div><\/div>
Tong Wu<\/a><\/div>
The Chinese University of Hong Kong<\/a><\/div>
Shanghai AI Laboratory<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> HyperDreamer: Hyper-Realistic 3D Content Generation and Editing from a Single Image<\/a><\/div><\/div><\/div>
Xiaotong Wu<\/a><\/div>
Google Inc.<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Efficient Hybrid Zoom using Camera Fusion on Mobile Phones<\/a><\/div><\/div><\/div>
Xiuchao Wu<\/a><\/div>
State Key Laboratory of CAD & CG, Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> ScaNeRF: Scalable Bundle-Adjusting Neural Radiance Fields for Large-Scale Scene Rendering<\/a><\/div><\/div><\/div>
Yaokun Wu<\/a><\/div>
Keio University<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> OwnDiffusion: A Design Pipeline Using Design Generative AI to preserve Sense Of Ownership<\/a><\/div><\/div><\/div>
Yue Wu<\/a><\/div>
Hong Kong University of Science and Technology<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> AniPortraitGAN: Animatable 3D Portrait Generation from 2D Image Collections<\/a><\/div><\/div><\/div>
Zhizhen Wu<\/a><\/div>
State Key Lab of CAD&CG, Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Adaptive Recurrent Frame Prediction with Learnable Motion Vectors<\/a><\/div><\/div><\/div>
Matthew Wynne<\/a><\/div>
Senior Compositor - Fin Design + Effects<\/a><\/div><\/span> <\/div>
Exhibitor Talks<\/span> Boutique VFX Studios Deliver Big Results with Nuke Studio<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
X<\/div><\/span>
Mingze Xi<\/a><\/div>
CSIRO Data61<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> XR Training Applications in the Health and Safety Domain<\/a><\/div><\/div><\/div>
Elodie Xia<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Last Summer<\/a><\/div><\/div><\/div>
Donglai Xiang<\/a><\/div>
Carnegie Mellon University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Drivable Avatar Clothing: Faithful Full-Body Telepresence with Dynamic Clothing Driven by Sparse RGB-D Input<\/a><\/div>
Doctoral Consortium<\/span> Modeling Dynamic Clothing for Data-Driven Photorealistic Avatars<\/a><\/div><\/div><\/div>
Jianfeng Xiang<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> AniPortraitGAN: Animatable 3D Portrait Generation from 2D Image Collections<\/a><\/div><\/div><\/div>
Junhao Xiang<\/a><\/div>
GOBELINS, l\u2019\u00e9cole de l\u2019image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Funeral at Nine<\/a><\/div><\/div><\/div>
Mingli Xiang<\/a><\/div>
Beijing University of Technology<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Multi-Stage Manufacturing for Preoperative Medical Models with Overhanging Components<\/a><\/div><\/div><\/div>
Jun Xiao<\/a><\/div>
University of Chinese Academy of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Landmark Guided 4D Facial Expression Generation<\/a><\/div>
Poster<\/span> Recovering Detailed Neural Implicit Surfaces from Blurry Images<\/a><\/div><\/div><\/div>
Haoran Xie<\/a><\/div>
Japan Advanced Institute of Science and Technology (JAIST)<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> MicroGlam: Microscopic Skin Image Dataset with Cosmetics<\/a><\/div><\/div><\/div>
Ning Xie<\/a><\/div>
Center for Future Media, University of Electronic Science and Technology of China<\/a><\/div>
School of Computer Science and Engineering, UESCT<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Monte Carlo Denoising via Multi-scale Auxiliary Feature Fusion Guided Transformer<\/a><\/div><\/div><\/div>
Tao Xie<\/a><\/div>
State Key Lab of CAD\\&CG, Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> EasyVolcap: Accelerating Neural Volumetric Video Research<\/a><\/div><\/div><\/div>
Yun Xie<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Digital Transformation of Ethnic Dance Heritage: A Multimodal Interactive Game to Balancing Instructional and Cultural Essence<\/a><\/div><\/div><\/div>
Shiqing Xin<\/a><\/div>
Shandong University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Neural-Singular-Hessian: Implicit Neural Representation of Unoriented Point Clouds by Enforcing Singular Hessian<\/a><\/div><\/div><\/div>
Jiankai Xing<\/a><\/div>
