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DTSTAMP:20260114T163646Z
LOCATION:Meeting Room C4.3\, Level 4 (Convention Centre)
DTSTART;TZID=Australia/Melbourne:20231213T140000
DTEND;TZID=Australia/Melbourne:20231213T150000
UID:siggraphasia_SIGGRAPH Asia 2023_sess208@linklings.com
SUMMARY:Art Papers 1: Aesthetics and Techniques
DESCRIPTION:Computational Three Distances: Exploring the Aesthetics of the
  Southern Song Dynasty and Its Adapted Simulation and Rendering\n\nThis pa
 per references the painting theory of the three distances concept from the
  Southern Song Dynasty. It introduces a contemporary reinterpretation term
 ed "Computational Three Distances," which employs computer algorithms as t
 he means of painting, departing from traditional ink-brush techniques. ...
 \n\n\nChi-min Hsieh and Hsiao-ching Chou (Institute of Applied Arts, Natio
 nal Yang Ming Chiao Tung University)\n---------------------\nReimagining A
 nimation Making through Style Transfer\n\n“Dissolution” and “Cunabula” are
  experimental animation projects that explore the potential of artistic st
 yle transfer with neural networks in filmmaking. The objective is to disco
 ver novel production methods using a fast, arbitrary, and stroke-adjustabl
 e style transfer netwo...\n\n\nSujin Kim (Arizona State University)\n-----
 ----------------\nAlternative Photographic Processes Reimagined: The Role 
 of Digital Technology in Revitalizing Classic Printing Techniques\n\nThe t
 ransition from film to digital has influenced photography techniques, with
  implications for both cultural and technical aspects. By examining the hi
 story and concepts of classical photography and incorporating computer int
 ervention in revitalizing alternative photographic processes, we aim to e.
 ..\n\n\nChinatsu Ozawa (Digital Nature Group, University of Tsukuba) and K
 enta Yamamoto, Kazuya Izumi, and Yoichi Ochiai (University of Tsukuba)\n\n
 Registration Category: Full Access, Enhanced Access, Trade Exhibitor, Expe
 rience Hall Exhibitor\n\nSession Chair: Victoria Szabo (Duke University, A
 CM)
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