Tsinghua University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Extended Path Space Manifolds for Physically Based Differentiable Rendering<\/a><\/div><\/div><\/div>
Weidan Xiong<\/a><\/div>
Shenzhen University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Head & Face<\/a><\/div>
Technical Papers<\/span> TwinTex: Geometry-aware Texture Generation for Abstracted 3D Architectural Models<\/a><\/div><\/div><\/div>
Chuyan Xu<\/a><\/div>
New Drama Studio<\/a><\/div><\/span> China<\/span><\/div>
Art Gallery<\/span> AI N\u00fcshu (Women's scripts) - An Exploration of Language Emergence in Sisterhood<\/a><\/div>
Art Papers - Short<\/span> AI N\u00fcshu: An Exploration of Language Emergence in Sisterhood Through the Lens of Computational Linguistics<\/a><\/div><\/div><\/div>
Hao Xu<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Juzhan Xu<\/a><\/div>
Shenzhen University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Neural Packing: from Visual Sensing to Reinforcement Learning<\/a><\/div><\/div><\/div>
Kai Xu<\/a><\/div>
National University of Defense Technology (NUDT)<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> MIPS-Fusion: Multi-Implicit-Submaps for Scalable and Robust Online Neural RGB-D Reconstruction<\/a><\/div><\/div><\/div>
Linning Xu<\/a><\/div>
The Chinese University of Hong Kong<\/a><\/div>
Meta<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> VR-NeRF: High-Fidelity Virtualized Walkable Spaces<\/a><\/div><\/div><\/div>
Peiyu Xu<\/a><\/div>
UC Irvine<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Warped-Area Reparameterization of Differential Path Integrals<\/a><\/div><\/div><\/div>
Rebecca Ruige Xu<\/a><\/div>
ACM SIGGRAPH Digital Arts Community<\/a><\/div>
Syracuse University<\/a><\/div><\/span> United States of America<\/span><\/div>
Birds of a Feather<\/span> DAC: Digital Arts Community and SIGGRAPH Asia 2023 Creative Content Overview<\/a><\/div>
Talks<\/span> Expressive Aesthetics in Data Visualisation<\/a><\/div><\/div><\/div>
Sicheng Xu<\/a><\/div>
Microsoft Research Asia<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> AniPortraitGAN: Animatable 3D Portrait Generation from 2D Image Collections<\/a><\/div><\/div><\/div>
Weiwei Xu<\/a><\/div>
State Key Laboratory of CAD & CG, Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> SAILOR: Synergizing Radiance and Occupancy Fields for Live Human Performance Capture<\/a><\/div>
Technical Papers<\/span> ScaNeRF: Scalable Bundle-Adjusting Neural Radiance Fields for Large-Scale Scene Rendering<\/a><\/div>
Technical Papers<\/span> Shells<\/a><\/div><\/div><\/div>
Xiangyu Xu<\/a><\/div>
Xi'an Jiaotong University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Magic Diffusion Model<\/a><\/div><\/div><\/div>
Xiangyu Xu<\/a><\/div>
Xi\u2019an Jiaotong University<\/a><\/div>
Sea AI Lab<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Towards Garment Sewing Pattern Reconstruction from a Single Image<\/a><\/div><\/div><\/div>
Yi Xu<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Zhen Xu<\/a><\/div>
State Key Lab of CAD and CG, Zhejiang University<\/a><\/div>
Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> EasyVolcap: Accelerating Neural Volumetric Video Research<\/a><\/div><\/div><\/div>
Zihui Xu<\/a><\/div>
Chongqing University<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Recovering Detailed Neural Implicit Surfaces from Blurry Images<\/a><\/div><\/div><\/div>
Tianyang Xue<\/a><\/div>
Shandong University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Learning Gradient Fields for Scalable and Generalizable Irregular Packing<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
Y<\/div><\/span>
Oleg Yakovchuk<\/a><\/div>
Samsung R&D Institute Ukraine<\/a><\/div>
National Technical University of Ukraine \"Igor Sikorsky Kyiv Polytechnic Institute\"<\/a><\/div><\/span> Ukraine<\/span><\/div>
Poster<\/span> Recognition-Independent Handwritten Text Alignment Using Lightweight Recurrent Neural Network<\/a><\/div><\/div><\/div>
Amane YAMAGUCHI<\/a><\/div>
The University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> AvatarForge : A Real-time and Node-Based Body Editing System<\/a><\/div>
Emerging Technologies<\/span> TableMorph: Haptic Experience with Movable Tables and Redirection<\/a><\/div><\/div><\/div>
Junnosuke Yamamoto<\/a><\/div>
Keio University Graduate School of Media Design<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Waylet: Self-Contained Haptic Device for Park-Scale Interactions<\/a><\/div><\/div><\/div>
Kenta Yamamoto<\/a><\/div>
University of Tsukuba<\/a><\/div><\/span> Japan<\/span><\/div>
Art Papers - Short<\/span> Alternative Photographic Processes Reimagined: The Role of Digital Technology in Revitalizing Classic Printing Techniques<\/a><\/div><\/div><\/div>
Maika Yamamoto<\/a><\/div>
Nagoya City University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Meta Musicking: A Playground for Exploring Alternative Realities with Others in the XR Age<\/a><\/div><\/div><\/div>
Ayano Yamanaka<\/a><\/div>
Nagoya City University<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Meta Musicking: A Playground for Exploring Alternative Realities with Others in the XR Age<\/a><\/div><\/div><\/div>
Shunji Yamanaka<\/a><\/div>
Japan\/Tokyo University<\/a><\/div><\/span> Japan<\/span><\/div>
Art Gallery<\/span> \u0394t-Sphere<\/a><\/div><\/div><\/div>
Junichi Yamaoka<\/a><\/div>
Keio University<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> AirPolygon: Transparent, Film-based and Flexible 3D Display with Air-control<\/a><\/div><\/div><\/div>
Yuta Yamauchi<\/a><\/div>
University of Tsukuba<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Auditory VR Generative System for Non-Experts to Reproduce Human Memories Through Natural Language Interactions<\/a><\/div><\/div><\/div>
Han Yan<\/a><\/div>
Nankai University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> High Density Ratio Multi-fluid Simulation with Peridynamics<\/a><\/div><\/div><\/div>
Kai Yan<\/a><\/div>
University of California Irvine<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> PSDR-Room: Single Photo to Scene using Differentiable Rendering<\/a><\/div><\/div><\/div>
Ling-Qi Yan<\/a><\/div>
University of California, Santa Barbara<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> ExtraSS: A Framework for Joint Spatial Super Sampling and Frame Extrapolation<\/a><\/div>
Technical Papers<\/span> Multiple-bounce Smith Microfacet BRDFs using the Invariance Principle<\/a><\/div><\/div><\/div>
Shuo Yan<\/a><\/div>
Beihang University<\/a><\/div>
State Key Laboratory of Virtual Reality Technology and Systems, Beihang University<\/a><\/div><\/span> China<\/span><\/div>
Art Papers - Short<\/span> \u201cAchi Mukua Experience Space\u201d\u2014\u2014A Multi-Player Immersive Experience of Yunnan ICH Dance<\/a><\/div>
XR<\/span> \u201cDongba Script Character Construction Space\u201d: VR science-based interactive experience of pictographs in intangible cultural heritage<\/a><\/div>
XR<\/span> \u201cDream Songs\u201d\uff1a Integrating Body Interaction into ICH Oral Literature Virtual Narrative Experience<\/a><\/div>
Poster<\/span> Crossing Narrative: Exploring the Possibilities of Crossing the Virtuality and Reality in Interactive Narrative Experiences<\/a><\/div><\/div><\/div>
ZIHAO Yan<\/a><\/div>
Shenzhen University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Interaction-Driven Active 3D Reconstruction with Object Interiors<\/a><\/div><\/div><\/div>
Kazuhisa Yanaka<\/a><\/div>
Kanagawa Institute of Technology<\/a><\/div><\/span> Japan<\/span><\/div>
Educator's Forum<\/span> Practical Course for Creating Stereoscopic VTuber<\/a><\/div><\/div><\/div>
Grace Yang<\/a><\/div>
University of California San Diego<\/a><\/div><\/span> United States of America<\/span><\/div>
Poster<\/span> Closest Point Exterior Calculus<\/a><\/div><\/div><\/div>
Haotian Yang<\/a><\/div>
Kuaishou Technology<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Towards Practical Capture of High-Fidelity Relightable Avatars<\/a><\/div><\/div><\/div>
Jiaolong Yang<\/a><\/div>
Microsoft Research Asia<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> AniPortraitGAN: Animatable 3D Portrait Generation from 2D Image Collections<\/a><\/div><\/div><\/div>
Jieyin Yang<\/a><\/div>
Key Laboratory of Mathematics Mechanization, Chinese Academy Of Sciences<\/a><\/div>
University of Chinese Academy of Sciences<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Topology Guaranteed B-Spline Surface\/Surface Intersection<\/a><\/div><\/div><\/div>
Lei Yang<\/a><\/div>
SenseTime Research<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Story-to-Motion: Synthesizing Infinite and Controllable Character Animation from Long Text<\/a><\/div><\/div><\/div>
LINGCHEN YANG<\/a><\/div>
ETH Z\u00fcrich<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> An Implicit Physical Face Model Driven by Expression and Style<\/a><\/div>
Technical Papers<\/span> Efficient Incremental Potential Contact for Actuated Face Simulation<\/a><\/div><\/div><\/div>
Shuai Yang<\/a><\/div>
Nanyang Technological University, Singapore<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Rerender A Video: Zero-Shot Text-Guided Video-to-Video Translation<\/a><\/div><\/div><\/div>
Shuai Yang<\/a><\/div>
Shanghai AI Laboratory<\/a><\/div>
Shanghai Jiao Tong University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> HyperDreamer: Hyper-Realistic 3D Content Generation and Editing from a Single Image<\/a><\/div><\/div><\/div>
Ungyeon Yang<\/a><\/div>
Electronics and Telecommunications Research Institute (ETRI)<\/a><\/div><\/span> South Korea<\/span><\/div>
Poster<\/span> Developing a Realistic VR Interface to Recreate a Full-body Immersive Fire Scene Experience<\/a><\/div><\/div><\/div>
Xi Yang<\/a><\/div>
Jilin University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Learning Multivariate Empirical Mode Decomposition for Spectral Motion Editing<\/a><\/div><\/div><\/div>
Xingyu YANG<\/a><\/div>
School of Creative Media, City University of Hong Kong<\/a><\/div><\/span> China<\/span><\/div>
Emerging Technologies<\/span> SoftVibe: Enhancing On-Body Haptic Feedback in VR using Rapid-Prototyping Toolkit with Modularized Flexible Vibrotactile Device<\/a><\/div><\/div><\/div>
Ying Yang<\/a><\/div>
University of Utah<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Neural Stress Fields for Reduced-order Elastoplasticity and Fracture<\/a><\/div>
Technical Papers<\/span> Power Plastics: A Hybrid Lagrangian\/Eulerian Solver for Mesoscale Inelastic Flows<\/a><\/div>
Technical Papers<\/span> Subspace-Preconditioned GPU Projective Dynamics with Contact for Cloth Simulation<\/a><\/div><\/div><\/div>
Yuehui Yang<\/a><\/div>Professionally Trained Musician & Composer<\/span>
Keio University<\/a><\/div>
Performer<\/a><\/div><\/span> Japan<\/span><\/div>
Super Speed Connectivity<\/span> Interactive Volumetric Live Between Sydney and Tokyo<\/a><\/div><\/div><\/div>
Zeshi Yang<\/a><\/div>
Tencent America<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Learning based 2D Irregular Shape Packing<\/a><\/div><\/div><\/div>
Zhitao Yang<\/a><\/div>
SenseTime Research<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Story-to-Motion: Synthesizing Infinite and Controllable Character Animation from Long Text<\/a><\/div><\/div><\/div>
Yutaro Yano<\/a><\/div>
The University of Electro-Communications<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> AiRound: a touchable mid-air image viewable from 360 degrees<\/a><\/div><\/div><\/div>
Richard Yao<\/a><\/div>
Meta Platforms, Inc.<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> A Motion-Simulation Platform to Generate Synthetic Motion Data for Computer Vision Tasks<\/a><\/div><\/div><\/div>
Syunji YAZAKI<\/a><\/div>
The University of Electro-Communications<\/a><\/div><\/span> Japan<\/span><\/div>
Art Gallery<\/span> AI History 1890-2090<\/a><\/div><\/div><\/div>
Yuting Ye<\/a><\/div>
Reality Labs Research, Meta<\/a><\/div>
Meta<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Motion Capture and Reconstruction<\/a><\/div><\/div><\/div>
Sai-Kit Yeung<\/a><\/div>
Hong Kong University of Science and Technology<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Courses<\/span> Authoring Next-Generation XR Storytelling Experiences using Real-World Scene Data - from Everyday Environments to the Ocean<\/a><\/div>
Technical Papers<\/span> Modeling & Geometry<\/a><\/div><\/div><\/div>
Andrew Yip<\/a><\/div>
UNSW<\/a><\/div><\/span> Australia<\/span><\/div>
Art Gallery<\/span> The Garden of Unearthly Delights<\/a><\/div><\/div><\/div>
Sotaro YOKOI<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> TableMorph: Haptic Experience with Movable Tables and Redirection<\/a><\/div><\/div><\/div>
Kenichi Yoneji<\/a><\/div>
DENSO CORPORATION<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> 3D Lighter: Learning to Generate Emissive Textures<\/a><\/div><\/div><\/div>
Taekyung Yoo<\/a><\/div>
Chung-Ang University<\/a><\/div><\/span> South Korea<\/span><\/div>
XR<\/span> Flow: Connect the movement of Virtual Actor and Audience<\/a><\/div><\/div><\/div>
Takatoshi Yoshida<\/a><\/div>
University of Tokyo<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> ForceField: Visualizing Intermaterial Interaction through Floor and Depth Sensing<\/a><\/div><\/div><\/div>
Atsushi Yoshimura<\/a><\/div>
Advanced Micro Devices, Inc. (AMD)<\/a><\/div><\/span> Japan<\/span><\/div>
Courses<\/span> GPU Programming Primitives for Computer Graphics<\/a><\/div><\/div><\/div>
Takayoshi Yoshimura<\/a><\/div>
Toyota Central R&D Labs., Inc.<\/a><\/div><\/span> Japan<\/span><\/div>
Emerging Technologies<\/span> Waylet: Self-Contained Haptic Device for Park-Scale Interactions<\/a><\/div><\/div><\/div>
Lap-Fai Yu<\/a><\/div>
George Mason University<\/a><\/div><\/span> United States of America<\/span><\/div>
Courses<\/span> Authoring Next-Generation XR Storytelling Experiences using Real-World Scene Data - from Everyday Environments to the Ocean<\/a><\/div><\/div><\/div>
Wang Yu<\/a><\/div>
GOBELINS, l\u2019\u00e9cole de l\u2019image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Funeral at Nine<\/a><\/div><\/div><\/div>
Zetao Yu<\/a><\/div>
Independent<\/a><\/div><\/span> United States of America<\/span><\/div>
Art Gallery<\/span> Fusion: Landscape and Beyond 2.0<\/a><\/div><\/div><\/div>
Zhiyuan Yu<\/a><\/div>
Xi'an Jiaotong Liverpool University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Comparing Cinematic Conventions through Emotional Responses in Cinematic VR and Traditional Mediums<\/a><\/div><\/div><\/div>
Zhiyuan Yu<\/a><\/div>
Department of Mathematics, Hong Kong University of Science and Technology<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> EasyVolcap: Accelerating Neural Volumetric Video Research<\/a><\/div><\/div><\/div>
Bowen Yuan<\/a><\/div>
University of South Australia<\/a><\/div><\/span> Australia<\/span><\/div>
XR<\/span> The Fusion Nexus: Exploring the Confluence of Virtual and Real Worlds through Biocognitive Audio-Verbal Interface in Immersive XR Environments<\/a><\/div><\/div><\/div>
Li Yuan<\/a><\/div>
Institute of Military Political Work, Academy of Military Sciences<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Monte Carlo Denoising via Multi-scale Auxiliary Feature Fusion Guided Transformer<\/a><\/div><\/div><\/div>
Yonghao Yue<\/a><\/div>
Aoyama Gakuin University<\/a><\/div><\/span> Japan<\/span><\/div>
Technical Papers<\/span> Non-Newtonian ViRheometry via Similarity Analysis<\/a><\/div><\/div><\/div>
Haoran Yun<\/a><\/div>
Universitat Polit\u00e8cnica de Catalunya (UPC)<\/a><\/div><\/span> Spain<\/span><\/div>
Technical Papers<\/span> SparsePoser: Real-time Full-body Motion Reconstruction from Sparse Data<\/a><\/div><\/div><\/div>
Deniz Yuret<\/a><\/div>
Ko\u00e7 University<\/a><\/div><\/span> Turkey<\/span><\/div>
Technical Papers<\/span> CLIP-Guided StyleGAN Inversion for Text-Driven Real Image Editing<\/a><\/div><\/div><\/div>
Jack Yuster<\/a><\/div>Director<\/span>
Ringling College of Art & Design<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Cheeky<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div>
<\/a>
Z<\/div><\/span>
Nir Zabari<\/a><\/div>
Lightricks<\/a><\/div><\/span> Israel<\/span><\/div>
Technical Papers<\/span> Diffusing Colors: Image Colorization with Text Guided Diffusion<\/a><\/div><\/div><\/div>
Faisal Zaman<\/a><\/div>
Computational Media Innovation Centre<\/a><\/div>
Victoria University of Wellington<\/a><\/div><\/span> New Zealand<\/span><\/div>
Real-Time Live!<\/span> Real-time Auditorium Modeling and Visual Effects for Live Performances<\/a><\/div><\/div><\/div>
Andrzej Zarzycki<\/a><\/div>
New Jersey Institute of Technology<\/a><\/div><\/span> United States of America<\/span><\/div>
Educator's Forum<\/span> Maintaining agency in AI-generated works of art and design: Deliberate creative processes<\/a><\/div><\/div><\/div>
Selly Artaty Zega<\/a><\/div>
Batam State Polytechnic<\/a><\/div><\/span> Indonesia<\/span><\/div>
Computer Animation Festival<\/span> Ficusia<\/a><\/div><\/div><\/div>
Christian Zehetmeier<\/a><\/div>
woodblock<\/a><\/div><\/span> Germany<\/span><\/div>
Computer Animation Festival<\/span> Bye Bear<\/a><\/div><\/div><\/div>
Maria Zelenskaya<\/a><\/div>
Queensland University of Technology<\/a><\/div><\/span> Australia<\/span><\/div>
Birds of a Feather<\/span> Building Virtual Production Capabilities and Curriculum Within University Settings<\/a><\/div>
Emerging Technologies<\/span> Visual-gestural Interface for Auslan Virtual Assistant<\/a><\/div><\/div><\/div>
Keiichi Zempo<\/a><\/div>
University of Tsukuba<\/a><\/div><\/span> Japan<\/span><\/div>
Poster<\/span> Auditory VR Generative System for Non-Experts to Reproduce Human Memories Through Natural Language Interactions<\/a><\/div><\/div><\/div>
Libing Zeng<\/a><\/div>
Texas A&M University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> MyStyle++: A Controllable Personalized Generative Prior<\/a><\/div><\/div><\/div>
Zheng ZENG<\/a><\/div>
University of California, Santa Barbara<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> ExtraSS: A Framework for Joint Spatial Super Sampling and Frame Extrapolation<\/a><\/div><\/div><\/div>
Ryan Zesch<\/a><\/div>
Texas A&M University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Neural Collision Fields for Triangle Primitives<\/a><\/div><\/div><\/div>
Sean Zhai<\/a><\/div>
Syracuse University<\/a><\/div><\/span> United States of America<\/span><\/div>
Talks<\/span> Expressive Aesthetics in Data Visualisation<\/a><\/div><\/div><\/div>
Chao zhang<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Dingxi Zhang<\/a><\/div>
MIT CSAIL<\/a><\/div>
University of Chinese Academy of Science<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> Towards Efficient Local 3D Conditioning<\/a><\/div><\/div><\/div>
Fang Lue Zhang<\/a><\/div>
Victoria University of Wellington<\/a><\/div><\/span> New Zealand<\/span><\/div>
Poster<\/span> Rule-of-Thirds or Centered? A study in preference in photo composition<\/a><\/div><\/div><\/div>
He Zhang<\/a><\/div>
Tecnent<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Neural Categorical Priors for Physics-Based Character Control<\/a><\/div><\/div><\/div>
Hongqian Zhang<\/a><\/div>
Shenzhen University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> TwinTex: Geometry-aware Texture Generation for Abstracted 3D Architectural Models<\/a><\/div><\/div><\/div>
Jiayi Eris Zhang<\/a><\/div>
Stanford University<\/a><\/div>
Adobe<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Progressive Shell Quasistatics for Unstructured Meshes<\/a><\/div><\/div><\/div>
Jiazhao Zhang<\/a><\/div>
Peking University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> MIPS-Fusion: Multi-Implicit-Submaps for Scalable and Robust Online Neural RGB-D Reconstruction<\/a><\/div><\/div><\/div>
Jiguang Zhang<\/a><\/div>
Institute of Automation, Institute of Automation, Chinese Academy Of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> SCOOT:Self-supervised Centric Open-set Object Tracking<\/a><\/div><\/div><\/div>
Kang Zhang<\/a><\/div>
Hong Kong University of Science and Technology (Guangzhou)<\/a><\/div><\/span> China<\/span><\/div>
Art Papers - Short<\/span> Revisiting McLuhan's Laws of Media and Ant Farm: Insights for Mediated Urbanism and Architecture<\/a><\/div><\/div><\/div>
Peiying Zhang<\/a><\/div>
City University of Hong Kong<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Text-Guided Vector Graphics Customization<\/a><\/div><\/div><\/div>
Qi Zhang<\/a><\/div>
Tencent AI Lab<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Anti-Aliased Neural Implicit Surfaces with Encoding Level of Detail<\/a><\/div><\/div><\/div>
Qiang Zhang<\/a><\/div>
Princeton University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Hand Pose Estimation with Mems-Ultrasonic Sensors<\/a><\/div><\/div><\/div>
Sharon Zhang<\/a><\/div>
Stanford University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Editing Motion Graphics Video via Motion Vectorization and Transformation<\/a><\/div><\/div><\/div>
Xiaopeng Zhang<\/a><\/div>
Institute of Automation, Institute of Automation, Chinese Academy Of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Poster<\/span> SCOOT:Self-supervised Centric Open-set Object Tracking<\/a><\/div><\/div><\/div>
Yinda Zhang<\/a><\/div>
Google Inc.<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Portrait Expression Editing With Mobile Photo Sequence<\/a><\/div><\/div><\/div>
Yuewei Zhang<\/a><\/div>
University of Auckland<\/a><\/div><\/span> New Zealand<\/span><\/div>
XR<\/span> Healing Horizons: Adaptive VR for Traumatic Brain Injury Rehabilitation<\/a><\/div>
XR<\/span> SensoryScape: Context-Aware Empathic VR Photography<\/a><\/div><\/div><\/div>
Yunxiao Zhang<\/a><\/div>
Shandong University<\/a><\/div>
School of Computer Science and Technology<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> A Hessian-Based Field Deformer for Real-Time Topology-Aware Shape Editing<\/a><\/div><\/div><\/div>
Yuxin Zhang<\/a><\/div>
Institute of Automation, Chinese Academy Of Sciences<\/a><\/div>
University of Chinese Academy of Sciences<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> ProSpect: Prompt Spectrum for Attribute-Aware Personalization of Diffusion Models<\/a><\/div><\/div><\/div>
Ziyi Zhang<\/a><\/div>
EPFL<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> Projective Sampling for Differentiable Rendering of Geometry<\/a><\/div><\/div><\/div>
Guangyuan Zhao<\/a><\/div>
The Chinese University of Hong Kong<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Technical Papers<\/span> Close the Design-to-Manufacturing Gap in Computational Optics with a \u2019Real2Sim\u2019 Learned Two-Photon Neural Lithography Simulator<\/a><\/div><\/div><\/div>
Haisen Zhao<\/a><\/div>
Shandong University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Creative Expression<\/a><\/div><\/div><\/div>
Junhong Zhao<\/a><\/div>
Victoria University of Wellington<\/a><\/div><\/span> New Zealand<\/span><\/div>
Technical Papers<\/span> A Motion-Simulation Platform to Generate Synthetic Motion Data for Computer Vision Tasks<\/a><\/div><\/div><\/div>
Ling Zhao<\/a><\/div>Director, Writer<\/span>
Ringling College of Art & Design<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Dandelion<\/a><\/div><\/div><\/div>
Ling Zhao<\/a><\/div>
Ringling College of Art & Design<\/a><\/div><\/span> United States of America<\/span><\/div>
Computer Animation Festival<\/span> Dandelion<\/a><\/div><\/div><\/div>
Yiqin Zhao<\/a><\/div>
Worcester Polytechnic Institute<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Portrait Expression Editing With Mobile Photo Sequence<\/a><\/div><\/div><\/div>
Dmytro Zhelezniakov<\/a><\/div>
Samsung R&D Institute Ukraine<\/a><\/div><\/span> Ukraine<\/span><\/div>
Poster<\/span> Recognition-Independent Handwritten Text Alignment Using Lightweight Recurrent Neural Network<\/a><\/div><\/div><\/div>
Fanchao Zhong<\/a><\/div>
Shandong University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> VASCO: Volume and Surface Co-Decomposition for Hybrid Manufacturing<\/a><\/div><\/div><\/div>
Lan Zhou<\/a><\/div>
Gobelins, l'\u00e9cole de l'image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Go Fishboy<\/a><\/div><\/div><\/div>
Lifeng Zhou<\/a><\/div>
GOBELINS, l\u2019\u00e9cole de l\u2019image<\/a><\/div><\/span> France<\/span><\/div>
Computer Animation Festival<\/span> Funeral at Nine<\/a><\/div><\/div><\/div>
Mingjun Zhou<\/a><\/div>
The Chinese University of Hong Kong<\/a><\/div><\/span> Hong Kong<\/span><\/div>
Technical Papers<\/span> Computational Design of LEGO Sketch Art<\/a><\/div><\/div><\/div>
Tianyi Zhou<\/a><\/div>
University of Maryland College Park<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Aerial Diffusion: Text Guided Ground-to-Aerial View Synthesis from a Single Image using Diffusion Models<\/a><\/div><\/div><\/div>
Wen Zhou<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Xiaowei Zhou<\/a><\/div>
Zhejiang University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> EasyVolcap: Accelerating Neural Volumetric Video Research<\/a><\/div><\/div><\/div>
Yifeng Zhou<\/a><\/div>
ByteDance<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Live4D: A Real-time Capture System for Streamable Volumetric Video<\/a><\/div><\/div><\/div>
Yuxiao Zhou<\/a><\/div>
ETH Z\u00fcrich<\/a><\/div><\/span> Switzerland<\/span><\/div>
Technical Papers<\/span> GroomGen: A High-Quality Generative Hair Model Using Hierarchical Latent Representations<\/a><\/div><\/div><\/div>
Zhihua Zhou<\/a><\/div>
Singapore Institute of Technology<\/a><\/div><\/span> Singapore<\/span><\/div>
Technical Papers<\/span> SynthDa: Exploiting Existing Real-World Data for Usable and Accessible Synthetic Data Generation<\/a><\/div><\/div><\/div>
Jingsen Zhu<\/a><\/div>
State Key Lab of CAD&CG, State Key Laboratory of CAD & CG, Zhejiang University<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> FuseSR: Super Resolution for Real-time Rendering through Efficient Multi-resolution Fusion<\/a><\/div><\/div><\/div>
Jun-Yan Zhu<\/a><\/div>
Carnegie Mellon University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> Personalized Generative Models<\/a><\/div><\/div><\/div>
Kening Zhu<\/a><\/div>
School of Creative Media, City University of Hong Kong<\/a><\/div><\/span> China<\/span><\/div>
Emerging Technologies<\/span> SoftVibe: Enhancing On-Body Haptic Feedback in VR using Rapid-Prototyping Toolkit with Modularized Flexible Vibrotactile Device<\/a><\/div><\/div><\/div>
Liming Zhu<\/a><\/div>
CSIRO<\/a><\/div><\/span> Australia<\/span><\/div>
Business and Innovation Symposium<\/span> Welcome: Powering Business Transformation with Generative AI<\/a><\/div><\/div><\/div>
Qingxu Zhu<\/a><\/div>
Tencent<\/a><\/div><\/span> <\/div>
Technical Papers<\/span> Neural Categorical Priors for Physics-Based Character Control<\/a><\/div><\/div><\/div>
Yunyi (Jason) Zhu<\/a><\/div>
UNSW Centre for Transformational Environmental Technologies<\/a><\/div><\/span> Australia<\/span><\/div>
Super Speed Connectivity<\/span> Digital Twins of membrane capacitive deionization pilot units for water treatment in remote communities<\/a><\/div><\/div><\/div>
Yiyu Zhuang<\/a><\/div>
Nanjing University<\/a><\/div><\/span> China<\/span><\/div>
Technical Papers<\/span> Anti-Aliased Neural Implicit Surfaces with Encoding Level of Detail<\/a><\/div><\/div><\/div>
Alexander Zook<\/a><\/div>
NVIDIA<\/a><\/div><\/span> United States of America<\/span><\/div>
Real-Time Live!<\/span> Interactive Texture Painting with Generative AI<\/a><\/div><\/div><\/div>
Victor Zordan<\/a><\/div>
Roblox<\/a><\/div>
Clemson University<\/a><\/div><\/span> United States of America<\/span><\/div>
Technical Papers<\/span> AdaptNet: Policy Adaptation for Physics-Based Character Control<\/a><\/div><\/div><\/div>
Grzegorz Zwoli\u0144ski<\/a><\/div>
Lodz University of Technology<\/a><\/div><\/span> Poland<\/span><\/div>
Educator's Forum<\/span> Mixed Reality as Empathy Machine. Case Study in Universal Design Course<\/a><\/div><\/div><\/div><\/div>
Return to Top<\/a><\/div>
<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":12,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-14491","page","type-page","status-publish","hentry"],"meta_box":[],"_links":{"self":[{"href":"https:\/\/asia.siggraph.org\/2023\/wp-json\/wp\/v2\/pages\/14491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asia.siggraph.org\/2023\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/asia.siggraph.org\/2023\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/asia.siggraph.org\/2023\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/asia.siggraph.org\/2023\/wp-json\/wp\/v2\/comments?post=14491"}],"version-history":[{"count":1,"href":"https:\/\/asia.siggraph.org\/2023\/wp-json\/wp\/v2\/pages\/14491\/revisions"}],"predecessor-version":[{"id":15348,"href":"https:\/\/asia.siggraph.org\/2023\/wp-json\/wp\/v2\/pages\/14491\/revisions\/15348"}],"wp:attachment":[{"href":"https:\/\/asia.siggraph.org\/2023\/wp-json\/wp\/v2\/media?parent=14491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}